Autodesk has rolled out Maya 2020.4. Designed to help artists and studios keep pace with the ever-increasing demand for content, this release unveils the biggest update to the Bifrost visual programming environment yet. Enhancements include deeper integration with Maya; a user experience overhaul; and new scattering, instancing, volumetrics, and FX capabilities that extend proceduralism in Maya beyond FX and across the content creation pipeline. The release also integrates the latest version of Arnold, bringing artists a faster, more creatively engaging rendering experience, as well as updates to the Motion Library and Substance plugins.
Powerful new capabilities in Bifrost include:
- Maya curve support: Maya curves can now be dragged and dropped directly into Bifrost graphs, where they are converted into Bifrost strands and can be used to build curve-based assets and tools. This update opens the door for artists to use Maya curves to guide procedural generation of roads and fences, as well as the placement and orientation of object scattering.
- Graph shape nodes: Artists can now view Bifrost graphs as either DG or DAG nodes, that are visible in the outliner. DAG nodes are the new default for Bifrost graphs in Maya.
- New fields system: This update introduces user-defined, implicit 3D scalar and vector fields with infinite resolution and low memory overhead. Using fields nodes, artists can now define custom fields to act as dynamic influences on particles, cloth, or aerodynamic simulations – without having to go inside FX compounds to edit them.
- Scatter pack: Higher-level scattering and instancing compounds have been added to the Bifrost toolkit, including a blue noise scattering node and integration with the new fields system.
- Volume improvements: Volume tools now support fully adaptive conversions between meshes and volumes, merging adaptive volumes, and converting between fields and volumes.
- Cloth and thin-shell simulations: Users can now produce more accurate collisions and self-collisions with an updated Material Point Method (MPM) solver.
- Aerodynamic simulations: The Aero solver gains significant performance enhancements, as well as increased capacity for detail refinement and artifact reduction, and new features like texture advection.
- Instantly terminate computation: Quickly escape out of slow running simulations by hitting the ESC key.
A faster, more engaging rendering experience with Arnold 6.1 includes:
- New post-processing nodes: Users can now adjust image exposure, color correction, white balance, tone mapping, and vignetting using new post-processing nodes called ‘imagers’.
- Nestled dielectrics: A new priority system for overlapping transparent objects enables artists to create scenes with more physically accurate reflections and refraction of rays. This allows for more realistic renders of scenes such as glass containers with liquid contents and bubbles or ice cubes.
- GPU improvements: The GPU renderer can now partially load textures, providing big savings on both memory consumption and rendering time. Support for light linking and additional light AOV groups, and enhanced OSL JIT compilation performance have also been added.
Plugin updates
- Motion Library in Maya: Updates to the native Motion Library plugin include enhanced character previews with new orbit and zoom functions and a smoother initialization experience.
- Substance plugin: An updated Substance plugin adds Substance Engine 8.0.3 compatibility, Standard Surface support, and improved interoperability with Maya and other Substance programs.
“Artists are being challenged to create ever-more complex visuals, whether for film, TV, or games. Maya 2020.4 was designed with artists in mind, offering major updates to Bifrost for Maya and Arnold to help them tackle increasingly complex work while pushing their creative limits,” shared Ben Fischler, industry strategy manager, Autodesk. “Creating detailed simulations for smoke, fire, snow, explosions and more, or procedurally generated environments, has historically required a high level of expertise, but with the latest updates to Bifrost in Maya 2020.4, artists of all skill levels can take their first steps in visual programming, building powerful simulations and custom tools.”
Review: Writer-Directors Scott Beck and Bryan Wood’s “Heretic”
"Heretic" opens with an unusual table setter: Two young missionaries from The Church of Jesus Christ of Latter-day Saints are discussing condoms and why some are labeled as large even though they're all pretty much a standard size. "What else do we believe because of marketing?" one asks the other.
That line will echo through the movie, a stimulating discussion of religion that emerges from a horror movie wrapper. Despite a second-half slide and feeling unbalanced, this is the rare movie that combines lots of squirting blood and elevated discussion of the ancient Egyptian god Horus.
Our two church members — played fiercely by Sophie Thatcher and Chloe East — are wandering around trying to covert souls when they knock on the door of a sweet-looking cottage. Its owner, Mr. Reed, offers a hearty "Good afternoon!" He welcomes them in, brings them drinks and promises a blueberry pie. He's also interested in learning more about the church. So far, so good.
Mr. Reed is, of course, if you've seen the poster, the baddie and he's played by Hugh Grant, who doesn't go the snarling, dead-eyed Hannibal Lecter route in "Heretic." Grant is the slightly bumbling, bashful and self-mocking character we fell in love with in "Four Weddings and a Funeral," but with a smear of menace. He gradually reveals that he actually knows quite a bit about the Mormon religion — and all religions.
"It's good to be religious," he says jauntily and promises his wife will join them soon, a requirement for the church. Homey touches in his home include a framed "Bless This Mess" needlepoint on a wall, but there are also oddities, like his lights are on a timer and there's metal in the walls and ceilings.
Writer-directors Scott Beck and Bryan Wood — who also... Read More