Two iconic brands will meet on stage at the AMP Awards for Music and Sound next month, as Chevrolet and Pepsi are honored for their long history of making music a key part of their stories. Both will be inducted into the AMP Hall of Fame at the Association’s 3rd annual awards show, set for City Winery in New York on May 5th, in recognition of “Outstanding Achievement in the Use of Music to Define the Brand.”
Chevy’s use of music as a central part of its marketing goes back to the earliest days of television, when “See the USA in your Chevrolet” was one of the first jingles to cross over into the popular lexicon. Pepsi was also an early and enthusiastic user of music, with its “Pepsi-Cola hits the spot” jingle—also among the most memorable ad tunes of the 20th century.
The two companies have consistently used music in all forms as key components of building relationships with consumers. Chevy brought back its legendary “See the USA” jingle in a big-budget musical TV spot produced for the Super Bowl in 2011 and starring the cast of the Fox series “Glee.” Over the years the brand has built memorable campaigns using licensed songs such as Bob Seger’s “Like a Rock” for Chevy Trucks as well as original hits like its “Heartbeat of America” jingle. The brand is also a high profile sponsor of music events ranging from SXSW to the Country Music Awards, hitting just about every genre in between.
Pepsi has a long tradition of tapping the power of popular music, celebrity and hitmakers to build its image as the “choice of a new generation” in the U.S. and around the world. From Michael Jackson to Ray Charles, Britney Spears, Madonna and its current relationship with Beyoncé, Pepsi has always aligned itself in positive ways with the rhythm of contemporary culture. It continues this tradition with an extensive program of sponsoring music events and artists, and has devoted a significant part of its digital media efforts to linking its brand with music offerings covering diverse genres and audiences.
“Each year, our goal is to honor brands that have put music and sound at the core of their messaging in ways that are arresting, surprising and memorable,” said AMP National Board president Marlene Bartos, managing director of Yessian Music in New York. “As such, we’re delighted that our membership has chosen these great advertisers for induction in our Hall of Fame. It’s an honor that’s well-deserved.”
A special committee comprised of past and present AMP Board members and AMP Awards Advisory Board members from the music industry at large is tasked with developing a list of nominees for the Hall of Fame honor, explained Lyle Greenfield, founder and partner at Bang Music, past president of AMP and one of the co-founders of the AMP Awards. “We look for remarkable advertisers who’ve consistently demonstrated a sophisticated understanding of the power of music to connect with consumers on an emotional level,” he says. “This year, as in years past, we all felt strongly that our nominees would be worthy of induction in the Hall of Fame.”
The shortlist was then submitted to the full AMP membership for a vote. Among those participating in the process were JWT’s Paul Greco, director of music & radio, who is serving as chair of the 2015 AMP Awards Advisory Board, along with past Advisory Board chairs Rani Vaz, sr. VP and director of music and radio production at BBDO, New York, and Josh Rabinowitz, EVP/director of music at Grey Worldwide.
Carrie Coon Relishes Being Part Of An Ensemble–From “The Gilded Age” To “His Three Daughters”
It can be hard to catch Carrie Coon on her own.
She is far more likely to be found in the thick of an ensemble. That could be on TV, in "The Gilded Age," for which she was just Emmy nominated, or in the upcoming season of "The White Lotus," which she recently shot in Thailand. Or it could be in films, most relevantly, Azazel Jacobs' new drama, "His Three Daughters," in which Coon stars alongside Natasha Lyonne and Elizabeth Olsen as sisters caring for their dying father.
But on a recent, bright late-summer morning, Coon is sitting on a bench in the bucolic northeast Westchester town of Pound Ridge. A few years back, she and her husband, the playwright Tracy Letts, moved near here with their two young children, drawn by the long rows of stone walls and a particularly good BLT from a nearby cafe that Letts, after biting into, declared must be within 15 miles of where they lived.
In a few days, they would both fly to Los Angeles for the Emmys (Letts was nominated for his performance in "Winning Time" ). But Coon, 43, was then largely enmeshed in the day-to-day life of raising a family, along with their nightly movie viewings, which Letts pulls from his extensive DVD collection. The previous night's choice: "Once Around," with Holly Hunter and Richard Dreyfus.
Coon met Letts during her breakthrough performance in "Who's Afraid of Virginia Wolfe?" on Broadway in 2012. She played the heavy-drinking housewife Honey. It was the first role that Coon read and knew, viscerally, she had to play. Immediately after saying this, Coon sighs.
"It sounds like something some diva would say in a movie from the '50s," Coon says. "I just walked around in my apartment in my slip and I had pearls and a little brandy. I made a grocery list and I just did... Read More