By David Bauder, Media Writer
NEW YORK (AP) --The Associated Press says it has reached a deal with Sony Electronics to exclusively equip its photojournalists with new video and still cameras over the next two years.
The AP sends some 3,000 photos and 200 videos a day to customers worldwide. Visual journalism is a point of pride for the news cooperative, which won its 54th Pulitzer Prize this year, the 32nd it has won for photography.
The new Alpha cameras will be smaller and lighter, and employ mirrorless technology, enabling photographers to work silently.
"This is a game-changer for the AP and will give us way more flexibility into the future," said Derl McCrudden, deputy managing editor for visual and digital journalism.
The company would not discuss the size of the investment.
It will be the first time the AP uses video and still cameras from the same manufacturer, which it hopes will allow for greater consistency in the product and more speed. Photographers will be able to easily share lenses and memory cards.
"We think we can get images from the back of cameras to customers in minutes," said J. David Ake, director of photography.
Ake said he hoped the transition would be complete in between 18 months and two years, although training on the new equipment will be initially complicated by the coronavirus pandemic.
Neal Manowitz, deputy president for Imaging Products and Solutions Americas at Sony Electronics, said the company is "honored to equip AP's journalists with our technology and support, giving them the opportunity to capture, transmit and deliver imagery in ways they never could before."
Carrie Coon Relishes Being Part Of An Ensemble–From “The Gilded Age” To “His Three Daughters”
It can be hard to catch Carrie Coon on her own.
She is far more likely to be found in the thick of an ensemble. That could be on TV, in "The Gilded Age," for which she was just Emmy nominated, or in the upcoming season of "The White Lotus," which she recently shot in Thailand. Or it could be in films, most relevantly, Azazel Jacobs' new drama, "His Three Daughters," in which Coon stars alongside Natasha Lyonne and Elizabeth Olsen as sisters caring for their dying father.
But on a recent, bright late-summer morning, Coon is sitting on a bench in the bucolic northeast Westchester town of Pound Ridge. A few years back, she and her husband, the playwright Tracy Letts, moved near here with their two young children, drawn by the long rows of stone walls and a particularly good BLT from a nearby cafe that Letts, after biting into, declared must be within 15 miles of where they lived.
In a few days, they would both fly to Los Angeles for the Emmys (Letts was nominated for his performance in "Winning Time" ). But Coon, 43, was then largely enmeshed in the day-to-day life of raising a family, along with their nightly movie viewings, which Letts pulls from his extensive DVD collection. The previous night's choice: "Once Around," with Holly Hunter and Richard Dreyfus.
Coon met Letts during her breakthrough performance in "Who's Afraid of Virginia Wolfe?" on Broadway in 2012. She played the heavy-drinking housewife Honey. It was the first role that Coon read and knew, viscerally, she had to play. Immediately after saying this, Coon sighs.
"It sounds like something some diva would say in a movie from the '50s," Coon says. "I just walked around in my apartment in my slip and I had pearls and a little brandy. I made a grocery list and I just did... Read More