Any Day Now, directed by Travis Fine, and BURN, helmed by Tom Putnam and Breena Sanchez, won the Narrative and Documentary Audience Awards, respectively, tonight at the 11th annual Tribeca Film Festival. Each Heineken Audience Award comes with a cash prize of $25,000. This marks the first time two awards–one for narrative and one for documentary–were given to the audience choices for the best films at Tribeca.
“It’s gratifying to see audiences respond so overwhelmingly to these world premiere films,” said Nancy Schafer, executive director of the Tribeca Film Festival. “Both films strike uplifting and hopeful notes, and we look forward to them continuing to garner strong audience reaction long after the Festival is over.”
Throughout the Festival, which kicked off on April 18, audiences have been able to vote for the Heineken Audience Awards by completing nomination ballots upon exiting screenings. Films in the World Narrative Competition, World Documentary Competition, Viewpoints, Spotlight and Cinemania sections were eligible.
Any Day Now begins when aspiring singer Rudy (Alan Cumming) pounds on the door to discover his neighbor’s son Marco, a teenager with Down syndrome, left alone by his drug addicted mother with only the blaring stereo to keep him company. Family Services takes Marco, but days later Rudy sees him on the street and brings him home, where Rudy and his closeted district attorney partner Paul (Garret Dillahunt) become the stable family environment Marco has never had. But when authorities discover Rudy and Paul are gay, the men must battle a biased legal system to adopt the child they have come to love as their own. Set in 1970s Los Angeles and inspired by a true story, Any Day Now is a poignant and occasionally incendiary drama from Tribeca Festival alum Travis Fine (The Space Between) that addresses gay adoption rights issues that are as relevant today as they were nearly 40 years ago. Augmenting the touching performances from Cumming and Dillahunt is Isaac Leyva, who offers a subtle yet impactful performance as a boy who inspires those around him to fight for what is right when no one else will. Cumming, Dillahunt and Leyva received a standing ovation for their performances at the premiere.
BURN, executive produced by Denis Leary, introduces audiences to the men and women charged with saving Detroit, the once-roaring city that many have left for dead. With vast stretches of forsaken buildings left as kindling, the highest arson rate in the country, and a budget crisis of epic proportions, the city turns to new fire commissioner Donald Austin to shake up the system with hard-line decisions and drastic, often controversial measures. Cautiously regarded by the department as a bombastic outsider, the Detroit native sets out to demonstrate his commitment to helping his hometown rise from the ashes. Many of the film’s screenings at Tribeca were attended by members of the Detroit Fire Department and received standing ovations.
“We were told time and time again that there is no audience for a film about firefighters,” said Sanchez.
Added Putnam, “We are so grateful for this honor and we hope it will help raise the profile of the film and let people know what’s going on in Detroit and across this country.”
Directing and Editing “Conclave”; Insights From Edward Berger and Nick Emerson
It’s been a bruising election year but this time we’re referring to a ballot box struggle that’s more adult than the one you’d typically first think of in 2024. Rather, on the industry awards front, the election being cited is that of the Pope which takes front and center stage in director Edward Berger’s Conclave (Focus Features), based on the 2016 novel of the same title by Robert Harris. Adapted by screenwriter Peter Straugham, Conclave stars Ralph Fiennes as the cardinal leading the conclave that has convened to select the next Pope. While part political thriller, full of backstabbing and behind-closed-door machinations, Conclave also registers as a thoughtful adult drama dealing with themes such as a crisis of faith, weighing the greater good, and engaging in a struggle that’s as much about spirituality as the attainment of power.
Conclave is Berger’s first feature after his heralded All Quiet on the Western Front, winner of four Oscars in 2023, including for Best International Feature Film. And while Conclave would on the surface seem to be quite a departure from that World War I drama, there’s a shared bond of humanity which courses through both films.
For Berger, the heightened awareness of humanity hit home for him by virtue of where he was--in Rome, primarily at the famed Cinecittà studio--to shoot Conclave, sans any involvement from the Vatican. He recalled waking up in Rome to “soak up” the city. While having his morning espresso, Berger recollected looking out a window and seeing a priest walking about with a cigarette in his mouth, a nun having a cup of coffee, an archbishop carrying a briefcase. It dawned on Berger that these were just people going to... Read More