By Jonathan Landrum Jr., Entertainment Writer
LOS ANGELES (AP) --Anthony Daniels went through a painful experience after not receiving the same amount of public recognition as other co-stars when the first "Star Wars" film released in 1977.
But in time, Daniels' C-3PO character became one of the most popular in the franchise and he's the only cast member to have appeared in all nine of the main "Star Wars" films. The British actor plays the soft-spoken "protocol droid" built by young Anakin Skywalker that is fluent in six million languages. His gold-plated character also appeared in the franchise's the spin-off "Rogue One," and had a cameo in "Ralph Breaks the Internet."
C-3PO's witty exchanges with fellow droid R2-D2 often served as comic relief, making the tandem fan favorites.
It's been a long ride for the 73-year-old Daniels, who believes his appearance in "The Rise of Skywalker," which opens in theaters Friday, will likely be his last film appearance as C-3PO. He highlights his "Star Wars" experiences in his new memoir "I Am C-3PO: The Inside Story," which released in late October.
In a recent interview, Daniels spoke about playing C-3PO and reflects on some of the best memories in the past 42 years in the iconic franchise.
Q: What has it been like to film in all nine films?
Daniels: It's been a ton of work, and a ton of employment, which is great. As an actor, you're always looking for the next job. And often that next job for me has been something to do with "Star Wars." The friendship and companionship of being C-3PO has been quite a gift.
Q: Are you surprised "Star Wars" made it this far?
Daniels: At the end of "A New Hope," the original film, I thought that was it. Twelve weeks of weird and difficult work. Not entirely wonderful. I thought that was it. Then they came and said "Let's make another one, then another." … So I've been swept along by forces beyond my control. But finally, it is ending.
Q: Is "A New Hope" your favorite film compared to the rest?
Daniels: Yes, because I understood it. The story was simple enough that I got it. It got a bit complicated after that. It was an innocent film out of nowhere.
Q: It was your favorite film, but you struggled with being overlooked after "Star Wars'" release as well, right?
Daniels: It was difficult not being associated with the film when it first came out. That was a painful experience that lasted quite a while, but then changed over the course in time. It brings me here today with my name on the poster. Only parents care about that sort of thing.
Q: What has been your most memorable experience?
Daniels: In the desert on the first episode. It was absolutely riveting. It had such an impact. Seeing the effect of people looking at me in the costume then seeing their reactions. You are the center of attention. They can't see you, but you're absorbing the energy. That was pretty intense. That stays with me.
Q: When you put on your costume, what goes through your mind?
Daniels: Here we go again. Why am I doing this? And then, adrenaline is a great thing when somebody on set says "action." Suddenly, your professional skills take over. The adrenaline gently sets in and you put up with stuff. You make it work as a professional actor.
Q: What does the character, C-3PO, mean to you?
Daniels: He's kind of my friend, my companion. He's somebody I know quite well. I want to be with him all the time. I'm proud to know him.
Q : What was it like for you not having Carrie Fisher around during filming "The Rise of Skywalker?"
Daniels: It was little wistful. But she is so there in all these films. You sort of forget that she's died, because she's just there. That's the magic of the media. Nobody is really gone anymore. You may not be able to physically touch them. But they are there. There are fond memories.
Q: What mark has your character and "Star Wars" left?
Daniels: It's so big that I kind of don't get it yet. I need to be away from it for a while. Maybe I need to talk to more fans. So many people say "Thank you for my childhood." We have given people a lot of stuff. They have given back with all their enthusiasm and affection.
Review: Malcolm Washington Makes His Feature Directing Debut With “The Piano Lesson”
An heirloom piano takes on immense significance for one family in 1936 Pittsburgh in August Wilson's "The Piano Lesson." Generational ties also permeate the film adaptation, in which Malcolm Washington follows in his father Denzel Washington's footsteps in helping to bring the entirety of The Pittsburgh Cycle — a series of 10 plays — to the screen.
Malcolm Washington did not start from scratch in his accomplished feature filmmaking debut. He enlisted much of the cast from the recent Broadway revival with Samuel L. Jackson (Doaker Charles), his brother, John David Washington (Boy Willie), Ray Fisher (Lymon) and Michael Potts (Whining Boy). Berniece, played by Danielle Brooks in the play, is now beautifully portrayed by Danielle Deadwyler. With such rich material and a cast for whom it's second nature, it would be hard, one imagines, to go wrong. Jackson's own history with the play goes back to its original run in 1987 when he was Boy Willie.
It's not the simplest thing to make a play feel cinematic, but Malcolm Washington was up to the task. His film opens up the world of the Charles family beyond the living room. In fact, this adaptation, which Washington co-wrote with "Mudbound" screenwriter Virgil Williams, goes beyond Wilson's text and shows us the past and the origins of the intricately engraved piano that's central to all the fuss. It even opens on a big, action-filled set piece in 1911, during which the piano is stolen from a white family's home. Another fleshes out Doaker's monologue in which he explains to the uninitiated, Fisher's Lymon, and the audience, the tortured history of the thing. While it might have been nice to keep the camera on Jackson, such a great, grounding presence throughout, the good news is that he really makes... Read More