By David Bauder, Media Writer
NEW YORK (AP) --“America’s Got Talent” wasn’t content with just the top spot in the Nielsen company’s rankings of the most popular television programs last week. This time it took the top two.
First place is familiar territory for NBC’s talent competition. It has been the most-watched summer series for six straight years, and the No. 1 alternative summer series for all 14 years that it has been on the air.
The dominance continues even though the show is slipping in popularity, which is typical of most TV series these days. “AGT” averages 11.4 million viewers live and within a week of an episode’s premiere, down 18% from last year, Nielsen said.
Still, that’s almost 4 million viewers more than the second-ranked show of the summer, ABC’s “Bachelorette,” which had 7.5 million viewers within a week of its premiere this summer.
“America’s Got Talent” still has the capacity to create big moments online, too. A clip of contestant Kodi Lee singing a version of “A Song For You” has been viewed nearly 432 million times online, NBC said.
The summer’s ratings illustrate how scripted series are fading as a factor, after a couple of years where networks tried to attract viewers with a handful of new shows. Last summer the second-ranked show was the CBS drama “Code Black,” with 8.8 million viewers. The most-watched scripted series this summer has been reruns of CBS’ “NCIS,” at 5.6 million, Nielsen said.
NBC won the week in primetime, averaging 3.6 million viewers. CBS had 3.4 million, ABC had 2.9 million, Fox had 2.4 million, ION Television had 1.4 million, Univision had 980,000, Univision had 950,000 and the CW had 580,000.
Fox News Channel was the week’s most popular cable network, averaging 2.36 million viewers in primetime. MSNBC had 1.54 million, HGTV had 1.2 million, USA had 1.13 million and Hallmark had 1.11 million.
ABC’s “World News Tonight” topped the evening newscasts with an average of 8 million viewers. NBC’s “Nightly News” was second with 7.2 million and the “CBS Evening News” had 5 million viewers.
Below are primetime viewership numbers compiled by Nielsen for Aug. 12-18. Listings include the week’s ranking and viewership.
1. “America’s Got Talent” (Tuesday), NBC, 9.1 million.
2. “America’s Got Talent” (Wednesday), NBC, 7.9 million.
3. “60 Minutes,” CBS, 7.11 million.
4. NFL Exhibition Football: Seattle at Minnesota, Fox, 5.3 million.
5. “Celebrity Family Feud,” ABC, 5.06 million.
6. “American Ninja Warrior,” NBC, 4.76 million.
7. “Big Brother” (Sunday), CBS, 4.72 million.
8. “The $100,000 Pyramid,” ABC, 4.42 million.
9. “NCIS,” CBS, 4.4 million.
10. “America’s Funniest Home Videos,” ABC, 4.37 million.
11. “Bachelor in Paradise” (Monday), ABC, 4.35 million.
12. “Big Brother” (Wednesday), CBS, 4.23 million.
13. “Big Brother” (Thursday), CBS, 4.21 million.
14. “Bachelor in Paradise” (Tuesday), ABC, 4.09 million.
15. “NCIS: New Orleans,” CBS, 4.04 million.
16. “Dateline NBC” (Monday), NBC, 4 million.
17. “FBI,” CBS, 3.91 million.
18. “The Big Bang Theory,” CBS, 3.75 million.
19. “Young Sheldon,” CBS, 3.61 million.
20. “Blue Bloods,” CBS, 3.6 million.
ABC is owned by The Walt Disney Co.; CBS is a division of CBS Corp.; Fox is owned by 21st Century Fox; NBC is owned by NBC Universal.
Review: Malcolm Washington Makes His Feature Directing Debut With “The Piano Lesson”
An heirloom piano takes on immense significance for one family in 1936 Pittsburgh in August Wilson's "The Piano Lesson." Generational ties also permeate the film adaptation, in which Malcolm Washington follows in his father Denzel Washington's footsteps in helping to bring the entirety of The Pittsburgh Cycle — a series of 10 plays — to the screen.
Malcolm Washington did not start from scratch in his accomplished feature filmmaking debut. He enlisted much of the cast from the recent Broadway revival with Samuel L. Jackson (Doaker Charles), his brother, John David Washington (Boy Willie), Ray Fisher (Lymon) and Michael Potts (Whining Boy). Berniece, played by Danielle Brooks in the play, is now beautifully portrayed by Danielle Deadwyler. With such rich material and a cast for whom it's second nature, it would be hard, one imagines, to go wrong. Jackson's own history with the play goes back to its original run in 1987 when he was Boy Willie.
It's not the simplest thing to make a play feel cinematic, but Malcolm Washington was up to the task. His film opens up the world of the Charles family beyond the living room. In fact, this adaptation, which Washington co-wrote with "Mudbound" screenwriter Virgil Williams, goes beyond Wilson's text and shows us the past and the origins of the intricately engraved piano that's central to all the fuss. It even opens on a big, action-filled set piece in 1911, during which the piano is stolen from a white family's home. Another fleshes out Doaker's monologue in which he explains to the uninitiated, Fisher's Lymon, and the audience, the tortured history of the thing. While it might have been nice to keep the camera on Jackson, such a great, grounding presence throughout, the good news is that he really makes... Read More