By Jake Coyle, Film Writer
NEW YORK (AP) --In a sign of how the pandemic is remaking Hollywood traditions, AMC Theatres and Universal Studios on Tuesday announced an agreement to shorten the exclusive theatrical window to just 17 days for the studio's films.
The standard window of theatrical exclusivity typically runs about 90 days. Up until now, the largest chains have steadfastly refused to screen films that don't give releases a lengthy and exclusive run in theaters before moving onto video-on-demand or streaming services. Studios, meanwhile, have increasingly sought to deliver new movies more quickly into the home.
The new deal covers Universal films — which include the "Fast & Furious" franchise, "Jurassic Park" movies and the "Despicable Me" series — in the U.S. over the next three years.
After a run of at least three weekends, Universal (and its specialty label, Focus Features) will have the option of steering a film to premium on-demand, including AMC's own service. The shortened window only applies to premium video-on-demand — which often means digital rentals of $20 — not standard on-demand or other home platforms.
The agreement repairs a rift between AMC and Universal, which is owned by Comcast Corp. In April, with theaters shuttered nationwide, Universal released the animated sequel "Trolls World Tour" by video on demand. NBCUniversal CEO Jeff Shell then trumpeted the digital release as a success and said the studio would, even once theaters reopened, "release movies on both formats."
That infuriated theater owners. Adam Aron, chief executive of AMC, said the company would no longer play Universal releases and said he would do the same for any distributor that "unilaterally abandons current windowing practices absent good faith negotiations between us."
Terms of the deal weren't disclosed, but AMC will get a share of the premium video-on-demand revenue.
"The theatrical experience continues to be the cornerstone of our business," said Donna Langley, chairman of Universal Filmed Entertainment Group. "The partnership we've forged with AMC is driven by our collective desire to ensure a thriving future for the film distribution ecosystem and to meet consumer demand with flexibility and optionality."
Aron called it "a historic, industry-changing agreement" that benefits both parties.
"This multi-year agreement preserves exclusivity for theatrical viewing for at least the first three weekends of a film's release, during which time a considerable majority of a movie's theatrical box office revenue typically is generated," said Aron. "AMC will also share in these new revenue streams that will come to the movie ecosystem from premium video on demand."
The deal has potentially profound ramifications for an industry reeling from the coronavirus pandemic. The largest chains have been closed in the U.S. for more than four months. Exhibitors, including AMC, are currently planning on a large-scale reopening by late August, with Warner Bros.' "Tenet" prepared to usher moviegoers back over the Labor Day weekend, after debuting a week earlier overseas.
Universal has opted to postpone its largest upcoming films — including "F9" and "Minions" — into next year. The studio sent "The King of Staten Island" directly to homes. Its next scheduled release expected in theaters is "Candyman" on Oct. 16.
The National Association of Theater Owners declined to comment on the new deal.
Carrie Coon Relishes Being Part Of An Ensemble–From “The Gilded Age” To “His Three Daughters”
It can be hard to catch Carrie Coon on her own.
She is far more likely to be found in the thick of an ensemble. That could be on TV, in "The Gilded Age," for which she was just Emmy nominated, or in the upcoming season of "The White Lotus," which she recently shot in Thailand. Or it could be in films, most relevantly, Azazel Jacobs' new drama, "His Three Daughters," in which Coon stars alongside Natasha Lyonne and Elizabeth Olsen as sisters caring for their dying father.
But on a recent, bright late-summer morning, Coon is sitting on a bench in the bucolic northeast Westchester town of Pound Ridge. A few years back, she and her husband, the playwright Tracy Letts, moved near here with their two young children, drawn by the long rows of stone walls and a particularly good BLT from a nearby cafe that Letts, after biting into, declared must be within 15 miles of where they lived.
In a few days, they would both fly to Los Angeles for the Emmys (Letts was nominated for his performance in "Winning Time" ). But Coon, 43, was then largely enmeshed in the day-to-day life of raising a family, along with their nightly movie viewings, which Letts pulls from his extensive DVD collection. The previous night's choice: "Once Around," with Holly Hunter and Richard Dreyfus.
Coon met Letts during her breakthrough performance in "Who's Afraid of Virginia Wolfe?" on Broadway in 2012. She played the heavy-drinking housewife Honey. It was the first role that Coon read and knew, viscerally, she had to play. Immediately after saying this, Coon sighs.
"It sounds like something some diva would say in a movie from the '50s," Coon says. "I just walked around in my apartment in my slip and I had pearls and a little brandy. I made a grocery list and I just did... Read More