The Cannes Film Festival has had its first shock to the system, in the shape of Mexican director Amat Escalante’s unsparingly violent drug war drama “Heli.”
The story of the devastation wreaked by narco-violence on an ordinary Mexican family, the movie paints such a bleak picture that one journalist told its director Thursday that she had cancelled a planned trip to the country after seeing it.
Escalante said that wasn’t the reaction he was hoping for.
“It’s not an anti-tourism movie for Mexico at all,” he told reporters in Cannes, where “Heli” is one of 20 films competing for the top prize, the Palme d’Or. “It’s a drama that is quite extreme because I think it’s even worse, the reality in Mexico — but not the everyday reality.
“It’s a great country, a beautiful country that has this virus that invades certain parts, and many people are suffering,” said 34-year-old Escalante, both the youngest director and the only Latin American in the main Cannes competition.
“It would be very socially irresponsible not to talk about those bad things that are happening in our country,” added Gabriel Reyes, who co-wrote the screenplay with Escalante.
“I think if we never talk about the bad things then problems might never be solved.”
Filmed in the bleak and beautiful landscape around the central Mexican city of Guanajuato, the film focuses on Heli (Armando Espitia), a young man who works in a car plant and lives with his wife, baby, father and 12-year-old sister, Estella (Andrea Vergara).
When Estella falls for a police cadet, the family is sucked into the world of the country’s drug wars.
With shocking suddenness, violence busts over them, then leaves the damaged survivors to pick up the pieces as best they can.
Two scenes drew gasps from Cannes audiences. One involves nastiness to a puppy, the other the brutal torture of a teenager, conducted partly by children and including what one critic described delicately as “genital immolation.”
It was all too much for a few audience members, who walked out. The Hollywood Reporter called the film “an austere glumfest of stomach-churning sadism and lowlife misery porn,” while Variety described it as “accomplished but singularly unpleasant.”
Others, though, drew comparisons to “City of God” and “Amores Perros” — artful and powerful depictions of violence in Latin America.
“Heli” follows last year’s Mexican Cannes contender “Post Tenebras Lux” by Carlos Reygadas, a more surreal but thematically similar response to the drug trade violence that has caused at least 70,000 killings since 2006.
Escalante, who has worked as an assistant director for Reygadas, defended the film’s depiction of violence. He shoots it in a manner that’s the antithesis of Hollywood — through unblinking scenes that create a sense of detachment but also offer no escape from the horror on show.
“If I’m going to show violence, I’m going to give it the weight it should have,” the director said.
“In a moral way, I think the responsibility is to show violence how it should be — sad and unpleasant and very dirty and a nightmare.
“I couldn’t show it half way,” he added. “Hitchcock said, if you don’t show it, it’s more powerful. I’ve always remembered that — but I’ve tried to do the opposite.”
The End of The “Rust” Criminal Case Against Alec Baldwin May Unlock A Civil Lawsuit
The conclusion of a criminal case against Alec Baldwin in the fatal shooting of a cinematographer clears the way for a related civil lawsuit by relatives of the deceased woman and efforts to depose the actor under oath, attorneys for plaintiffs in the civil suit said Tuesday.
At a news conference in Los Angeles, victims' rights attorney Gloria Allred said that the parents and younger sister of deceased cinematographer Halyna Hutchins were disappointed that prosecutors won't appeal the dismissal of an involuntary manslaughter charge against Baldwin. The criminal charge against Baldwin was dismissed halfway through trial in July on allegations that police and prosecutors withheld evidence from the defense.
Hutchins died shortly after being wounded during a rehearsal in the movie "Rust" in October 2021 at a film-set ranch on the outskirts of Santa Fe, New Mexico.
Baldwin, the lead actor and coproducer, was pointing a pistol at Hutchins when it discharged, killing Hutchins and wounding director Joel Souza. Baldwin has said he pulled back the hammer — but not the trigger — and the revolver fired.
Allred said Hutchins' relatives are determined to pursue damages and compensation from Baldwin and "Rust" producers in New Mexico civil court, and want Baldwin to answer questions under oath in the proceedings. Hutchins' widower and son previously reached a separate legal settlement.
"With the withdrawal that was made public yesterday, we are now able to proceed with our civil case," Allred said. "Clearly, the rights of Alec Baldwin were protected, but the due process rights of the victims — Halyna Hutchins and her parents and her sister — were violated."
Allred said she's ready to prove that Hutchins had a close relationship... Read More