Season 2 of CBS’ legal drama All Rise was shot using multiple Blackmagic Pocket Cinema Camera 6Ks to maintain safe protocols during the pandemic. Cinematographers David Harp and Amanda Treyz faced a unique mandate as prep commenced on season two of the series in August of 2020. The pandemic was in full swing, and the idea of shooting a series on set, with actors and crew spending long hours in close proximity simply was not an option.
Executive producer Michael Robin suggested to Harp the prospect of using Blackmagic Pocket Cinema Cameras. Harp had only limited experience with the cameras but had always been impressed by the quality of the images they produced, and he knew it was time to embrace something new. “We had to come up with a system that enabled us to divide the cast and crew into pods, and limit our exposure to one another,” said Harp. “To do this we went from a three or four camera show to a 27-camera show, all with Pocket 6Ks.”
While the first season was shot traditionally, season two would be produced very differently, though it was critical that the look of the show remain of the same quality. Finding a safe way to continue was important, and both the crew and cast adapted quickly to the new paradigm.
The solution was to place Pocket Cinema Camera 6K cameras on a variety of remote PTZ (pan/tilt/zoom) heads, Ronin 2 systems, remote sliders or Steadicam. The remaining cameras, up to 13, were locked off in various positions. “The Pocket 6Ks were affordable enough that we could have multiple bodies,” said Treyz. “We could get wide shots and close ups at the same time.”
The set was filled with cameras on stands, all non-operated. “Basically, every angle that could be conceived of as necessary was photographed, usually in two setups,” added Harp.
The added feature of shooting at a high resolution proved to be valuable and gave the filmmakers flexibility in post. “The 6K capture gave us a lot of options,” said Treyz. “We could shoot a medium close up and if the director wanted a closeup, the editor could extract the framing they wanted.” For Harp, the quality of the image was equally pleasing. With the unique setup, only the dolly grip and the Steadicam operator were required physically on set with the cast. The director, cinematographer and camera assistants were able to step in as needed, reducing the danger of crew and cast forced together.
“Dune: Part Two” and “House of the Dragon” Win 2 HPA Awards Apiece
Dune: Part Two and House of the Dragon each scored two HPA Awards during a gala ceremony at the Television Academy’s Wolf Theatre in North Hollywood, Calif. on Thursday night (11/7). The HPA Awards honor trailblazing talent in the postproduction industry, celebrating standout achievements in color grading, sound, editing, restoration, and visual effects across theatrical features, commercials, and episodics.
Dune: Part Two topped the Outstanding Color Grading--Live Action Theatrical Feature and the Outstanding Sound--Theatrical Feature categories.
House of the Dragon’s two wins were for “The Red Dragon and the Gold” episode which scored for Outstanding Visual Effects--Live Action Episode or Series Season, and Outstanding Editing--Episode or Non-Theatrical Feature (Over 30 Minutes). In the latter HPA Creative Category, House of the Dragon tied with the “Part Six: Far,l Far Away” episode of Ahsoka.
The HPA’s Judges Award for Creativity and Innovation honored Taylor Swift | The Eras Tour. This recognition celebrates the profound impact on both live and filmed entertainment that defined The Eras Tour, underscoring its exceptional impact on audiences and the industry. The jury issued a statement outlining their choice: “Celebrated as the cultural phenomenon of 2023, Taylor Swift | The Eras Tour set new records in box office sales, tour revenues, and attendance. The tour showcased exceptional artistry and innovation, making a profound impact on both live and filmed entertainment.”
This year, FotoKem was awarded the Charles S. Swartz Award for its role in supporting filmmakers, studios, cinematographers, and artists across diverse film and media landscapes. Also celebrated... Read More