Alec Baldwin told ABC's George Stephanopoulos in an interview airing Thursday that he did not pull the trigger on a prop gun he was holding on a New Mexico film set when it went off, killing a cinematographer.
"I didn't pull the trigger," Baldwin said. "I would never point a gun at anyone and pull the trigger at them. Never."
It is Baldwin's first sitdown interview since the Oct. 21 shooting on the set of the western film "Rust." Authorities have said Baldwin was told the gun was safe to handle but continue to investigate how a live round ended up in the weapon.
ABC released a clip Wednesday that shows Baldwin breaking down in tears while describing Halyna Hutchins, the cinematographer who was killed on the set. Director Joel Souza was also wounded.
He said in response to a question about how a live round ended up on the set: "I have no idea. Someone put a live bullet in a gun, a bullet that wasn't even supposed to be on the property."
The interview will air as part of an hourlong special on ABC at 8 p.m. Eastern time on Thursday and stream on Hulu later that evening.
Investigators have described "some complacency" in how weapons were handled on the "Rust" set. They have said it is too soon to determine whether charges will be filed, amid independent civil lawsuits concerning liability in the fatal shooting.
ABC said a two-hour special "20/20" next week will examine the investigation into the shooting in more depth.
Jennifer Kent On Why Her Feature Directing Debut, “The Babadook,” Continues To Haunt Us
"The Babadook," when it was released 10 years ago, didn't seem to portend a cultural sensation.
It was the first film by a little-known Australian filmmaker, Jennifer Kent. It had that strange name. On opening weekend, it played in two theaters.
But with time, the long shadows of "The Babadook" continued to envelop moviegoers. Its rerelease this weekend in theaters, a decade later, is less of a reminder of a sleeper 2014 indie hit than it is a chance to revisit a horror milestone that continues to cast a dark spell.
Not many small-budget, first-feature films can be fairly said to have shifted cinema but Kent's directorial debut may be one of them. It was at the nexus of that much-debated term "elevated horror." But regardless of that label, it helped kicked off a wave of challenging, filmmaker-driven genre movies like "It Follows," "Get Out" and "Hereditary."
Kent, 55, has watched all of this — and those many "Babadook" memes — unfold over the years with a mix of elation and confusion. Her film was inspired in part by the death of her father, and its horror elements likewise arise out of the suppression of emotions. A single mother (Essie Davis) is struggling with raising her young son (Noah Wiseman) years after the tragic death of her husband. A figure from a pop-up children's book begins to appear. As things grow more intense, his name is drawn out in three chilling syllables — "Bah-Bah-Doooook" — an incantation of unprocessed grief.
Kent recently spoke from her native Australia to reflect on the origins and continuing life of "The Babadook."
Q: Given that you didn't set out to in any way "change" horror, how have you regarded the unique afterlife of "The... Read More