The Most Next winner--which also scored in the Digital Experience, Experiential and Real Time Engagement categories--was produced by Ntropic for FCB New York
The 2021 AICP Next Awards debuted tonight (7/28), recognizing creative excellence in new and emerging media. Appropriately, a cutting-edge Michelob ULTRA campaign that put virtual fans in the seats for NBA games, creating a global sensation while driving sales for its sponsor, was proclaimed as the Most Next winner.
Chosen from all the winners in the Next Awards categories, and serving as its Best in Show, the Most Next Award was presented to “Courtside” for Michelob ULTRA, in collaboration with Microsoft and the NBA. Created by FCB New York, it was produced by the design and production studio Ntropic. “Courtside” also won in the categories of Digital Experiences, Experiential and Real Time Engagement.
“Courtside” utilized Microsoft technology to allow Michelob ULTRA drinkers a chance to win virtual courtside “tickets” that would place them alongside the digital “fans” seen on video boards that surrounded the courts in the NBA’s pandemic bubble in Orlando, where all of the 2020 season games were played. These virtual fan boards were peppered with celebrities, former NBA stars and other notable names, along with everyday fans. The “Courtside” effort generated extensive media coverage and social media engagement, while also boosting ULTRA sales by double digits.
The AICP Next Awards recognizes work in 11 categories: Branded Content & Entertainment, Creative Data, Digital Experiences, Experiential, Influencer, Innovation, Purpose Driven, Real Time Engagement, Social, Web Film and Integrated Campaign. The Next Awards judging chair–Tiffany Rolfe, global chief creative officer at R/GA, who repeated her role from the 2020 Next Awards–and the jury presidents from each category, along with this year’s curator at large, chose this year’s Most Next from among these category winners.
Serving as AICP Next Awards jury presidents for 2021, along with their respective categories, were Lauren Connolly, global executive creative director, BBDO (Integrated Campaign); Scott Donaton, SVP, head of marketing, Hulu (Branded Content & Entertainment); Bianca Guimaraes, partner and executive creative director, Mischief, (Real Time Engagement); Piper Hickman, executive creative director (Web Film); Erin Lynch, SVP, executive creative director, R/GA (Digital Experiences); Marc Maleh, MD, technology and emerging experiences, Huge Inc. (Creative Data); Allen Mask, managing partner, CōLab /Westcap (Innovation); Nina Mishkin, director, North America creative strategy, Snapchat. (Social); Bill Oberlander, co-founder and executive creative director, Oberland (Purpose Driven); James Robinson, chief creative officer, North America, Momentum Worldwide (Experiential); Bekah Sirrine, director, brand creative, Airbnb (Influencer); and Mike Woods, ECD/head of immersive, m ss ng p eces (curator at large).
The AICP Next Awards is part of the AICP’s suite of juried competitions, which also includes the AICP Post Awards, presented on July 27, and the AICP Show: The Art & Technique of the Commercial, which will be presented on July 29. As with the AICP Show, the Next Awards honorees are preserved in The Museum of Modern Art’s Department of Film’s state of the art archives for future generations to study, and are available for use or exhibition by the museum’s curators. All individual works, and each year’s shows in their entirety, can be viewed exclusively here, the AICP Awards Archive website.
The winner of the Most Next honor directs a $5,000 grant from the AICP Foundation to an institution of their choosing. FCB New York has directed the grant to Move United. Founded in 1956, Move United’s vision is that every person, regardless of ability, has an equal opportunity to participate in sports and recreation in their community. Move United has been redefining disability by providing year-round sports and recreation opportunities to people with a wide range of disabilities, offering more than 70 different adaptive sports. Through its national network of more than 200 community member organizations, Move United serves over 100,000 individuals with disabilities of all ages each year.
The opening titles and graphics for the AICP Next Awards were created by Ingenuity and Cosmo Street, with a score by RNDM ORDER. The AICP Next Awards curators films were edited by Whitehouse Post, with music by MusicBed and audio mix by Heard City. The sponsor reel screened prior to the Next Awards was created by The Colonie, with music by Noisefloor.
Sponsors help make the AICP Awards–including the AICP Next Awards–possible. AICP Partners and Supporting Partners, who support all AICP events throughout the year, are: CAPS – A Cast & Crew Entertainment Company, Universal Studios and Wrapbook (Partners); and Film Offices of The Hawaiian Islands; Musicbed + Filmsupply; Sony Pictures Studios; and The TEAM Companies (Supporting Partners). The 2021 AICP Awards Sponsors include Aspen Travel, AwardCore, BMGPM and BMG Bespoke, The Colonie, Color Lab, Cosmo Street, Heard City, Hello World, International Digital Centre – IDC, Istros Media, Ingenuity, Kodak, Little Black Book, Noisefloor, RNDM ORDER, The ROOTS, S’well, SHOOT Magazine | SHOOT Online, Source | SHOTS | Slate and Whitehouse Post.
Here’s a rundown of AICP Next Awards winners:
Branded Content & Entertainment
Beats By Dre “You Love Me”
Production Company: PRETTYBIRD
Director: Melina Matsoukas
Agency: Translation
Cox Communications “Drawn Closer”
Production Company: Nexus Studios
Director/Script Writer: Patrick Osborne
Agency: 180LA
Creative Data
Reddit “Up The Vote”
Advertising Agency/ Production Company/ Editorial Company: R/GA California
Verizon “Full Transparency by Verizon”
Production Company/Media Distribution: MadNetwork
Advertising/Digital Agency: Huge
Digital Experiences
Michelob ULTRA, Microsoft, NBA “Michelob ULTRA Courtside”
Production Company: Ntropic
Director: Nathan Robinson
Agency: FCB New York
NAACP Atlanta “Invisible Hate”
Production/Development Company: m ss ng p eces
Director: Mike Woods
Developer: Steel Jones
Agency: 22Squared
Experiential
Michelob ULTRA, Microsoft, NBA “Michelob ULTRA Courtside”
Production Company: Ntropic
Director: Nathan Robinson
Agency: FCB New York
Verizon “Verizon Fortnite Stadium”
Advertising Agencies/Production Companies/Editorial Companies: R/GA + Momentum Worldwide
Influencer
Dunkin’ “Dunkin’ x Charli”
Production Company: Saugatuck Strategic
Agency: BBDO New York
Social Media Team: Charli D’Amelio
Verizon “#NotDone”
Production Company: The Mill
Agency: Verizon
Innovation
Mastercard “True Name”
Production Company: Hungry Man
Agency: McCann
Patagonia Brewery “Comunal Gin”
Production Company: Aire.Life
Director: Fernando J Pérez
Agency/Editorial Company: R/GA Buenos Aires
Purpose Driven
Change the Ref “Unfinished Vote”|
Production Company: The Colony
Director: David Gaddie
Agency: McCann Health, New York
Chief, National Museum of Women’s History “Glass Ceiling Breaker: Kamala Harris”
Production Company: m ss ng p eces
Director: Mike Woods
Developer: Mike Bodge
Agency/Editorial Company: BBH
Courageous Conversation Global Foundation “Not A Gun”
Production Company: Rakish
Director: Kevin Foley
Agency: Goodby Silverstein & Partners
Real Time Engagement
Arby’s “$5 Missing Menu Meal-Tik Tok”
Agency: Fallon
Michelob ULTRA, Microsoft, NBA “Michelob ULTRA Courtside”
Production Company: Ntropic
Director: Nathan Robinson
Agency: FCB New York
Social
Ally Financial “r/Bank”
Advertising Agency/Production Company/Editorial Company: R/GA New York
Reddit “Superb Owl”
Advertising Agency/Production Company/Editorial Company: R/GA California
Verizon “#NotDone”
Production Company: The Mill
Agency: Verizon
Web Film
Frida Mom “Frida Mom – Stream of Lactation”
Production Company: ICONOCLAST
Director: Rachel Morrison
Agency: Mekanism
Integrated Campaign
Kraft Mac and Cheese “Send Noods”
Production Company: PlaytimeMedia.TV
Director: Zach Math
Agency: Mischief @ No Fixed Address
Miller Lite “Farwell, Work Holiday Parties”
Production Company: Arts & Sciences
Director: Alex Prager
Agency: DDB Chicago
Most Next
Michelob ULTRA, Microsoft, NBA “Michelob ULTRA Courtside”
Production Company: Ntropic
Director: Nathan Robinson
Agency: FCB New York
Rom-Com Mainstay Hugh Grant Shifts To The Dark Side and He’s Never Been Happier
After some difficulties connecting to a Zoom, Hugh Grant eventually opts to just phone instead.
"Sorry about that," he apologizes. "Tech hell." Grant is no lover of technology. Smart phones, for example, he calls the "devil's tinderbox."
"I think they're killing us. I hate them," he says. "I go on long holidays from them, three or four days at at time. Marvelous."
Hell, and our proximity to it, is a not unrelated topic to Grant's new film, "Heretic." In it, two young Mormon missionaries (Chloe East, Sophie Thatcher) come knocking on a door they'll soon regret visiting. They're welcomed in by Mr. Reed (Grant), an initially charming man who tests their faith in theological debate, and then, in much worse things.
After decades in romantic comedies, Grant has spent the last few years playing narcissists, weirdos and murders, often to the greatest acclaim of his career. But in "Heretic," a horror thriller from A24, Grant's turn to the dark side reaches a new extreme. The actor who once charmingly stammered in "Four Weddings and a Funeral" and who danced to the Pointer Sisters in "Love Actually" is now doing heinous things to young people in a basement.
"It was a challenge," Grant says. "I think human beings need challenges. It makes your beer taste better in the evening if you've climbed a mountain. He was just so wonderfully (expletive)-up."
"Heretic," which opens in theaters Friday, is directed by Scott Beck and Bryan Woods, co-writers of "A Quiet Place." In Grant's hands, Mr. Reed is a divinely good baddie — a scholarly creep whose wry monologues pull from a wide range of references, including, fittingly, Radiohead's "Creep."
In an interview, Grant spoke about these and other facets of his character, his journey... Read More