Regina King, Chadwick Boseman, Andra Day and Daniel Kaluuya also win top honors
Judas and the Black Messiah was named the year’s Best Film today by the African American Film Critics Association (AAFCA), the world’s largest group of Black film critics. In addition to Best Picture, the film also earned awards for Best Actor for Daniel Kaluuya and Best Supporting Actress for Dominique Fishback. Additionally, Judas and the Black Messiah's Shaka King earned Breakout Director distinction from the AAFCA.
Here’s the complete list of the 12th AAFCA Award winners:
- Best Picture: Judas and the Black Messiah (Warner Bros.)
- Best Director: Regina King, One Night In Miami (Amazon Studios)
- Best Actor: Chadwick Boseman, Ma Rainey’s Black Bottom (Netflix)
- Best Actress: Andra Day, The United States vs. Billie Holiday (Hulu)
- Best Supporting Actor: Daniel Kaluuya, Judas and the Black Messiah (Warner Bros.)
- Best Supporting Actress: Dominique Fishback, Judas and the Black Messiah (Warner Bros.)
- Best Screenplay: Kemp Powers, One Night in Miami (Amazon Studios)
- Best Ensemble: One Night In Miami (Amazon Studios)
- Best Foreign Film: Night of the Kings (NEON)
- Best Documentary: All In: The Fight For Democracy (Amazon Studios)
- Best Animation: Soul (Pixar/Disney)
- Best Short Film: Two Distant Strangers
- Breakout Performance: Radha Blank, The Forty-Year-Old Version (Netflix)
- Breakout Director: Shaka King, Judas and the Black Messiah (Warner Bros.)
“Serving alongside an all-Black producing team, Judas and the Black Messiah director Shaka King created a project that permanently enshrines pivotal Black Panther leader Fred Hampton as an American hero. Released against the backdrop of the present-day Black Lives Matter movement, the film’s message of commitment and sacrifice to social justice is empowering,” said AAFCA president/co-founder Gil Robertson. “Daniel Kaluuya as Hampton is literally on fire and is supported well by Dominique Fishback who increasingly has become an actress to watch. Our members are thrilled to award the film with our highest honor.”
“Our Best Actress winner Andra Day was phenomenal as Billie Holiday,” continued Robertson. “Director Lee Daniels has a terrific knack for bringing out the very best from his actors and Day is no exception as she delivered a performance that serves as an impressive launch to an acting career we feel has great promise. The members of AAFCA are excited to see even more of her range in the future.”
“In Ma Rainey’s Black Bottom, Chadwick Boseman again showcased a great understanding and execution of the acting craft. In what is the final performance of his career, he confirmed why he will forever be considered one of the best actors of his generation. AAFCA is tremendously pleased to honor him for this extraordinary performance.”
The organization, whose membership spans the U.S., the Caribbean, Europe and Africa and is the largest of its kind, also announced its Top 10 films of the year:
- Judas And The Black Messiah
- One Night In Miami
- Ma Rainey’s Black Bottom
- Nomadland
- Night Of The Kings
- American Skin
- Da 5 Bloods
- Minari
- Miss Juneteenth
- The United States Vs. Billie Holiday
“The common theme with all of our Top 10 Films this year is the grace of humanity,” said Robertson. “All of these films spotlighted different circumstances that put the human spirit to a test. During a year when COVID-19 forced everyone on this planet to unite against a common threat to our health and well-being, these films spoke to the resilience and courage we all possess to overcome challenging odds. The AAFCA members were deeply heartened and inspired by these amazing stories as we also look forward to a return to ‘going to the movies’ with our family and friends.”
The 12th AAFCA Awards ceremony will take place virtually on Wednesday, April 7.
Rom-Com Mainstay Hugh Grant Shifts To The Dark Side and He’s Never Been Happier
After some difficulties connecting to a Zoom, Hugh Grant eventually opts to just phone instead.
"Sorry about that," he apologizes. "Tech hell." Grant is no lover of technology. Smart phones, for example, he calls the "devil's tinderbox."
"I think they're killing us. I hate them," he says. "I go on long holidays from them, three or four days at at time. Marvelous."
Hell, and our proximity to it, is a not unrelated topic to Grant's new film, "Heretic." In it, two young Mormon missionaries (Chloe East, Sophie Thatcher) come knocking on a door they'll soon regret visiting. They're welcomed in by Mr. Reed (Grant), an initially charming man who tests their faith in theological debate, and then, in much worse things.
After decades in romantic comedies, Grant has spent the last few years playing narcissists, weirdos and murders, often to the greatest acclaim of his career. But in "Heretic," a horror thriller from A24, Grant's turn to the dark side reaches a new extreme. The actor who once charmingly stammered in "Four Weddings and a Funeral" and who danced to the Pointer Sisters in "Love Actually" is now doing heinous things to young people in a basement.
"It was a challenge," Grant says. "I think human beings need challenges. It makes your beer taste better in the evening if you've climbed a mountain. He was just so wonderfully (expletive)-up."
"Heretic," which opens in theaters Friday, is directed by Scott Beck and Bryan Woods, co-writers of "A Quiet Place." In Grant's hands, Mr. Reed is a divinely good baddie — a scholarly creep whose wry monologues pull from a wide range of references, including, fittingly, Radiohead's "Creep."
In an interview, Grant spoke about these and other facets of his character, his journey... Read More