Aframe, the cloud video platform, has partnered with broadcast supplier, ROOT6 Technology, to provide a seamless workflow for customers using its automated file-based management system, ContentAgent.
ContentAgent provides a centralized hub from which customers can manage and automate all aspects of their file-based workflow from ingest to delivery, while its resolution independent transcoding ensures that files are easily transformed into the file formats needed. Users can set up ContentAgent to create a workflow and then add Aframe via the desktop app. By using the combined solutions, customers can now benefit from automated uploading and the ability to use Aframe out of the edit without interrupting their workflow.
Outside broadcast and UK post facility, Timeline North, is just one customer who has been using both solutions together with great success. Eben Clancy, postproduction director, Timeline North, explained, “We use ContentAgent to transcode the rushes [dailies], and then we can move the files straight from there to a drop folder using the Aframe desktop app. Once it’s in the drop folder, Aframe uploads it immediately. It has completely taken away a lengthy manual process and made the workflow very easy and straightforward.”
As well as the ability to have an automated workflow, which improves efficiency and saves time, the partnership allows customers to be able to view a low res proxy, along with the time code and file name, from any location and use the Aframe interface to link it back to the high res file and the online edit.
“ContentAgent allows us to set up rules and workflows, for example ensuring that everything that we drop in to the Aframe folder gets uploaded immediately, so the whole process is extremely simple,” said Clancy. “After a day of filming, we usually get a batch of rushes at around 6pm and the team on the late shift would then look after things from there. Now, the whole process is automated which means it is less of a burden on our resource and everything can be done faster.”
Clancy concluded, “What’s also great is the cloud aspect of Aframe. It means the team can start the upload in the office and then check it from home to make sure all the rushes uploaded successfully which is a huge benefit for all of us. It really has improved our workflow and that of our clients.”
From Restoring To Hopefully Preserving Multi-Camera Categories At The Emmys
When Gary Baum, ASC won his fourth career Emmy Award earlier this month, it was especially gratifying in that the honor came in a category--Outstanding Cinematography for a Multi-Camera Half-Hour Series--that had been restored thanks in part to a grass-roots initiative among cinematographers to drum up entries. Last year the category fell by the wayside when not enough multi-camera entries materialized.
In his acceptance speech, Baum appealed to the Television Academy to keep multi-camera categories alive. He later noted to SHOOT that editors also got their multi-camera recognition back in the Emmy competition this year. Baum hopes that after resurrecting multi-camera categories in 2024, such recognition will be preserved for 2025 and beyond.
A major factor in the decline of multi-camera submissions in 2023 was the move of certain children’s and family programming from the primetime Emmy competition to the National Academy of Television Arts and Sciences’ (NATAS) Emmy ceremony. For DPs this meant that multi-camera programs last year were reduced to vying for just one primetime nomination slot in the more general Outstanding Cinematography for a Series (Half-Hour) category. It turned out that this single slot was filled in ‘23 by a Baum-lensed episode of How I Met Your Father (Hulu).
Fast forward to this year’s competition and Baum won for another installment of How I Met Your Father--”Okay Fine, It’s A Hurricane,” which turned out to be the series finale. Two of Baum’s Emmy wins over the years have been for How I Met Your Father, and there’s a certain symmetry to them. His initial win for How I Met Your Father was for the pilot in 2022. So he won Emmys for the very first and last... Read More