The Audio Engineering Society’s Technical Council (AESTC) has formed a group to advance the science and application of Audio for New Realities. The group will serve the needs of the audio community working in Virtual, Augmented and Mixed Reality environments.
“New realities” covers a whole gamut of application areas including film, games, music, communications, medicine, forensics, simulations, education and virtual tourism. The technical requirements for new realities cover obvious areas such as spatial audio and synthesis but extend beyond into audio networking, semantic audio, perception, broadcast and online delivery. There will therefore be a need for good cooperation with existing AESTC Technical Committees providing leadership in related disciplines.
The group will initially operate under the Audio for Games Technical Committee. Technical Council vice-chair Michael Kelly said, “This is an exciting and new area for the AES as an organization. A large number of our society’s members already have strong expertise in this emerging area. The Games Technical Committee is a great starting point for the group, but it is not the end-point. We are seeking expert stakeholders in all application areas. We are looking at synergies across these areas but also at what makes them unique.”
Dr. Gavin Kearney, researcher and lecturer at the University of York, has been appointed as the group leader. “We’ve asked Gavin to lead this group, as it is an area close to his heart, and also as he is well connected with key industry members while retaining a degree of objectivity in his academic position,” said Kelly.
“A core responsibility of the group will be to define a roadmap for the AES to address emergent applications in new realities,” Kearney commented. “The group will consist of industry professionals working at the forefront of commercial technologies for virtual, augmented and mixed realities as well as key academics in the field whose audio research crosses new multidisciplinary boundaries. Our initial objectives will include collating the state of the art in audio for new realities across recording, composition, sound design, spatial audio, environmental analysis and auditory scene synthesis, in order to develop technical workflows that are practical and relevant to the industry and creative practitioners in the field.”
AES president Alex U. Case stated, “The AES has a legacy of embracing emerging audio applications and markets. That includes audio for virtual, augmented and mixed reality, where there’s so much excitement and progress. Beginning with the landmark AES AVAR Conference, AES has focused the expertise, knowledge and skill of its membership on the vast range of creative possibilities to be explored and the breadth of technical challenges to solve in this fledgling market sector. Conference chairs Andres Mayo and Linda Gedemer did a great job of engaging the best minds in audio with the rich pool of talent involved in new reality production. While the field is so young and dynamic that people don’t even know yet what to call AR/VR/MR, we’re continuing AES’s market leadership with two solid tracks at the Berlin and New York conventions. Expanding our Technical Council to address these new realities, with leadership by Dr. Kearney, is further evidence of AES’ commitment to the future.”
After 20 Years of Acting, Megan Park Finds Her Groove In The Director’s Chair On “My Old Ass”
Megan Park feels a little bad that her movie is making so many people cry. It's not just a single tear either — more like full body sobs.
She didn't set out to make a tearjerker with "My Old Ass," now streaming on Prime Video. She just wanted to tell a story about a young woman in conversation with her older self. The film is quite funny (the dialogue between 18-year-old and almost 40-year-old Elliott happens because of a mushroom trip that includes a Justin Bieber cover), but it packs an emotional punch, too.
Writing, Park said, is often her way of working through things. When she put pen to paper on "My Old Ass," she was a new mom and staying in her childhood bedroom during the pandemic. One night, she and her whole nuclear family slept under the same roof. She didn't know it then, but it would be the last time, and she started wondering what it would be like to have known that.
In the film, older Elliott ( Aubrey Plaza ) advises younger Elliott ( Maisy Stella ) to not be so eager to leave her provincial town, her younger brothers and her parents and to slow down and appreciate things as they are. She also tells her to stay away from a guy named Chad who she meets the next day and discovers that, unfortunately, he's quite cute.
At 38, Park is just getting started as a filmmaker. Her first, "The Fallout," in which Jenna Ortega plays a teen in the aftermath of a school shooting, had one of those pandemic releases that didn't even feel real. But it did get the attention of Margot Robbie 's production company LuckyChap Entertainment, who reached out to Park to see what other ideas she had brewing.
"They were very instrumental in encouraging me to go with it," Park said. "They're just really even-keeled, good people, which makes... Read More