The Screen Actors Guild is going to press on with plans for a strike authorization vote, but needs to reassess when to send out ballots after the end of a contentious meeting that lasted nearly 30 hours, its president said Tuesday.
A date for the ballots to be mailed out was undecided after a two-day meeting. During the meeting board members attempted but failed to fire the Guild’s lead negotiator with Hollywood studios, Doug Allen, SAG’s national executive director who supports a strike vote.
Stalling tactics at the meeting were severe, exposing a cavernous divide between a strike vote-supporting Hollywood faction known as Membership First and a coalition forming a majority on the board from New York, the regions and an upstart Hollywood group known as Unite for Strength.
In one example of the vote-delaying debate, Membership First led an eight-hour discussion on whether to extend the end of the first day of the meeting from 10 p.m. Monday to 1 a.m. Tuesday. The debate carried on until 6 a.m.
“We’ve got to regroup a bit,” Guild president Alan Rosenberg said after the meeting ended Tuesday afternoon. “I’m thrilled that Doug is still our lead negotiator. If I were more rested I’d be even happier.”
No vote was taken on a motion that would have removed Allen, a former NFL Players Association executive, because it lacked sufficient signatures and other technicalities, according to the guild. Allen has a year left in his three-year contract.
Anne-Marie Johnson, a board member and member of Membership First, said her group peppered opponents with questions about their motion to fire Allen.
“It was flawed enough where debate was so extended, we never got to an official vote,” Johnson said.
Ned Vaughn, leader of the Unite For Strength group, which won six of 11 Hollywood board seats up for grabs in a September election, expressed disgust at the meeting’s outcome.
“We worked for 28 straight hours but got nothing accomplished, despite our clear board majority,” Vaughn said. “Membership First used endless stalling tactics to keep our motion from being voted on.”
The motion would have fired Allen, found a replacement, and reconstituted the guild’s negotiating committee in an effort to kick-start stalled talks with Hollywood studios.
Actors in the 120,000-member guild have been working without a contract on movies and prime-time TV shows since June 30.
Guild leaders had planned to send out strike authorization ballots by as early as Wednesday, but an exhausted-looking Rosenberg suggested it would not happen that quickly. Last year, a 100-day strike by writers reduced the Golden Globe Awards to a news conference, but a deal was reached quickly enough to save the Academy Awards.
This year, the Globes went off without a hitch and Rosenberg suggested that even the Oscars, set for Feb. 22, might make it by unscathed by a potential actors’ boycott, despite the negotiating leverage such a threat might carry.
“The Golden Globes and the Oscars have never been our priority,” Rosenberg said. “Getting (strike authorization) is the priority.”
A strike vote requires 75 percent support from voting members to succeed. If it is approved, the SAG national board can call a strike. Voting would take about three weeks.
The actors guild has been pressing the major movie studios for a better deal on residual payments for productions made for Internet distribution. It also wanted to ensure continued benefits during work stoppages, including those that are caused by strikes by other unions.
The Alliance of Motion Picture and Television Producers, which represent the movie studios, declined to comment.
Review: Director Jon M. Chu’s “Wicked”
It's the ultimate celebrity redemption tour, two decades in the making. In the annals of pop culture, few characters have undergone an image makeover quite like the Wicked Witch of the West.
Oh, she may have been vengeful and scary in "The Wizard of Oz." But something changed — like, REALLY changed — on the way from the yellow brick road to the Great White Way. Since 2003, crowds have packed nightly into "Wicked" at Broadway's Gershwin Theatre to cheer as the green-skinned, misunderstood Elphaba rises up on her broomstick to belt "Defying Gravity," that enduring girl-power anthem.
How many people have seen "Wicked"? Rudimentary math suggests more than 15 million on Broadway alone. And now we have "Wicked" the movie, director Jon M. Chu's lavish, faithful, impeccably crafted (and nearly three-hour) ode to this origin story of Elphaba and her (eventual) bestie — Glinda, the very good and very blonde. Welcome to Hollywood, ladies.
Before we get to what this movie does well (Those big numbers! Those costumes!), just a couple thornier issues to ponder. Will this "Wicked," powered by a soulful Cynthia Erivo (owner of one of the best singing voices on the planet) and a sprightly, comedic, hair-tossing Ariana Grande, turn even musical theater haters into lovers?
Tricky question. Some people just don't buy into the musical thing, and they should be allowed to live freely amongst us. But if people breaking into song delights rather than flummoxes you, if elaborate dance numbers in village squares and fantastical nightclubs and emerald-hued cities make perfect sense to you, and especially if you already love "Wicked," well then, you will likely love this film. If it feels like they made the best "Wicked" movie money could buy — well, it's... Read More