Register

    A52 Is Mystical For Lincoln

    By SHOOT StaffUpdated:No Comments1372 Views
    --

    CLIENT

    Ford Motor Company/

    Lincoln Blackwood.

    PRODUCTION CO.

    Anonymous Content,

    Culver City, Calif.

    Andrew Douglas, director/DP; Andy Traines, executive producer; Cassie Hulen, head of production; Suzanne Hargrove, producer; Bruce McCloskey, art director; Clive Howard, production designer; Moira Hurley, production manager. Shot on location in Sprengisandur, Iceland.

    AGENCY

    Young & Rubicam, Irvine, Calif.

    John Doyle, creative director/art director; Will Woollett, producer; Mark Fenske, copywriter.

    EDITORIAL

    Spine, Hollywood.

    Noah Herzog, editor; Martin Henson, assistant editor; Brigitte Culhane, executive producer; Melissa Miller, producer.

    POST/VISUAL EFFECTS

    A52, Los Angeles.

    Liz Roewe, executive producer; Darcy Leslie-Parsons, producer; Simon Brewster, visual effects supervisor/ Inferno artist; Michael Gibson, on-set visual effects supervisor; Denis Gauthier, 3-D supervisor/3-D animator; Scott Johnson, online editor; Jeff Willette and Westley Sarokin, 3-D animator.

    Company 3, Santa Monica.

    Stefan Sonnenfeld, colorist.

    AUDIO POST

    RavensWork, Venice, Calif.

    Robert Feist, mixer.

    SOUND DESIGN

    Spine.

    Noah Herzog, sound designer.

    RavensWork.

    Robert Feist, sound designer.

    THE SPOT

    "Blackwood" introduces Lincoln’s limited edition sport utility luxury truck. In the :30, a businessman on a rainy city street notices the Blackwood, and soon after is magically whisked to the wilderness for a surreal, mystical moment involving a flying fish in the middle of a mountain lake. The spot then cuts back to the vehicle, which pulls away from the curb as a briefcase hits the sidewalk. The voiceover relates, "You don’t explain it, it explains you."

    Spot broke Aug. 27.

    Category:ScreenWork



    “Beatles ’64” Documentary Captures Intimate Moments From Landmark U.S. Visit

    Thursday, November 28, 2024

    Likely most people have seen iconic footage of the Beatles performing on "The Ed Sullivan Show." But how many have seen Paul McCartney during that same U.S. trip feeding seagulls off his hotel balcony?

    That moment — as well as George Harrison and John Lennon goofing around by exchanging their jackets — are part of the Disney+ documentary "Beatles '64," an intimate look at the English band's first trip to America that uses rare and newly restored footage. It streams Friday.

    "It's so fun to be the fly on the wall in those really intimate moments," says Margaret Bodde, who produced alongside Martin Scorsese. "It's just this incredible gift of time and technology to be able to see it now with the decades of time stripped away so that you really feel like you're there."

    "Beatles '64" leans into footage of the 14-day trip filmed by documentarians Albert and David Maysles, who left behind 11 hours of the Fab Four goofing around in New York's Plaza hotel or traveling. It was restored by Park Road Post in New Zealand.

    "It's beautiful, although it's black and white and it's not widescreen," says director David Tedeschi. "It's like it was shot yesterday and it captures the youth of the four Beatles and the fans."

    The footage is augmented by interviews with the two surviving members of the band and people whose lives were impacted, including some of the women who as teens stood outside their hotel hoping to catch a glimpse of the Beatles.

    "It was like a crazy love," fan Vickie Brenna-Costa recalls in the documentary. "I can't really understand it now. But then, it was natural."

    The film shows the four heartthrobs flirting and dancing at the Peppermint Lounge disco, Harrison noodling with a Woody Guthrie riff on his guitar... Read More

    MySHOOT Profiles


    Add A Comment