A record 27 features have been submitted for consideration in the Animated Feature Film category for the 89th Academy Awards®.
The submitted features, listed in alphabetical order, are:
- “The Angry Birds Movie”
- “April and the Extraordinary World”
- “Bilal”
- “Finding Dory”
- “Ice Age: Collision Course”
- “Kingsglaive Final Fantasy XV”
- “Kubo and the Two Strings”
- “Kung Fu Panda 3”
- “The Little Prince”
- “Long Way North”
- “Miss Hokusai”
- “Moana”
- “Monkey King: Hero Is Back”
- “Mune”
- “Mustafa & the Magician”
- “My Life as a Zucchini”
- “Phantom Boy”
- “The Red Turtle”
- “Sausage Party”
- “The Secret Life of Pets”
- “Sing”
- “Snowtime!”
- “Storks”
- “Trolls”
- “25 April”
- “Your Name.”
- “Zootopia”
Several of the films have not yet had their required Los Angeles qualifying run. Submitted features must fulfill the theatrical release requirements and comply with all of the category’s other qualifying rules before they can advance in the voting process. Depending on the number of films that qualify, two to five nominees may be voted. Sixteen or more films must qualify for the maximum of five nominees to be voted.
Films submitted in the Animated Feature Film category also may qualify for Academy Awards in other categories, including Best Picture, provided they meet the requirements for those categories.
Nominations for the 89th Oscars® will be announced on Tuesday, January 24, 2017.
The 89th Oscars will be held on Sunday, February 26, 2017, at the Dolby Theatre® at Hollywood & Highland Center® in Hollywood, and will be televised live on the ABC Television Network at 7 p.m. ET/4 p.m. PT. The Oscars also will be televised live in more than 225 countries and territories worldwide.
Review: Writer-Director Coralie Fargeat’s “The Substance”
In its first two hours, "The Substance" is a well-made, entertaining movie. Writer-director Coralie Fargeat treats audiences to a heavy dose of biting social commentary on ageism and sexism in Hollywood, with a spoonful of sugar- and sparkle-doused body horror.
But the film's deliciously unhinged, blood-soaked and inevitably polarizing third act is what makes it unforgettable.
What begins as a dread-inducing but still relatively palatable sci-fi flick spirals deeper into absurdism and violence, eventually erupting — quite literally — into a full-blown monster movie. Let the viewer decide who the monster is.
Fargeat — who won best screenplay at this year's Cannes Film Festival — has been vocal about her reverence for "The Fly" director David Cronenberg, and fans of the godfather of body horror will see his unmistakable influence. But "The Substance" is also wholly unique and benefits from Fargeat's perspective, which, according to the French filmmaker, has involved extensive grappling with her own relationship to her body and society's scrutiny.
"The Substance" tells the story of Elisabeth Sparkle, a famed aerobics instructor with a televised show, played by a powerfully vulnerable Demi Moore. Sparkle is fired on her 50th birthday by a ruthless executive — a perfectly cast Dennis Quaid, who nails sleazy and gross.
Feeling rejected by a town that once loved her and despairing over her bygone star power, Sparkle learns from a handsome young nurse about a black-market drug that promises to create a "younger, more beautiful, more perfect" version of its user. Though she initially tosses the phone number in the trash, she soon fishes it out in a desperate panic and places an order.
The one rule to follow is that... Read More