Head of Integrated Production
Venables Bell + Partners
1) It’s impossible to ignore today’s polarized society and the current state of distrust and uncertainty in the US, which affects who we look to for information and inspiration, and how we process messages too.
Consequently, this is shifting the role that brands play in our culture and what consumers need from them nowadays, which extends far beyond the products that they sell. It’s been great to see many brands rise to the occasion, take a stand on key issues that reflect their values, and do their part to create positive change. It seems that the brands that don’t take an active role will quickly become irrelevant.
2) I’ve been moved by various long-form videos that do a remarkable job of combining film craft with emotional storytelling, like The Red Cross spot “Hope,” P&G’s “Love Over Bias” and “The Talk,” which all deliver valuable messages. At the other end of the spectrum, I’ve enjoyed spots that are entertaining due to their sense of humor, like “It’s a Tide Ad,” or the exceptional technique of Dougal Wilson’s or Spike Jonze’s Apple spots. I was also extremely impressed with the level of production design and effects work in recent Adidas creative.
3) In today’s political and social climate, and with midterm elections approaching, I think many clients will proceed with increasing caution with their marketing and advertising spends. Also, there will be continued pressure to not only have an active voice in culture but to also take actions that instill positive change and resonate with consumers in meaningful ways.
4) Brand messaging that makes a social statement or inspires positive change is one direction of work that’s rising to the top at recent awards shows. More “conventional” ads that employ outstanding creativity, innovation and craft will certainly continue to be honored too, but the bar is being raised with work that’s doing it all.
5) We are constantly searching out state of the art technology and upgrading the capabilities of our in-house post-production division, Lumberyard. We’ve upgraded our messaging and conferencing systems to an integrated collaboration platform with best in class, end-to-end 256bit encryption. Additionally, we’ve recently upgraded to a next generation firewall that supports 10Gb/s internet connections allowing us to move more data faster to our clients and vendors when needed.
6) Diversity, inclusivity and equal representation are hugely important to us, and we’re doing a number of things to ensure we’re always getting stronger in these areas as an agency, from developing training programs, community outreach initiatives and partnerships with organizations like MAIP to bring new talent into the industry and developing a returnship program to reintegrate women that have taken time off to raise children. Additionally, we’re actively implementing a pledge that ½ of all of the vendors that we use (including those that offer office supplies, food, etc.) are minority or women-owned businesses.
In the production realm, specifically, we applaud organizations like Streetlights Production Assistant Program, whose mission is to create careers for poverty level and socially disadvantaged minorities, while promoting ethnic diversity in the entertainment industry workforce. Additionally, we’re looking to work and partner with production companies that integrate their services.
In terms of mentoring, one of our philosophies is to challenge our employees to work outside their comfort zones, which at times translates into working on projects beyond their experience level. This provides an opportunity for our employees to elevate their skills and confidence while knowing they have a support system along the way.
Review: Writer-Director Coralie Fargeat’s “The Substance”
In its first two hours, "The Substance" is a well-made, entertaining movie. Writer-director Coralie Fargeat treats audiences to a heavy dose of biting social commentary on ageism and sexism in Hollywood, with a spoonful of sugar- and sparkle-doused body horror.
But the film's deliciously unhinged, blood-soaked and inevitably polarizing third act is what makes it unforgettable.
What begins as a dread-inducing but still relatively palatable sci-fi flick spirals deeper into absurdism and violence, eventually erupting — quite literally — into a full-blown monster movie. Let the viewer decide who the monster is.
Fargeat — who won best screenplay at this year's Cannes Film Festival — has been vocal about her reverence for "The Fly" director David Cronenberg, and fans of the godfather of body horror will see his unmistakable influence. But "The Substance" is also wholly unique and benefits from Fargeat's perspective, which, according to the French filmmaker, has involved extensive grappling with her own relationship to her body and society's scrutiny.
"The Substance" tells the story of Elisabeth Sparkle, a famed aerobics instructor with a televised show, played by a powerfully vulnerable Demi Moore. Sparkle is fired on her 50th birthday by a ruthless executive — a perfectly cast Dennis Quaid, who nails sleazy and gross.
Feeling rejected by a town that once loved her and despairing over her bygone star power, Sparkle learns from a handsome young nurse about a black-market drug that promises to create a "younger, more beautiful, more perfect" version of its user. Though she initially tosses the phone number in the trash, she soon fishes it out in a desperate panic and places an order.
The one rule to follow is that... Read More