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    1st Place Still A Modest Box Office Start For “Dark Tower”

    By SHOOTUpdated:No Comments2103 Views
    This image released by Sony Pictures shows Idris Elba, left, and Matthew McConaughey in the Columbia Pictures film, "The Dark Tower." (Ilze Kitshoff/Columbia Pictures/Sony via AP)

    By Jake Coyle, Film Writer

    NEW YORK (AP) --

    After a decade of development and several postponements, the long-awaited Stephen King adaptation "The Dark Tower" debuted with an estimated $19.5 million in North American ticket sales, narrowly edging out the two-week leader "Dunkirk."

    The modest result for "The Dark Tower," starring Idris Elba and Matthew McConaughey, was in line with expectations heading into the weekend but well shy of initial hopes for a possible franchise-starter.

    J.J. Abrams and Ron Howard are among the directors who previously tried to tackle King's magnum opus, a seven-book series that melds sci-fi with horror and other genres.

    But the long battle to make "The Dark Tower" ended with poor reviews and few fireworks. Still, the movie was made for a relatively modest amount: about $60 million, or half of what many other summer movies cost. Sony Pictures also split costs with Media Rights Capital.

    "It was always an ambitions and bold undertaking but it was made at the right price," said Adrian Smith, president of domestic distribution for Sony Pictures.

    By comparison, the recent flop "Valerian and the City of a Thousand Planets," which opened with $17 million, cost at least $180 million to make.

    Christopher Nolan's World War II epic "Dunkirk" slid to second with $17.6 million in its third week. It's now made $133.6 million domestically. Other holdovers — "The Emoji Movie" ($12.4 million in its second week) and "Girls Trip" ($11.4 million in its third week) followed.

    Another long-delayed film also made its debut. The Halle Berry thriller "Kidnap" opened with $10.2 million. The film, styled after the Liam Neeson "Taken" series," was released by the new distributor Aviron Pictures after it bought the North American rights from Relativity. Before entering bankruptcy, Relativity had scheduled the film's release for 2015.

    But "Kidnap" still outperformed the week's other new wide release, the far more anticipated "Detroit." The Kathryn Bigelow-directed docudrama is also the first release for an upstart distributor.

    The first film distributed by Megan Ellison's Annapurna Pictures, "Detroit" debuted with a disappointing $7.3 million after a limited release last week. As a producer, Ellison, the Oracle heiress, has been behind some of the most acclaimed films in recent years, including "Foxcatcher" and "American Hustle."

    "Detroit," the third collaboration between Bigelow and screenwriter Mark Boal ("The Hurt Locker," ''Zero Dark Thirty"), reimagines the terror-filled events around the Algiers Motel incident during the 1967 Detroit riots.

    "We wish more people had showed up this weekend but we are really, really proud of the movie," said Erik Lomis, Annapurna's distribution chief. "The movie got an A-minus CinemaScore and the reviews have been spectacular."

    Though hard-hitting, auteur-driven films are typically fall material, Annapurna timed the release of "Detroit" to the 50th anniversary of the riots. Lomis said the intention was to bring the film to as broad an audience as possible.

    "We believe that smart audiences actually want and will see great movies all year round," he said.

    In limited release, Taylor Sheridan's Indian reservation thriller "Wind River," starring Jeremy Renner, debuted with a strong per-screen average of $13,053 in four theaters. The Weinstein Co. release was written and directed by Sheridan, the screenwriter behind the Oscar-nominated "Hell or High Water."

    Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters according to comScore. Where available, the latest international numbers also are included. Final domestic figures will be released Monday.
    1. "The Dark Tower," $19.5 million ($8 million international).
    2. "Dunkirk," $17.6 million ($25 million international).
    3. "The Emoji Movie," $12.4 million ($12 million international).
    4. "Girls Trip," $11.4 million ($1.7 million international).
    5. "Kidnap," $10.2 million.
    6. "Spider-Man: Homecoming," $8.8 million ($9.6 million international).
    7. "Atomic Blonde," $8.2 million ($5 million international).
    8. "Detroit," $7.3 million.
    9. "War for the Planet of the Apes," $6 million ($31.5 million international).
    10. "Despicable Me 3," $5.3 million ($21.2 million international).

    Estimated ticket sales for Friday through Sunday at international theaters (excluding the U.S. and Canada), according to comScore:
    1. "Wolf Warrior 2," $163 million.
    2. "Once Upon a Time," $38 million.
    3. "War for the Planet of the Apes," $31.5 million.
    4. "A Taxi Driver," $25.2 million.
    5. "Dunkirk," $25 million.
    6. "Despicable Me 3," $21.2 million.
    7. "The Emoji Movie," $12 million.
    8. "Valerian and the City of a Thousand Planets," $11 million.
    9. "Spider-Man: Homecoming," $9.6 million.
    10. "Cars 3," $9.6 million.
     

    Category:News
    Tags:box officeDetroitDunkirkThe Dark Tower



    Does “Hundreds of Beavers” Reflect A New Path Forward In Cinema?

    Monday, November 25, 2024

    Hard as it may be to believe, changing the future of cinema was not on Mike Cheslik's mind when he was making "Hundreds of Beavers." Cheslik was in the Northwoods of Wisconsin with a crew of four, sometimes six, standing in snow and making his friend, Ryland Tews, fall down funny.

    "When we were shooting, I kept thinking: It would be so stupid if this got mythologized," says Cheslik.

    And yet, "Hundreds of Beavers" has accrued the stuff of, if not quite myth, then certainly lo-fi legend. Cheslik's film, made for just $150,000 and self-distributed in theaters, has managed to gnaw its way into a movie culture largely dominated by big-budget sequels.

    "Hundreds of Beavers" is a wordless black-and-white bonanza of slapstick antics about a stranded 19th century applejack salesman (Tews) at war with a bevy of beavers, all of whom are played by actors in mascot costumes.

    No one would call "Hundreds of Beavers" expensive looking, but it's far more inventive than much of what Hollywood produces. With some 1,500 effects shots Cheslik slaved over on his home computer, he crafted something like the human version of Donald Duck's snowball fight, and a low-budget heir to the waning tradition of Buster Keaton and "Naked Gun."

    At a time when independent filmmaking is more challenged than ever, "Hundreds of Beavers" has, maybe, suggested a new path forward, albeit a particularly beaver-festooned path.

    After no major distributor stepped forward, the filmmakers opted to launch the movie themselves, beginning with carnivalesque roadshow screenings. Since opening in January, "Hundreds of Beavers" has played in at least one theater every week of the year, though never more than 33 at once. (Blockbusters typically play in around 4,000 locations.)... Read More

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