By Jake Coyle, Film Writer
NEW YORK (AP) --After a decade of development and several postponements, the long-awaited Stephen King adaptation "The Dark Tower" debuted with an estimated $19.5 million in North American ticket sales, narrowly edging out the two-week leader "Dunkirk."
The modest result for "The Dark Tower," starring Idris Elba and Matthew McConaughey, was in line with expectations heading into the weekend but well shy of initial hopes for a possible franchise-starter.
J.J. Abrams and Ron Howard are among the directors who previously tried to tackle King's magnum opus, a seven-book series that melds sci-fi with horror and other genres.
But the long battle to make "The Dark Tower" ended with poor reviews and few fireworks. Still, the movie was made for a relatively modest amount: about $60 million, or half of what many other summer movies cost. Sony Pictures also split costs with Media Rights Capital.
"It was always an ambitions and bold undertaking but it was made at the right price," said Adrian Smith, president of domestic distribution for Sony Pictures.
By comparison, the recent flop "Valerian and the City of a Thousand Planets," which opened with $17 million, cost at least $180 million to make.
Christopher Nolan's World War II epic "Dunkirk" slid to second with $17.6 million in its third week. It's now made $133.6 million domestically. Other holdovers — "The Emoji Movie" ($12.4 million in its second week) and "Girls Trip" ($11.4 million in its third week) followed.
Another long-delayed film also made its debut. The Halle Berry thriller "Kidnap" opened with $10.2 million. The film, styled after the Liam Neeson "Taken" series," was released by the new distributor Aviron Pictures after it bought the North American rights from Relativity. Before entering bankruptcy, Relativity had scheduled the film's release for 2015.
But "Kidnap" still outperformed the week's other new wide release, the far more anticipated "Detroit." The Kathryn Bigelow-directed docudrama is also the first release for an upstart distributor.
The first film distributed by Megan Ellison's Annapurna Pictures, "Detroit" debuted with a disappointing $7.3 million after a limited release last week. As a producer, Ellison, the Oracle heiress, has been behind some of the most acclaimed films in recent years, including "Foxcatcher" and "American Hustle."
"Detroit," the third collaboration between Bigelow and screenwriter Mark Boal ("The Hurt Locker," ''Zero Dark Thirty"), reimagines the terror-filled events around the Algiers Motel incident during the 1967 Detroit riots.
"We wish more people had showed up this weekend but we are really, really proud of the movie," said Erik Lomis, Annapurna's distribution chief. "The movie got an A-minus CinemaScore and the reviews have been spectacular."
Though hard-hitting, auteur-driven films are typically fall material, Annapurna timed the release of "Detroit" to the 50th anniversary of the riots. Lomis said the intention was to bring the film to as broad an audience as possible.
"We believe that smart audiences actually want and will see great movies all year round," he said.
In limited release, Taylor Sheridan's Indian reservation thriller "Wind River," starring Jeremy Renner, debuted with a strong per-screen average of $13,053 in four theaters. The Weinstein Co. release was written and directed by Sheridan, the screenwriter behind the Oscar-nominated "Hell or High Water."
Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters according to comScore. Where available, the latest international numbers also are included. Final domestic figures will be released Monday.
1. "The Dark Tower," $19.5 million ($8 million international).
2. "Dunkirk," $17.6 million ($25 million international).
3. "The Emoji Movie," $12.4 million ($12 million international).
4. "Girls Trip," $11.4 million ($1.7 million international).
5. "Kidnap," $10.2 million.
6. "Spider-Man: Homecoming," $8.8 million ($9.6 million international).
7. "Atomic Blonde," $8.2 million ($5 million international).
8. "Detroit," $7.3 million.
9. "War for the Planet of the Apes," $6 million ($31.5 million international).
10. "Despicable Me 3," $5.3 million ($21.2 million international).
Estimated ticket sales for Friday through Sunday at international theaters (excluding the U.S. and Canada), according to comScore:
1. "Wolf Warrior 2," $163 million.
2. "Once Upon a Time," $38 million.
3. "War for the Planet of the Apes," $31.5 million.
4. "A Taxi Driver," $25.2 million.
5. "Dunkirk," $25 million.
6. "Despicable Me 3," $21.2 million.
7. "The Emoji Movie," $12 million.
8. "Valerian and the City of a Thousand Planets," $11 million.
9. "Spider-Man: Homecoming," $9.6 million.
10. "Cars 3," $9.6 million.
Google Opens Its Defense In Antitrust Case Alleging Monopoly Over Online Ad Technology
Google opened its defense against allegations that it holds an illegal monopoly on online advertising technology Friday with witness testimony saying the industry is vastly more complex and competitive than portrayed by the federal government.
"The industry has been exceptionally fluid over the last 18 years," said Scott Sheffer, a vice president for global partnerships at Google, the company's first witness at its antitrust trial in federal court in Alexandria.
The Justice Department and a coalition of states contend that Google built and maintained an illegal monopoly over the technology that facilitates the buying and selling of online ads seen by consumers.
Google counters that the government's case improperly focuses on a narrow type of online ads — essentially the rectangular ones that appear on the top and on the right-hand side of a webpage. In its opening statement, Google's lawyers said the Supreme Court has warned judges against taking action when dealing with rapidly emerging technology like what Sheffer described because of the risk of error or unintended consequences.
Google says defining the market so narrowly ignores the competition it faces from social media companies, Amazon, streaming TV providers and others who offer advertisers the means to reach online consumers.
Justice Department lawyers called witnesses to testify for two weeks before resting their case Friday afternoon, detailing the ways that automated ad exchanges conduct auctions in a matter of milliseconds to determine which ads are placed in front of which consumers and how much they cost.
The department contends the auctions are finessed in subtle ways that benefit Google to the exclusion of would-be competitors and in ways that prevent... Read More