One hundred sixty-six features have been submitted for consideration in the Documentary Feature category for the 91st Academy Awards®.
The submitted features, listed in alphabetical order, are:
- Above and Beyond: NASA’S Journey to Tomorrow
- Active Measures
- Amazing Grace
- American Chaos
- Andy Irons: Kissed by God
- Antonio Lopez 1970: Sex Fashion & Disco
- Avicii: True Stories
- Bali: Beats of Paradise
- Bathtubs over Broadway
- Be Natural: The Untold Story of Alice Guy-Blaché
- Believer
- Better Angels
- Bill Coors: The Will to Live
- Bisbee ’17
- The Bleeding Edge
- Boom for Real: The Late Teenage Years of Jean-Michel Basquiat
- Breaking Point: The War for Democracy in Ukraine
- Call Her Ganda
- Charm City
- Chef Flynn
- The China Hustle
- Christian Audigier The Vif
- The Cleaners
- Communion
- Crime + Punishment
- Dark Money
- Daughters of the Sexual Revolution: The Untold Story of the Dallas Cowboys Cheerleaders
- The Dawn Wall
- The Distant Barking of Dogs
- Divide and Conquer: The Story of Roger Ailes
- Drug$
- Eating Animals
- Eldorado
- Fahrenheit 11/9
- Fail State
- Family in Transition
- Far from the Tree
- Filmworker
- The First Patient
- Foreign Land
- 40 Years in the Making: The Magic Music Movie
- Free Solo
- Garry Winogrand: All Things Are Photographable
- Generation Wealth
- Ghost Hunting
- Ghosthunter
- The Gilligan Manifesto
- The Gospel According to André
- Grace Jones: Bloodlight and Bami
- Graves without a Name
- The Great Buster: A Celebration
- Hal
- Hale County This Morning, This Evening
- Half the Picture
- The Heart of Nuba
- Hillbilly
- The Homeless Chorus Speaks
- Hondros
- Howard
- In Search of Greatness
- In the Land of Pomegranates
- Inventing Tomorrow
- Invisible Hands
- Itzhak
- Jane Fonda in Five Acts
- John McEnroe: In the Realm of Perfection
- The Judge
- Kangaroo: A Love Hate Story”
- Killer Bees
- The King
- King in the Wilderness
- Kusama – Infinity
- The Last Race
- Leaning into the Wind: Andy Goldsworthy
- Letter from Masanjia
- Licu, a Romanian Story
- Living in the Future’s Past
- Liyana
- Lots of Kids, a Monkey and a Castle
- Love & Bananas: An Elephant Story
- Love, Cecil
- Love, Gilda
- Love Is Tolerance – Tolerance Is Love – Make Tolerance Great Again!
- Making The Five Heartbeats
- Maria by Callas
- Matangi / Maya / M.I.A.
- McQueen
- Minding the Gap
- Monrovia, Indiana
- The Most Unknown
- New Moon
- 93Queen
- Nossa Chape
- Of Fathers and Sons
- Of Love & Law
- On Her Shoulders
- Opera about Poland
- The Opera House
- The Oslo Diaries
- The Other Side of Everything
- The Panama Papers
- Path of Blood
- People’s Republic of Desire
- Philosopher King – Lee Teng-hui’s Dialogue
- Pick of the Litter
- Piripkura
- Police Killing
- Pope Francis – A Man of His Word
- The Price of Everything
- The Price of Free
- Qiu (Inmates)
- Quincy
- RBG
- The Rachel Divide
- The Raft
- Recovery Boys
- Restoring Tomorrow
- Reversing Roe
- The Road Movie
- Robin Williams: Come inside My Mind
- Ruben Blades Is Not My Name
- Samouni Road
- Saving Brinton
- Say Her Name: The Life and Death of Sandra Bland
- Science Fair
- Scotty and the Secret History of Hollywood
- Searching for Ingmar Bergman
- Seeing Allred
- The Sentence
- Shirkers
- Shot in the Dark
- The Silence of Others
- Sisters of the Wilderness
- A Son of Man
- Songwriter
- Stan
- Studio 54
- Summer in the Forest
- Tea with the Dames
- That Summer
- That Way Madness Lies…
- They Fight
- They’ll Love Me When I’m Dead
- This Is Congo
- This Is Home: A Refugee Story
- Three Identical Strangers
- To Be Continued
- Transformer
- Travel Ban
- The Trial
- Triumph: The Untold Story of Perry Wallace
- Trust Machine
- Under the Wire
- United Skates
- Unknown Distance
- Up Down and Sideways
- The Waldheim Waltz
- We Could Be Heroes
- Weed the People
- What Haunts Us
- What Lies Upstream
- Whitney
- Wonderful Losers: A Different World
- Won’t You Be My Neighbor?
- Yellow Is Forbidden
- Yellowing
Several of the films have not yet had their required Los Angeles and New York qualifying releases. Submitted features must fulfill the theatrical release requirements and comply with all of the category’s other qualifying rules in order to advance in the voting process. This year, for the first time, films that have won a qualifying award at a competitive film festival or have been submitted in the Foreign Language Film category as their country’s official selection, are also eligible in the category. A shortlist of 15 films will be announced on December 17.
Films submitted in the Documentary Feature category may also qualify for Academy Awards in other categories, including Best Picture.
Nominations for the 91st Academy Awards will be announced on Tuesday, January 22, 2019.
The 91st Oscars® will be held on Sunday, February 24, 2019, at the Dolby Theatre® at Hollywood & Highland Center® in Hollywood, and will be televised live on the ABC Television Network. The Oscars also will be televised live in more than 225 countries and territories worldwide.
Eleanor Adds Director Candice Vernon To Its Roster For Spots and Branded Content
Director Candice Vernon has joined production house Eleanor for U.S. representation spanning commercials and branded content. She has already wrapped several jobs at Eleanor, which waited to announce her until they had a body of work together.
Via Eleanor, Vernon made history as the first Black director on a Febreze commercial. The “Small Spaces” campaign marks a major departure from Febreze’s typical blue-and-white world. The home of the “Revolving Door” commercial is a beautiful array of bold sunset hues, African prints, and African art.
Vernon said, “I asked myself, what feels right to me? What feels new? I wanted to bring an essence of not just Black Americans but the full diaspora. I wanted to make a statement that we’re not a monolith.”
Following the success of the “Small Spaces” campaign, Febreze brought Vernon back for a comedy-infused trifecta exploring the hilarious situations that call for an air freshening hero.
Febreze Brand VP Angelica Matthews said, “About two years ago, we realized the consumers that were the most loyal to Febreze were the African American consumers. And the more we learned, the more we realized the richness that we were really missing. So we said we have to go beyond just Black casting, we need to get Black directors that truly understand the culture that truly understand how to bring authentic performances out on screen. We really looked around the industry and noticed there’s actually a shortage of African American directors who have experience doing commercials. When we all saw Candice’s reel, we could all tell the passion for the craft, passion for really trying to help us from where we are to where we’re trying to go.”
Vernon brings a unique lens to... Read More