Directed by Hubert Davis via Untitled Films in Toronto, this public service film for advocacy group White Ribbon Canada speaks directly to men who are using, or at risk of using, gender-based violence as a response to the stresses of the COVID-19 pandemic.
Titled Day After Day from an agency team of Bensimon Byrne/Narrative/OneMethod, the four-minute film follows the story of a family in lockdown experiencing a troubling pattern of domestic abuse. Told from the separate perspectives of two partners, the PSA uses the same set of words to tell two very different stories of isolation: one of a man, trapped in negative ways of thinking, with complicated emotions he never really learned to articulate; and a woman who is trapped inside her home with a man becoming increasingly volatile and unrecognizable to her.
The PSA reflects the truth of the COVID-19 pandemic: Between March and October 2020, as households adjusted to stay-at-home orders across Canada, calls to police about domestic disputes increased 8.2 per cent, according to Statistics Canada. Helplines witnessed an alarming increase almost immediately: In British Columbia, The Battered Women’s Support Services saw a 400 per cent increase in April-May 2020; and in Ontario, The Assaulted Women’s Helpline reported a 400 per cent increase in April 2020. Research has shown that social isolation, loss of employment and reduced income are all factors known to increase the risk of domestic violence.
As the world’s largest movement of men and boys advocating an end to all forms of gender-based violence, including violence against women and girls, White Ribbon hopes the PSA will show men they are not alone in the stress of the pandemic, that support is available, and there are services that can help.
“The story we tell in the PSA is, unfortunately, an accurate portrayal of the ways some men are using violence against their partner, family members or within the community, in reaction to the stresses of the COVID-19 pandemic,” said Humberto Carolo, executive director, White Ribbon. “The rise in reports of domestic abuse since lockdowns began is staggering. It was critical we speak directly to men who are using violence, and to all men, to remind them they are not alone, that they must change their behavior, and that we can help guide them towards healthier masculinities.”
“For too many women, stay-at-home orders during the pandemic have meant being trapped inside with abusive partners. By mirroring the dialogue of the two partners, we show how the unique stresses of the pandemic are causing some men to become abusive – but how that abuse is infinitely more damaging for those who experience it,” said director Davis, a Best Short Subject Documentary Oscar nominee in 2005 (for Hardwood)
This latest public service film marks a return engagement for Davis with White Ribbon. In 2019, Davis worked with White Ribbon on “Boys Don’t Cry,” an award-winning PSA that offered a wrenching look at the roots of toxic masculinity and the ways parents and educators can help to encourage healthy masculinities.
CreditsClient White Ribbon Canada Agency Bensimon Byrne/Narrative/OneMethod Joseph Bonnici, chief creative officer; Debbie Chan, creative director/art director; David Mueller, creative director/writer; John Pavacic, writer; Michelle Pilling, head of production. Production Company Untitled Films, Toronto Hubert Davis, director; Tom Evelyn, exec producer; Kiel Alexander Milligan, DP; Ian Fingland, line producer. Casting Jigsaw Casting Editorial Rooster Post Michelle Czukar, editor; Sarah Carlisle, assistant editor; Sam McLaren, producer. Music & Sound Berkeley Inc. Jared Kuemper, audio director; Tyna Maerzke, exec producer. Postproduction Fort York VFX Tess Kennedy, producer; Luke White, Flame artist. Color AlterEgo Conor Fisher, colorist.
The Best Work You May Never See: C3P, No Fixed Address Show Us There Are No “Safe Spaces” In Canada When Kids Are Online
Creative agency No Fixed Address has partnered with the Canadian Centre for Child Protection (C3P) to raise awareness about the alarming increase in online child sexual exploitation in Canada. The “Safe Spaces” campaign alerts parents to the fact that nowhere is currently safe for a Canadian child--not their school, not their playground, not even their own bedroom--as soon as they’re online.
This “Safe Spaces” public service film--directed by Amélie Hardy via production company Carton Rouge--features the mothers of six victims of online sexual exploitation, telling their kid’s stories from the same places they assumed their child would be safe. These courageous moms have not only suffered the nightmare of what happened to their children, they’ve suffered under the assumption by many Canadians that it is somehow their fault for not keeping their children safe. This is the preconception the “Safe Spaces” campaign seeks to change. This can happen to anyone. Predators are everywhere online. And they’re targeting everyone. The campaign is urging Canadians to support the federal government’s Online Harms Bill, which would require social media companies to provide meaningful protection to children online.
“These courageous moms chose to share their heartbreaking stories to help Canadians understand why we desperately need legislation to protect our children from dangerous spaces online, just like we do offline,” said Lianna McDonald, executive director of C3P. “This is why we need safety regulations for the platforms kids use every day, as proposed in the Online Harms Bill.”
Alexis Bronstorph, chief creative officer at No Fixed Address, said, “We were blown away by the courage of these moms for sharing their stories.... Read More