According to a new survey by the Association of National Advertisers (ANA), marketers are still being pressured to reduce their costs and spending in light of the economy, though reductions are less severe than were reported in the three previous surveys conducted over the past 18 months.
Eighty-three percent of survey respondents report that they continue to identify cost savings and reductions in their current marketing and advertising efforts. While that represents a high percentage of respondents, this is improved from six months ago (87 percent), one year ago (93 percent), and 18 months ago (87 percent).
“Though a vast majority of marketers continue to identify cost savings and reductions, the industry is finally beginning to show more optimism,” said Bob Liodice, president/CEO of the ANA. “While it appears as though cutting costs may be the new reality, even when times are good, our series of surveys suggest that the deepest cuts may have already been made.”
In fact, roughly 41 percent of respondents report planning to reduce marketing budgets by only one to five percent (compared to 22 percent in July/August 2009) and 70 percent planned to reduce budgets by one to 10 percent (compared to 55 percent in July/August 2009). Only seven percent plan reductions greater than 20 percent (compared to 30 percent in July/August 2009).
While the top four ways marketers are reducing costs and spending have remained constant over the past 18 months, results show that marketers are putting the greatest emphasis on challenging agencies to reduce internal expenses and/or identify cost reductions as this is the only category that saw an increase in responses in each of the four surveys conducted.
The top ways marketers are reducing costs and spending are:
• 75 percent (up four percent from July/August 2009) are challenging agencies to reduce internal expenses and/or identify cost reductions.
• 73 percent (down eight percent from July/August 2009) are reducing departmental travel and expenses.
• 53 percent (down 21 percent from July/August 2009) are reducing advertising media budgets.
• And 50 percent (down 14 percent from July/August 2009) are reducing advertising production budgets.
Looking Back
Reported marketer spending in the second half of 2009 was similar to what was forecast in ANA’s previous survey. In that survey, conducted in July/August 2009:
• 39 percent of marketers thought their advertising budgets would be reduced in the next six months, when in fact, 46 percent experienced a budget decrease.
• 44 percent thought their budgets would remain the same, while 34 percent did indeed stay the same.
• And 17 percent thought they would see a budget increase, whereas 20 percent increased.
Looking Ahead
Though the majority of marketers forecast no change in spending for the balance of 2009, predictions about advertising budgets in the next six months suggest some degree of optimism since the last survey.
• 59 percent expect budgets will stay the same.
• 22 percent forecast that budgets will be reduced (versus 39 percent, 49 percent, and 53 percent respectively in the last three surveys).
• And 19 percent are hopeful budgets will increase.
Juliette Welfling Takes On A Musical, A Crime Thriller, Comedy and Drama In “Emelia Pérez”
Editor Juliette Welfling has a track record of close-knit, heartfelt collaboration with writer-director Jacques Audiard, a four-time BAFTA Award nominee for Best Film not in the English Language--starting with The Beat That My Heart Skipped in 2006, then A Prophet in 2010, Rust and Bone in 2013, and Dheepan in 2017. He won for The Beat That My Heart Skipped and A Prophet.
Welfling cut three of those features: A Prophet, Rust and Bone, and Dheepan. And that shared filmography has since grown to most recently include Emelia Pérez, the Oscar buzz-worthy film from Netflix. Welfling herself is not stranger to Academy Award banter. In fact, she earned a Best Achievement in Film Editing Oscar nomination in 2008 for director Julian Schnabel’s The Diving Bell and the Butterfly.
Emelia Pérez is a hybrid musical/drama/thriller which introduces us to a talented but undervalued lawyer named Rita (portrayed by Zoe Saldana) who receives a lucrative offer out of the blue from a feared drug cartel boss who’s looking to retire from his sordid business and disappear forever by becoming the woman he’s always dreamt of being (Karla SofÃa Gascón in a dual role as Manitas Del Monte/Emilia Pérez). Rita helps pull this off, orchestrating the faked death of Del Monte who leaves behind a widow (Jessi, played by Selena Gomez) and kids. While living comfortably and contently in her/their new identity, Pérez misses the children. Pérez once again enlists Rita--this time to return to family life, reuniting with the kids by pretending to be their aunt, the sister of Del Monte. Now as an aunt, Pérez winds up adopting a more altruistic bent professionally,... Read More