Baker Smith of harvest directed this newscast-style spot in which an airplane with a damaged landing gear manages to make a safe landing thanks to a Nisan Frontier truck. The Frontier’s bed serves as a smooth landing spot for the front gear. Agency is TBWAChiatDay, Los Angeles. Visual effects house is Zoic Studios.
Agency: TBWAChiatDay, Los Angeles Rob Schwartz, chief creative officer; Tito Melaga, creative director, Americas; Jason Locey, Nik Piscitello, associate creative directors; Richard O�Neill, executive director of integrated production; Elaine Hinton, executive producer; Katie Lambrecht, producer; Katie Johnson, assistant producer. Production Company: harvest Baker Smith, director; Chris Soos, DP; Rob Sexton, head of production; Bonnie Goldfarb, Scott Howard, executive producers; Vincent Oster, producer; Tanya Stephens, production supervisor; Melanie Melnyk, assistant production supervisor; Brad Stevenson, assistant director; Patrick Farrell, second assistant director; Lisa Byall, first AC; Carrie Lazar, second AC; Brandon McKenize, DIT. Editorial: Venice Beach Editorial Rich Shambaugh, editor; Hunter Conner, exec producer; Eric Rusch, assistant editor. Visual Effects: Zoic Studios Chris Jones, executive creative director; Ian Unterreiner, Erik Press, executive producers; head of product
The Best Work You May Never See: Blinkink Director Jack Brown Takes Us On A Teddy Bear’s Journey For Tekla
Blinkink director Jack Brown created this stop motion film to tell a handmade story for Tekla’s holiday campaign.
Established in Copenhagen in 2017, Tekla was born from a desire to bring modernity and freedom of expression to the homeware category. As a brand, it rejects rapid trend cycles by designing for longevity, with an uncompromising focus on quality and responsible production. Brown’s use of stop-motion animation, using only Tekla fabrics, places both the brand’s story and its values front and center.
The film takes us on the journey of a teddy bear exploring the enchanted interiors of the Tekla Copenhagen store. The vibe feels dreamlike and the addition of stop motion adds a tenderness to the film. Inspired by the stories of Hans Christian Andersen, the campaign features iconic figures and nods to his fairytales; the towering mattresses of The Princess and the Pea, the magical umbrella of The Sandman, and the floating luggage of The Flying Trunk.
Brown said, “What an amazing little project this was, and for such a great brand. Tekla was such a cool client to work with. I suggested making the whole ad out of their fabrics and within 24 hours, there were boxes of beautiful fabrics being delivered for us to cut to pieces. Everything you see is about the size of an A4 sheet of paper and all hand cut, stitched and animated by a very small team of very talented people. Anita Bruvere was the lead builder and animator and did such an amazing job of turning all these tiny pieces of fabric into a magical world.”
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