Director Daniel Kleinman of Rattling Stick and Epoch Films teamed with VFX house MPC on this tale of a polar bear who escapes his global warming-plagued environment and finds himself in the big city where there’s no friend to be found until he happens upon a man walking up the driveway to his ride–an electric Nissan LEAF automobile. Steve Gandolfi and Isaac Chen of Cut+Run served as editors.
Agency: TBWA/Chiat/Day, Inc Lee Clow, global director of Media Arts; Rob Schwartz, chief creative officer; Chris Adams, Margaret Keene, group creative directors; Chris Lynch, Blake Kidder, art directors/associate creative directors; Ken Papanduros, Patrick Almaguer, copywriters/associate creative directors; Richard O’Neill, producer/director of integrated production; Lisa Urbanic, assistant producer; Jon Castle, managing director; Joel Weeks, director product strategy. Production Company: Epoch Films, LA Office Daniel Kleinman, director; Lisa Margulis, Johnnie Frankel, exec producers; Karen Silver, line producer, Canada; Franz Lustig, DP; Tom Hartman, production designer. Visual Effects: MPC (The Moving Picture Company) Dan Sanders, VFX supervisor; Michael Stanish, producer; Mark Gethin, colorist; Paul Mackman, production coordinator; Ahmed Gharraph, lead 3D; Andrea Falcone, animation; Yourick Van Impe, Flame support; Jason Hayes, Owen Williams, Nuke support. Music: Elias Arts Jonathan E
The Best Work You May Never See: Blinkink Director Jack Brown Takes Us On A Teddy Bear’s Journey For Tekla
Blinkink director Jack Brown created this stop motion film to tell a handmade story for Tekla’s holiday campaign.
Established in Copenhagen in 2017, Tekla was born from a desire to bring modernity and freedom of expression to the homeware category. As a brand, it rejects rapid trend cycles by designing for longevity, with an uncompromising focus on quality and responsible production. Brown’s use of stop-motion animation, using only Tekla fabrics, places both the brand’s story and its values front and center.
The film takes us on the journey of a teddy bear exploring the enchanted interiors of the Tekla Copenhagen store. The vibe feels dreamlike and the addition of stop motion adds a tenderness to the film. Inspired by the stories of Hans Christian Andersen, the campaign features iconic figures and nods to his fairytales; the towering mattresses of The Princess and the Pea, the magical umbrella of The Sandman, and the floating luggage of The Flying Trunk.
Brown said, “What an amazing little project this was, and for such a great brand. Tekla was such a cool client to work with. I suggested making the whole ad out of their fabrics and within 24 hours, there were boxes of beautiful fabrics being delivered for us to cut to pieces. Everything you see is about the size of an A4 sheet of paper and all hand cut, stitched and animated by a very small team of very talented people. Anita Bruvere was the lead builder and animator and did such an amazing job of turning all these tiny pieces of fabric into a magical world.”
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