Mothership directors Dael Oates and David Rosenbaum, who normally don’t work as a duo, teamed on this spot rolling out the Sprint HTC EVO 4G mobile phone, billed as a technological first, for Goodby, Silverstein & Partners. The piece depicts technological firsts chronologically with one leading to the next in domino-like fashion, culminating with the Sprint phone.
Agency: Goodby, Silverstein & Partners Jamie Barrett, partner/creative director; Nick Spahr, art director; James Bray, copywriter; Cindy Epps, producer. Editorial: Final Cut Richard Learoyd, editor; Jacob Kuehl, assistant editor; Kelly Garcia, producer. Visual Effects: Digital Domain, Inc. Aladino Debert, creative director; Shelby Wong, Chris Fieldhouse, VFX producers; Cedric Williams, VFX coordinator; Ronald D. Herbst, CG supervisor; Dave Stern, Flame compositor; Niles Heckman, Arthur Argote, Nuke compositors; Jason Mortimer, Kelvin Lee, previs artists; James Atkinson, Dustin Adair, Kirk Cadrette, Julian Fitzpatrick, Kenny Jackson, Ken Mitchel Jones, David Liu, Neil Taneja, Derek Crosby, Tom Briggs, Daisuke Nagae, digital artists; Daniel Thron, matte painter; Hilery Johnson Copeland, Keith Weilmuenster, roto artists; Scott Gsop Edelstein, Som Shankar, trackers. Music: Elias Arts Jonathan Elias, composer; David Gold, creative director; Jay Nierenberg, sound designer; Ann Haugen, exec pro
The Best Work You May Never See: Blinkink Director Jack Brown Takes Us On A Teddy Bear’s Journey For Tekla
Blinkink director Jack Brown created this stop motion film to tell a handmade story for Tekla’s holiday campaign.
Established in Copenhagen in 2017, Tekla was born from a desire to bring modernity and freedom of expression to the homeware category. As a brand, it rejects rapid trend cycles by designing for longevity, with an uncompromising focus on quality and responsible production. Brown’s use of stop-motion animation, using only Tekla fabrics, places both the brand’s story and its values front and center.
The film takes us on the journey of a teddy bear exploring the enchanted interiors of the Tekla Copenhagen store. The vibe feels dreamlike and the addition of stop motion adds a tenderness to the film. Inspired by the stories of Hans Christian Andersen, the campaign features iconic figures and nods to his fairytales; the towering mattresses of The Princess and the Pea, the magical umbrella of The Sandman, and the floating luggage of The Flying Trunk.
Brown said, “What an amazing little project this was, and for such a great brand. Tekla was such a cool client to work with. I suggested making the whole ad out of their fabrics and within 24 hours, there were boxes of beautiful fabrics being delivered for us to cut to pieces. Everything you see is about the size of an A4 sheet of paper and all hand cut, stitched and animated by a very small team of very talented people. Anita Bruvere was the lead builder and animator and did such an amazing job of turning all these tiny pieces of fabric into a magical world.”
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