Brendan Hearne directed this spot via @radical.media in which a banking exec denies that his financial institution is involved in cloning money. The only problem is that he himself has been cloned. And by the way, as he’s making his spokesperson testimonial, he’s holding a two-headed sheep.
Agency: TDA Advertising & Design, Boulder, Colo. Jonathan Schoenberg, partner/creative director; Thomas Dooley, creative director; Joe Nafziger, copywriter; Neal Desai, art director; Susan Fisher, producer. Production Company: @radical.media Brendan Hearne, director; Frank Scherma, Jim Bouvet, Gregg Carlesimo, exec producers; Cathy Dunn, head of production; Diane Castrup, producer; Taylor Steadman, prdouction supervisor; David Wilson, DP; Phil Elins, assistant director. Editorial: The Whitehouse Heidi Black, editor; Joni Wright, senior producer; Brian May, assistant editor. Visual Effects: Framestore NY Raul Ortego, Flame artist; Eric Rosenfeld, VFX shoot supervisor; James Razzall, exec producer; Sabrina Tenore, VFX assistant. Audio: Outpost Audio Dan Flosdorf, engineer.
The Best Work You May Never See: Blinkink Director Jack Brown Takes Us On A Teddy Bear’s Journey For Tekla
Blinkink director Jack Brown created this stop motion film to tell a handmade story for Teklaโs holiday campaign.
Established in Copenhagen in 2017, Tekla was born from a desire to bring modernity and freedom of expression to the homeware category. As a brand, it rejects rapid trend cycles by designing for longevity, with an uncompromising focus on quality and responsible production. Brownโs use of stop-motion animation, using only Tekla fabrics, places both the brandโs story and its values front and center.
The film takes us on the journey of a teddy bear exploring the enchanted interiors of the Tekla Copenhagen store. The vibe feels dreamlike and the addition of stop motion adds a tenderness to the film. Inspired by the stories of Hans Christian Andersen, the campaign features iconic figures and nods to his fairytales; the towering mattresses of The Princess and the Pea, the magical umbrella of The Sandman, and the floating luggage of The Flying Trunk.
Brown said, โWhat an amazing little project this was, and for such a great brand. Tekla was such a cool client to work with. I suggested making the whole ad out of their fabrics and within 24 hours, there were boxes of beautiful fabrics being delivered for us to cut to pieces. Everything you see is about the size of an A4 sheet of paper and all hand cut, stitched and animated by a very small team of very talented people. Anita Bruvere was the lead builder and animator and did such an amazing job of turning all these tiny pieces of fabric into a magical world.โ
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