Goodby, Silverstein & Partners and O Positive director Jim Jenkins teamed on this spot depicting the perfectly planned wedding, with a film crew at the matromonial reins.
Agency: Goodby, Silverstein & Partners Rich Silverstein, co-chairman/creative director; Franklin Tipton, creative director; Paul Stechschulte, group creative director; Christian Haas, group creative director/associate partner; Steve Payonzeck, sr. copywriter; Jack Woodworth, art director; Jennie Lindstrom, producer. Production Company: O Positive Films Jim Jenkins, director; Bob Gantz, DP; Ralph Laucella, exec producer/line producer; Devon Clark, production supervisor. Editorial: hutchco technologies Jim Hutchins, editor; Joaquin Machado, assistant editor; Jane Hutchins, exec producer. Postproduction: Company 3 Los Angeles,Radium Stefan Sonnenfeld, colorist.,Hatem Ben Abdallah, AfterEffects artist; Joe Censoplano, Inferno artist; Linda Jackson, producer. Visual Effects: Brickyard VFX Patrick Poulatian, lead Flame artist; Chris Sonia, Narbeh Mardirossian, Flame artists; Diana Young, VFX producer. Sound Design: Mophonics Josh Marcy, sound designer; Colette Huemer, producer.
The Best Work You May Never See: Blinkink Director Jack Brown Takes Us On A Teddy Bear’s Journey For Tekla
Blinkink director Jack Brown created this stop motion film to tell a handmade story for Tekla’s holiday campaign.
Established in Copenhagen in 2017, Tekla was born from a desire to bring modernity and freedom of expression to the homeware category. As a brand, it rejects rapid trend cycles by designing for longevity, with an uncompromising focus on quality and responsible production. Brown’s use of stop-motion animation, using only Tekla fabrics, places both the brand’s story and its values front and center.
The film takes us on the journey of a teddy bear exploring the enchanted interiors of the Tekla Copenhagen store. The vibe feels dreamlike and the addition of stop motion adds a tenderness to the film. Inspired by the stories of Hans Christian Andersen, the campaign features iconic figures and nods to his fairytales; the towering mattresses of The Princess and the Pea, the magical umbrella of The Sandman, and the floating luggage of The Flying Trunk.
Brown said, “What an amazing little project this was, and for such a great brand. Tekla was such a cool client to work with. I suggested making the whole ad out of their fabrics and within 24 hours, there were boxes of beautiful fabrics being delivered for us to cut to pieces. Everything you see is about the size of an A4 sheet of paper and all hand cut, stitched and animated by a very small team of very talented people. Anita Bruvere was the lead builder and animator and did such an amazing job of turning all these tiny pieces of fabric into a magical world.”
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