The Toronto International Film Festival® has set its full Platform program and announced that Academy Award–nominated actor Riz Ahmed (Sound of Metal) will head the jury for the 2021 Platform Competition. The festival will also present a special TIFF Cinematheque retrospective of Abenaki artist, filmmaker, singer, writer, and activist Alanis Obomsawin, entitled Celebrating Alanis. Curated by Jason Ryle, this presentation of films spans Obomsawin’s vast accomplishments and is co-presented with the National Film Board of Canada. TIFF also announced five Special Events, as well as the 2021 TIFF Short Cuts program, comprising 38 short films.
“It’s a pleasure for TIFF to provide the Platform program as a stage that celebrates brilliant filmmakers. We’re certain that TIFF audiences will be pleasantly surprised with their unique approach to cinematic expression,” read a joint statement from Joana Vicente and Cameron Bailey, TIFF co-heads. “Sound of Metal had its world premiere at TIFF and was part of Platform’s 2019 lineup. Having Riz Ahmed join as head of the 2021 Platform competition jury is a huge privilege.”
“I am honored to be named president of the Platform jury at TIFF this year and to be a part of TIFF with Encounter,” said Ahmed. “TIFF has always been a festival that showcases bold and daring cinema on a global stage. Its commitment to celebrating small independent films, like Sound of Metal, has had such a significant impact on my career and many others. I’m looking forward to watching all of this year’s selections and working alongside my fellow jury members.”
PLATFORM PROGRAM
Arthur Rambo Laurent Cantet | France
World Premiere
Drunken Birds (Les oiseaux ivres) Ivan Grbovic | Canada
World Premiere
Earwig Lucile Hadลพihaliloviฤ | United Kingdom/France/Belgium
World Premiere
Huda’s Salon Hany Abu-Assad | Palestine/Egypt/Netherlands/Qatar
World Premiere
Mlungu Wam (Good Madam) (Mlungu Wam) Jenna Cato Bass | South Africa
World Premiere
Montana Story Scott McGehee, David Siegel | USA
World Premiere
Silent Land (Cicha Ziemia) Aga Woszczyลska | Poland/Italy/Czech Republic
World Premiere
Yuni Kamila Andini | Singapore/France/Indonesia/Australia
World Premiere
TIFF CINEMATHEQUE PROGRAM
Celebrating Alanis
“Alanis Obomsawin is often described as an activist filmmaker,” said TIFF’s Bailey, artistic director and co-head. “Alanis’s body of work focuses on discrimination and injustice, but also on Indigenous strength and resistance. It is an honor to celebrate her work with these 19 films in the retrospective, including the world premiere of her newest title, Honor to Senator Murray Sinclair. Every story matters, and through Celebrating Alanis, audiences can experience how her work has fundamentally impacted how people in Canada, both Indigenous and non-Indigenous, understand ourselves.”
“It’s a true gift to know Alanis as a friend and through her films. Her works are imbued with tenacity, dignity, and love in equal measures and they have been transformational across nations,” said series curator Jason Ryle. “Her astonishing legacy continues to grow with each year and with each new film in her long career. Within the global Indigenous community she is a beacon of our pride and a symbol of the power of film to change the world. It’s been a pleasure to curate this program for TIFF and my hope is that her works reach even broader international audiences.”
A member of the Abenaki Nation and one of Canada’s most distinguished filmmakers, Obomsawin is a filmmaker and producer at the National Film Board of Canada, where she has worked since 1967. On December 10, 2020, Obomsawin received the Rogers-DOC Luminary Award at the DOC Institute Honors, which is given to an individual who embodies the creative spirit of the Canadian documentary tradition and displays generosity by supporting the next generation of doc makers through mentorship. In October, she received the Glenn Gould Prize, as chosen by an international jury. Obomsawin’s 2019 production Jordan River Anderson, The Messenger (TIFF ’19 Official Selection) was her 52nd film, completed in the 52nd year of a legendary filmmaking career devoted to chronicling the lives and concerns of First Nations people and exploring issues of importance to all. On June 27, 2019, Obomsawin was named a Companion of the Order of Canada — its highest honor. In winter 2022, the retrospective Alanis Obomsawin: Lifework will be presented at the Haus der Kulturen der Welt in Berlin. Obomsawin will also be honored with the Jeff Skoll Award in Impact Media supported by Participant Media at the 2021 TIFF Tribute Awards during the Festival.
All programs in Celebrating Alanis will screen for free on digital TIFF Bell Lightbox with the exception of The Dignity of Children: Program 2, which will be presented as a ticketed, in-cinema event. The full TIFF 2021 schedule will be announced on August 24.
Celebrating Alanis is co-presented by the National Film Board of Canada. Special thanks to TIFF’s Programming Partner, the Indigenous Screen Office, and Community Partner imagineNATIVE.
Portraits: Program 1
Puberty – Part 1 (1975)
Puberty – Part 2 (1975)
Mother of Many Children (1977)
Portraits: Program 2
Richard Cardinal: Cry from a Diary of a Mรฉtis Child (1986)
No Address (1988)
Lighting the Fire: Program 1
The Canoe (1972)
Kanehsatake: 270 Years of Resistance (1993)
Lighting the Fire: Program 2
Moose Call (1972)
Amisk (1977)
Incident at Restigouche (1984)
The Dignity of Children: Program 1
Snowshoes (1972)
Walking Is Medicine (2017)
Our People Will Be Healed (2017)
The Dignity of Children: Program 2
Honor to Senator Murray Sinclair (World Premiere; 2021)
Mount Currie Summer Camp (1975)
Children (1972)
Sigwan (2005)
When All the Leaves Are Gone (2010)
Christmas at Moose Factory (1971)
The Dignity of Children: Program 2 will include a special preview trailer for the new animated short film Seeds: The Art of Alanis Obomsawin, created and directed by Terril Calder and presented by The Glenn Gould Foundation. The film will be projected as a spectacular outdoor sound and light show onto the east faรงade of the Royal Ontario Museum for a two-week run starting October 4, 2021.
Of Calder’s new work, the Glenn Gould Foundation stated: “Obomsawin’s life has been dedicated to the arts. Many know her for the 53 films she has made with the National Film Board of Canada, but she is a force of nature across other mediums as well. Seeds uses stop-motion technology, exploring Alanis’s visual art coupled with her powerful musical compositions. It is an opportunity to be guided through the compelling work of an Indigenous artist who has devoted her life’s journey to love, justice, kindness, and creation — kicking doors down with grace and beauty.”
Atanarjuat: The Fast Runner: 20th Anniversary
In 2001, Inuk filmmaker and producer Zacharias Kunuk’s groundbreaking film Atanarjuat: The Fast Runner — the first Canadian feature film produced entirely in Inuktitut — won the Best Canadian Film Award at the 26th Toronto International Film Festival and became the first Canadian film to win the Camera d’Or at Cannes. TIFF Cinematheque marks 20 years since the film opened the Festival and captivated audiences, with a free screening of the film in its digitally remastered version.
Atanarjuat: The Fast Runner (2001) Zacharias Kunuk | Canada
Digitally remastered DCP courtesy of the TIFF Film Reference Library Screening Collection.
TIFF SHORT CUTS PROGRAM
TIFF unveiled this year’s Short Cuts lineup, which comprises 38 new live-action narrative, documentary, and animated shorts by a diverse group of filmmakers representing 22 countries. Along with works by emerging talents from all over the world, the program includes new films by such TIFF alumni as Zacharias Kunuk, Albert Shin, Matias Piรฑeiro, Lois Patiรฑo, and Seth A. Smith. Among the filmmakers returning to Short Cuts are Terril Calder, Lee Filipovski, Rakan Mayasi, and Ayรงe Kartal, as well as recent award-winner Paul Shkordoff (2020 IMDbPro Short Cuts Award for Best Canadian Film for Benjamin, Benny, Ben).
“We believe the 38 selections we are presenting in Short Cuts this year are some of the most remarkable films audiences will see this year,” said Short Cuts programr Jason Anderson. “They are also a testament to the strength, imagination, and resilience that filmmakers have displayed in the face of all the recent challenges. And while these works may differ wildly when it comes to the stories they tell, the forms they take, and the people and perspectives they portray, they are all unique and deeply personal visions that we are thrilled to share with viewers.”
Films programd in this year’s Short Cuts selection are eligible for three jury-selected IMDbPro Short Cuts Awards (Best Film, Best Canadian Film, and the Share Her Journey Award for Best Film by a woman) and the Shawn Mendes Foundation Changemaker Award.
Short Cuts continues to introduce TIFF audiences to many of cinema’s most remarkable new talents. Among the Short Cuts alumni directors who are bringing first features to the Festival this year are Danis Goulet (Night Raiders), Thyrone Tommy (Learn To Swim), Haya Waseem (Quickening), Mounia Akl (Costa Brava, Lebanon), Justine Bateman (Violet), and Carlo Francisco Manatad (Whether the Weather is Fine).
A Few Miles South Ben Pearce | United Kingdom
World Premiere
Angakusajaujuq – The Shaman’s Apprentice (Angakusajaujuq) Zacharias Kunuk | Canada
North American Premiere
Anxious Body Yoriko Mizushiri | France/Japan
North American Premiere
ASTEL Ramata-Toulaye Sy | France/Senegal
World Premiere
Beity Isabelle Mecattaf | Lebanon/United States of America
International Premiere
Bhai Hamza Bangash | United Kingdom/Canada/Pakistan
World Premiere
Boobs Marie Valade | Canada
North American Premiere
Charlotte Zach Dorn | United States of America
World Premiere
DEFUND Khadijah Roberts-Abdullah, Araya Mengesha | Canada
World Premiere
Displaced (Pa Vend) Samir Karahoda | Kosovo
North American Premiere
DUST BATH Seth A Smith | Canada
World Premiere
Egรบngรบn (Masquerade) Olive Nwosu | United Kingdom/Nigeria
World Premiere
Fanmi Sandrine Brodeur-Desrosiers, Carmine Pierre-Dufour | Canada
World Premiere
Hanging On Alfie Barker | United Kingdom
International Premiere
I Gotta Look Good for the Apocalypse Ayรงe Kartal | France
North American Premiere
I Would Never Kiran Deol | United States of America
World Premiere
Little Bird Tim Myles | Canada
World Premiere
Love, Dad (Milรฝ tati) Diana Cam Van Nguyen | Czech Republic/Slovakia
Canadian Premiere
Meneath: The Hidden Island of Ethics Terril Calder | Canada
World Premiere
Motorcyclist’s Happiness Won’t Fit Into His Suit (Al motociclista no le cabe la felicidad en el traje) Gabriel Herrera | Mexico
Canadian Premiere
Nuisance Bear Jack Weisman, Gabriela Osio Vanden | Canada
World Premiere
Ousmane Jorge Camarotti | Canada
World Premiere
Saturday Night Rosana Matecki | Canada
World Premiere
Shark Nash Edgerton | Australia
World Premiere
Soft Animals Renee Zhan | United Kingdom
North American Premiere
Some Still Search (Algunos Siguen Buscando) Nesaru Tchaas | United States of America
World Premiere
Srikandi Andrea Nirmala Widjajanto | Indonesia/Canada
World Premiere
Successful Thawing of Mr. Moro (Lyckad upptining av herr Moro) Jerry Carlsson | Sweden
International Premiere
Sycorax (Sycorax) Lois Patiรฑo, Matรญas Piรฑeiro | Portugal/Spain
North American Premiere
The Future Isn’t What It Used To Be Adeyemi Michael | United Kingdom
Canadian Premiere
The Infantas (Las Infantas) Andrea Herrera Catalรก | Spain
World Premiere
The Syed Family Xmas Eve Game Night Fawzia Mirza | United States of America/Canada
World Premiere
Together (Ham-Gye) Albert Shin | Canada/South Korea
World Premiere
Trumpets in the Sky Rakan Mayasi | Palestine/Lebanon/France/Belgium
World Premiere
Twelve Hours Paul Shkordoff | Canada
World Premiere
White Devil Mariama Diallo, Benjamin Dickinson | United States of America
World Premiere
You and Me, Before and After Madeleine Gottlieb | Australia
International Premiere
Zero (Nula) Lee Filipovski | Canada/Serbia
World Premiere
SPECIAL EVENTS
Reflecting the breadth of TIFF audiences’ interests, TIFF announced Part One of its Special Events Program to engage and entertain audiences:
Special IMAX Screenings of Dune
TIFF previously announced that the award-winning Canadian filmmaker and 2021 TIFF Ebert Director Award honoree Denis Villeneuve will screen his film Dune as a World Exclusive Special IMAX Screening at Cinesphere Theatre at Ontario Place. The film, based on Frank Herbert’s classic novel, will screen at the Cinesphere in Toronto on the following dates:
· Saturday, September 11 – World Exclusive IMAX Special Event
· Sunday, September 12 – Repeat IMAX Screening
· Saturday, September 18 – Public IMAX Screening
TIFF also announced an additional Special IMAX screening of Dune in Montreal presented by Bell at Cinรฉma Banque Scotia Montrรฉal on Sunday, September 12.
This screening is made possible in venue partnership with Cineplex as part of TIFF’s Canadian Satellite Screening program. An additional screening of Dune will take place in Toronto at Scotiabank Theatre on September 13.
The Cinesphere is the world’s first permanent IMAX movie theatre, located on the grounds of Ontario Place. Constructed in 1971, it is the largest IMAX theatre in Ontario and has a longstanding relationship with TIFF: in 1976, the inaugural edition of TIFF, then called The Festival of Festivals, screened its first Opening Night film, Cousin, Cousine, and Closing Night film Gypsies are Found Near Heaven at the Cinesphere.
NBA Films For Fans created with OLG
On November 1, 1946, the NBA’s first-ever game was held at Maple Leaf Gardens, where the hometown Toronto Huskies played the New York Knickerbockers. Seventy-five years later, as part of the league’s anniversary celebrations, the NBA honors its Canadian roots at TIFF 2021.
TIFF announced the launch of NBA Films For Fans created with OLG. This can’t-miss Special Event will feature five short films from Canadian filmmakers and basketball fans: Thyrone Tommy — also at this year’s Festival with his debut feature, Learn to Swim — and fellow Torontonians and TIFF talent development alumni Romeo Candido, Shawn Gerrard, and S.M. Turrell, as well as Vancouverite Kat Jayme, also a Talent Alumni as the 2019 Pitch This winner.
Special Event Films
The following films will be presented as part of the Special Event Program. Full details on the events that will complement these screenings will be announced in the coming weeks.
A Hero (Ghahreman) Asghar Farhadi | Iran
Memoria Apichatpong Weerasethakul | Colombia/Thailand/United Kingdom/France/Germany/Mexico
Spencer Pablo Larraรญn | United Kingdom/Germany
Rom-Com Mainstay Hugh Grant Shifts To The Dark Side and He’s Never Been Happier
After some difficulties connecting to a Zoom, Hugh Grant eventually opts to just phone instead.
"Sorry about that," he apologizes. "Tech hell." Grant is no lover of technology. Smart phones, for example, he calls the "devil's tinderbox."
"I think they're killing us. I hate them," he says. "I go on long holidays from them, three or four days at at time. Marvelous."
Hell, and our proximity to it, is a not unrelated topic to Grant's new film, "Heretic." In it, two young Mormon missionaries (Chloe East, Sophie Thatcher) come knocking on a door they'll soon regret visiting. They're welcomed in by Mr. Reed (Grant), an initially charming man who tests their faith in theological debate, and then, in much worse things.
After decades in romantic comedies, Grant has spent the last few years playing narcissists, weirdos and murders, often to the greatest acclaim of his career. But in "Heretic," a horror thriller from A24, Grant's turn to the dark side reaches a new extreme. The actor who once charmingly stammered in "Four Weddings and a Funeral" and who danced to the Pointer Sisters in "Love Actually" is now doing heinous things to young people in a basement.
"It was a challenge," Grant says. "I think human beings need challenges. It makes your beer taste better in the evening if you've climbed a mountain. He was just so wonderfully (expletive)-up."
"Heretic," which opens in theaters Friday, is directed by Scott Beck and Bryan Woods, co-writers of "A Quiet Place." In Grant's hands, Mr. Reed is a divinely good baddie โ a scholarly creep whose wry monologues pull from a wide range of references, including, fittingly, Radiohead's "Creep."
In an interview, Grant spoke about these and other facets of his character, his journey... Read More