By Jake Coyle, Film Writer
NEW YORK (AP) --Chloé Zhao’s “Nomadland” cemented its Oscar front-runner status Wednesday, winning the top award at the 32nd annual Producers Guild of America Awards.
“Nomadland,” Zhao’s recession-era portrait of itinerant people in the American West, is only the second film directed by a woman to win the producers’ Darryl F. Zanuck award for outstanding producer of a motion picture. The other was Kathryn Bigelow’s “The Hurt Locker” in 2010.
In a delayed, virtual and very long awards season that has marched along during the pandemic with little of the usual pomp, declaring a clear front-runner has been challenging. But if any film could claim that mantle, it’s “Nomadland,” winner of the Golden Globe best picture award for drama. Zhao, too, is considered the favorite for best director. If she does win, she would only the second female director to do so, again after Bigelow.
“Nomadland,” made for less than $5 million and with many nonprofessional actors, is an unusually low-budget winner for the PGA honor, which has traditionally gone to larger-scale productions.
“In a year where we have been all been leading such isolated lives and movies felt so vital, we are proud to have produced a film about community and what connects us,” said producer Peter Spears, accepting the award in a taped message.
The PGA Awards are watched especially closely as an Oscar bellwether. The producers use the same preferential ballot as the film academy, and their best-picture fields often nearly mirror each other. This year, the producers nominated a few movies the academy passed over for best picture (“Borat Subsequent Moviefilm,” “One Night in Miami,” “Ma Rainey’s Black Bottom”) while skipping one that landed the Oscar nomination: “The Father.”
In the 11 years since the Oscars expanded the best-picture category, the two groups have picked the same winner eight times. They differed last year, when the guild chose “1917” and the academy crowned “Parasite”; in 2017, when “La La Land” triumphed with the PGA and “Moonlight” won the Oscar; and in 2016, when the “The Big Short” topped the producers’ awards and “Spotlight” won the Academy Award.
Other awards went to Pixar’s “Soul” for animated film and “My Octopus Teacher” for documentary.
The awards Wednesday were held virtually and pre-taped for an invite-only audience. Opening the ceremony, “Black-ish” actor Tracee Ellis Ross said of the show: “This, in and of itself, is an experiment in producing.”
Here's a rundown of the evening's winners:
Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures
Nomadland
Producers: Frances McDormand, Peter Spears, Mollye Asher, Dan Janvey, Chloé Zhao
Award for Outstanding Producer of Animated Theatrical Motion Pictures
Soul
Producer: Dana Murray
Norman Felton Award for Outstanding Producer of Episodic Television – Drama
The Crown (Season 4)
Producers: Peter Morgan, Suzanne Mackie, Stephen Daldry, Andy Harries, Benjamin Caron, Matthew Byam Shaw, Robert Fox, Michael Casey, Andy Stebbing, Martin Harrison, Oona O’Beirn
Danny Thomas Award for Outstanding Producer of Episodic Television – Comedy
Schitt’s Creek (Season 6)
Producers: Eugene Levy, Daniel Levy, Andrew Barnsley, Fred Levy, David West Read, Ben Feigin, Michael Short, Kurt Smeaton, Kosta Orfanidis
David L. Wolper Award for Outstanding Producer of Limited Series Television
The Queen’s Gambit
Producers: William Horberg, Allan Scott, Scott Frank, Marcus Loges, Mick Aniceto
Award for Outstanding Producer of Televised or Streamed Motion Pictures
Hamilton
Producers: Thomas Kail, Lin-Manuel Miranda, Jeffrey Seller
Award for Outstanding Producer of Non-Fiction Television
The Last Dance (Season 1)
Producers: *Eligibility Determination Pending*
Award for Outstanding Producer of Live Entertainment & Talk Television
Last Week Tonight with John Oliver (Season 7)
Producers: *Eligibility Determination Pending*
Award for Outstanding Producer of Game & Competition Television
RuPaul’s Drag Race (Season 12)
Producers: *Eligibility Determination Pending*
Award for Outstanding Producer of Documentary Motion Pictures
My Octopus Teacher
Producer: Craig Foster
After 20 Years of Acting, Megan Park Finds Her Groove In The Director’s Chair On “My Old Ass”
Megan Park feels a little bad that her movie is making so many people cry. It's not just a single tear either — more like full body sobs.
She didn't set out to make a tearjerker with "My Old Ass," now streaming on Prime Video. She just wanted to tell a story about a young woman in conversation with her older self. The film is quite funny (the dialogue between 18-year-old and almost 40-year-old Elliott happens because of a mushroom trip that includes a Justin Bieber cover), but it packs an emotional punch, too.
Writing, Park said, is often her way of working through things. When she put pen to paper on "My Old Ass," she was a new mom and staying in her childhood bedroom during the pandemic. One night, she and her whole nuclear family slept under the same roof. She didn't know it then, but it would be the last time, and she started wondering what it would be like to have known that.
In the film, older Elliott ( Aubrey Plaza ) advises younger Elliott ( Maisy Stella ) to not be so eager to leave her provincial town, her younger brothers and her parents and to slow down and appreciate things as they are. She also tells her to stay away from a guy named Chad who she meets the next day and discovers that, unfortunately, he's quite cute.
At 38, Park is just getting started as a filmmaker. Her first, "The Fallout," in which Jenna Ortega plays a teen in the aftermath of a school shooting, had one of those pandemic releases that didn't even feel real. But it did get the attention of Margot Robbie 's production company LuckyChap Entertainment, who reached out to Park to see what other ideas she had brewing.
"They were very instrumental in encouraging me to go with it," Park said. "They're just really even-keeled, good people, which makes... Read More