Wondros Collective has added beauty and lifestyle director/photographer Ondrea Barbe to its roster for U.S. representation spanning commercials, branded content and music videos.
Over the past 20 years, Barbe has used her still photography and filmmaking skills to celebrate the female experience–from inspiring stories of breast cancer survivors to advertising campaigns encouraging self-love and acceptance. Barbe skillfully and honestly captures and conveys the inner strength and genuine beauty of women, and strives to highlight the many different expressions of female empowerment for the promotion of positive social change. She has collaborated on memorable campaigns for Bobbi Brown Cosmetics, Dove, Procter & Gamble Breast Cancer awareness and the NFL, Trish McEvoy books, as well as People Magazine’s annual “I Lost Half My Weight” covers.
Barbe’s client list includes L’Oreal, Garnier, Olay, Clinique, Pantene, Target, Aveeno, Jane Iredale, Mary Kay, P&G, Origins, Elizabeth Arden, Alcon, Acuvue, Roc, Rimmel, Clearasil, and Lenscrafters. She has created promo movie posters for The Real L Word for Showtime, The New Adventures of Old Christine, starring Julia Louis-Dreyfus for Warner Bros Publicity, and Sex in the City 2, just to name a few. Her celebrity clients include Meryl Streep, Tina Fey, Sigourney Weaver, Mariah Carey, Amanda Seyfried, Rita Ora, Amy Adams, Sarah Jessica Parker, Kristen Bell, Salma Hayek and Sally Field.
“Ondrea is a prolific beauty and lifestyle director and photographer who captures the true essence of her subjects, primarily women,” commented Danielle Peretz, sr. executive producer at Wondros Collective. “Ondrea has a deep sense of the endless dimensions of womanhood, and cares deeply about humanity and our planet. Ondrea brings everything to her work. She immerses herself fully into each project.”
Barbe said, “I have always wanted to make ‘feelings’ visual–to create imagery that touches people and speaks to them, awakening in them something they have already known but maybe were never able to articulate. I think art, photography and film can do this for people, open doors to your heart. With leaders like (director) Jesse Dylan and Danielle Peretz, Wondros Collective is a company with an open heart–a collective of thinkers and creators who want to leave the world better than how they found it. This is why I am so excited to be a part of this collective!”
Barbe is currently in postproduction on her first feature-length documentary, Constant Fleeting. Filmed and photographed over a period of 10 years, Constant Fleeting utilizes vérite family footage, photographs, audio recordings and collage to interrogate the themes of motherhood, marital abuse, alcoholism, forgiveness, and death with wrenching complexity and redemption.
Barbe has been working independently in recent years. Some time back, she was handled in the ad arena by A Very Small Office. She now joins a directorial roster at Wondros Collective which includes Dylan, The Cronenweths, Lee Farber, Stephan Malik, Tamika Miller, Riess|Hill and Lacey Uhlemeyer.
Review: Writer-Director Coralie Fargeat’s “The Substance”
In its first two hours, "The Substance" is a well-made, entertaining movie. Writer-director Coralie Fargeat treats audiences to a heavy dose of biting social commentary on ageism and sexism in Hollywood, with a spoonful of sugar- and sparkle-doused body horror.
But the film's deliciously unhinged, blood-soaked and inevitably polarizing third act is what makes it unforgettable.
What begins as a dread-inducing but still relatively palatable sci-fi flick spirals deeper into absurdism and violence, eventually erupting — quite literally — into a full-blown monster movie. Let the viewer decide who the monster is.
Fargeat — who won best screenplay at this year's Cannes Film Festival — has been vocal about her reverence for "The Fly" director David Cronenberg, and fans of the godfather of body horror will see his unmistakable influence. But "The Substance" is also wholly unique and benefits from Fargeat's perspective, which, according to the French filmmaker, has involved extensive grappling with her own relationship to her body and society's scrutiny.
"The Substance" tells the story of Elisabeth Sparkle, a famed aerobics instructor with a televised show, played by a powerfully vulnerable Demi Moore. Sparkle is fired on her 50th birthday by a ruthless executive — a perfectly cast Dennis Quaid, who nails sleazy and gross.
Feeling rejected by a town that once loved her and despairing over her bygone star power, Sparkle learns from a handsome young nurse about a black-market drug that promises to create a "younger, more beautiful, more perfect" version of its user. Though she initially tosses the phone number in the trash, she soon fishes it out in a desperate panic and places an order.
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