Craig Duncan, managing director and partner of Cutters Studios, has been promoted to president. In addition to the responsibilities of his new role, Duncan will continue to fulfill his duties as managing director. He takes the presidential reins from Tim McGuire who continues as company CEO.
McGuire and Duncan have formed a lasting bond over the years. Well known in the creative industry as a premier editor himself, McGuire launched Cutters as an editorial boutique in Chicago back in 1980. By 1984, he added the company’s current sr. editor and sr. partner, Chris Claeys. Building solid industry relationships, attracting and retaining world-class editorial talents, and focusing on family values and strong leadership, Cutters Studios has grown and expanded into the top U.S. advertising markets, as well as Tokyo. Through its partner companies Cutters, Dictionary Films, Flavor and Another Country, the venture represents comprehensive production capabilities.
And many of these developments have soared to new heights since Duncan joined as executive producer in Chicago 10 years ago. Duncan took on the managing director role and was named a partner in 2013.
“This year has put our industry to the test, and across our operations, Craig’s leadership has been an inspiration,” McGuire said. “Great leaders have to put in the work, and no one works harder, is more up for a challenge, or is better at bringing out the best in everyone around him.”
McGuire continued, “I will remain involved in our company as its CEO, but feel the time is right for me to step back from the role of president and to affirm Craig’s vital leadership role in the present and future of Cutters Studios. Even though he sometimes gets a little too serious about his golf game, our industry colleagues, clients and talented staff know that as a leader, he is spectacular.”
The history of Duncan and McGuire builds on their past, in-depth involvement with AICE, the Association of Independent Creative Editors. Named that organization’s president in 2013, Duncan went on to spearhead some major initiatives focusing on diversity and inclusion. He was instrumental in shaping AICE’s 2017 merger with AICP, the Association of Independent Commercial Producers. While also overseeing all Cutters Studios operations, Duncan remains a very active member of the AICP’s National Board.
“Looking back on the past 10 years, Craig has had a major impact on the growth of our editorial talent, as well as the expansion of the Cutters Studios brand, nationally and globally,” Claeys added. “The idea of the Cutters Studios family is another wonderful phenomenon that has grown through Craig’s influence. Those are just some of the many ways he has earned our esteem, and this new role.”
“I have always considered myself a shepherd of the culture that Tim, Chris and the rest of the Cutters Studios’ partners and staff have built and nurtured throughout the years,” said Duncan. “I am incredibly humbled by everyone’s faith in me, and I look forward to continuing to work every day to make Cutters Studios the premier brand representing the top talent in the industry.”
Review: Director John Crowley’s “We Live In Time”
It's not hard to spend a few hours watching Florence Pugh and Andrew Garfield fall and be in love. In "We Live In Time," filmmaker John Crowley puts the audience up close and personal with this photogenic British couple through the highs and lows of a relationships in their 30s.
Everyone starts to think about the idea of time, and not having enough of it to do everything they want, at some point. But it seems to hit a lot of us very acutely in that tricky, lovely third decade. There's that cruel biological clock, of course, but also careers and homes and families getting older. Throw a cancer diagnosis in there and that timer gets ever more aggressive.
While we, and Tobias (Garfield) and Almut (Pugh), do indeed live in time, as we're constantly reminded in big and small ways — clocks and stopwatches are ever-present, literally and metaphorically — the movie hovers above it. The storytelling jumps back and forth through time like a scattershot memory as we piece together these lives that intersect in an elaborate, mystical and darkly comedic way: Almut runs into Tobias with her car. Their first chat is in a hospital hallway, with those glaring fluorescent lights and him bruised and cut all over. But he's so struck by this beautiful woman in front of him, he barely seems to care.
I suppose this could be considered a Lubitschian "meet-cute" even if it knowingly pushes the boundaries of our understanding of that romance trope. Before the hit, Tobias was in a hotel, attempting to sign divorce papers and his pens were out of ink and pencils kept breaking. In a fit of near-mania he leaves, wearing only his bathrobe, to go to a corner store and buy more. Walking back, he drops something in the street and bang: A new relationship is born. It's the... Read More