By Lynn Elber, Television Writer
LOS ANGELES (AP) --A politically charged episode of "black-ish" from 2017 that was shelved by ABC has found a home on Hulu, a corporate sibling of the Disney-owned broadcast network.
"I cannot wait for everyone to finally see the episode for themselves," series creator Kenya Barris posted Monday on social media.
Barris said he hopes the half-hour episode, titled "Please Baby Please," fulfills its original intent: to inspire vital dialogue about "where we want our country to go moving forward and, most importantly, how we get there together."
He asked producer Walt Disney Television to reconsider making the episode available and, in recognition of "the importance of this moment, they listened and agreed," he said.
The network and a representative for Barris did not respond to requests for comment Monday.
The change of heart comes amid ongoing protests and calls for broad social change prompted by the death in May of George Floyd, a Black man, while in Minneapolis police custody.
When ABC decided to pull the episode from the 2017-18 season and put it on ice, the network lauded "black-ish" for its deft examination of "delicate social issues" in an entertaining and educational manner. But "creative differences" over the episode couldn't be resolved, ABC said.
The Emmy-nominated series has tackled thorny social issues during its ABC run, which began in 2014. That a streaming platform was deemed suitable for "Please Baby Please" reflects the creative freedom producers can gain outside the traditional confines of broadcasting.
Barris remains executive producer of "black-ish" (and its spin-offs, ABC's "mixed-ish" and Freeform's "grown-ish"). But he is making new shows, including the edgy family comedy "#BlackAF," as part of a production deal with streamer Netflix.
"Please Baby Please" joins the "black-ish" library of past seasons on Hulu.
The episode revolves around a sleepless night in the household of Dre and Rainbow Johnson (Anthony Anderson, Tracee Ellis Ross). To calm his infant son during a storm, Dre begins by reading a children's book — the Spike Lee-Tonya Lewis Lee work of the episode's title — then shares his own anxieties.
As Dre offers up an improvised fable, it's the actions of the then-fledgling Trump administration that are identified as part of his unease. His monologue includes a thinly veiled reference to "the shady king."
The episode widens out to look at deep social divisions that Dre says followed the election of America's first Black president, Barack Obama, and the eye-opening revelation that "not everyone's a fan" of change, as the character puts it.
"Daddy's scared too. … Everything's so crazy now," Dre says softly to his son at one point.
Through imagery and concerns expressed by other family members, the episode touches on issues besides racism, including mass shootings, climate change and gay rights.
"Black-ish" has four nominations for next month's Emmys on ABC, including lead actor nods for Anderson and Ross.
Jennifer Kent On Why Her Feature Directing Debut, “The Babadook,” Continues To Haunt Us
"The Babadook," when it was released 10 years ago, didn't seem to portend a cultural sensation.
It was the first film by a little-known Australian filmmaker, Jennifer Kent. It had that strange name. On opening weekend, it played in two theaters.
But with time, the long shadows of "The Babadook" continued to envelop moviegoers. Its rerelease this weekend in theaters, a decade later, is less of a reminder of a sleeper 2014 indie hit than it is a chance to revisit a horror milestone that continues to cast a dark spell.
Not many small-budget, first-feature films can be fairly said to have shifted cinema but Kent's directorial debut may be one of them. It was at the nexus of that much-debated term "elevated horror." But regardless of that label, it helped kicked off a wave of challenging, filmmaker-driven genre movies like "It Follows," "Get Out" and "Hereditary."
Kent, 55, has watched all of this — and those many "Babadook" memes — unfold over the years with a mix of elation and confusion. Her film was inspired in part by the death of her father, and its horror elements likewise arise out of the suppression of emotions. A single mother (Essie Davis) is struggling with raising her young son (Noah Wiseman) years after the tragic death of her husband. A figure from a pop-up children's book begins to appear. As things grow more intense, his name is drawn out in three chilling syllables — "Bah-Bah-Doooook" — an incantation of unprocessed grief.
Kent recently spoke from her native Australia to reflect on the origins and continuing life of "The Babadook."
Q: Given that you didn't set out to in any way "change" horror, how have you regarded the unique afterlife of "The... Read More