Following the debut of Rebuilding Paradise at this year’s Sundance Film Festival, National Geographic Documentary Films has unveiled its next feature project from acclaimed director Ron Howard, producer Brian Grazer and Imagine Documentaries. The upcoming documentary will chronicle the globally renowned chef and humanitarian José Andrés and his legendary nonprofit, World Central Kitchen, as they rebuild nations in the wake of disaster, providing healthy food to those affected. Joining Grazer and Howard as producers is Imagine Documentaries’ Sara Bernstein and Justin Wilkes. The film will be executive produced by Imagine Entertainment’s Michael Rosenberg and Louisa Velis, World Central Kitchen’s Nate Mook and Richard Wolffe, and National Geographic Documentary Films’ Carolyn Bernstein and Ryan Harrington.
As the world’s most prominent food-focused first responders, Andrés and the World Central Kitchen team have snapped into action, combating hunger in the wake of crisis by serving over 16 million meals to date. Most recently, the organization has mobilized to bring healthy, nourishing food to those impacted by the coronavirus pandemic, fighting on the front lines globally to deliver meals to quarantined cruise ship passengers, school children, medical professionals, the elderly and the most vulnerable through the #ChefsforAmerica program, which is now serving more than 100,000 meals every day across the United States and in Spain.
Featuring exclusive access to World Central Kitchen’s initiatives and archives, the documentary will follow Andrés and his team around the globe as they address the increasing environmental and humanitarian crises that devastate our world the best way they know how: through food. The film will take an in-depth look at World Central Kitchen’s collaborations with local chefs to feed affected people and first responders, which has instilled an extraordinary sense of hope in these communities. From the front lines of a crisis to the backrooms of the kitchen, the film will examine the restoration of community and the activation of change, one meal at a time.
“Serving people a plate of fresh food after a disaster is more than just about calories to fill them up. A hot meal is comfort, dignity, hope — a sign that someone cares and that tomorrow will be better,” said Andrés. “From Puerto Rico to the Bahamas to Mozambique, I’ve seen how important quick action and constant adaptation are to reach communities in need with the urgency of now. I’m excited to work with National Geographic, along with Ron and the Imagine team, to tell World Central Kitchen’s story and show how powerful food is in the fight to heal people and the planet.”
“When we first started shooting Rebuilding Paradise, I was amazed to see the immediate impact that José and the World Central Kitchen team had on the citizens of Paradise, California, in the aftermath of the crippling fires that destroyed their town,” said director Howard. “And now, following him as he helps those most in need during this pandemic, I realized that the work he’s doing around the world is one of the most critical and oftentimes overlooked necessities in disaster relief. I’m honored to share his mission with audiences around the world.”
“We are delighted to continue our successful partnership with Ron Howard, Brian Grazer and the ferociously talented team at Imagine Documentaries, who share our passion for impactful and authentic storytelling,” said Bernstein, executive vice president of global scripted content and documentary films for National Geographic. “We look forward to inspiring and energizing audiences around the world as we turn the lens on José Andrés and World Central Kitchen’s innovative, compassionate and transformative humanitarian efforts.”
The untitled film on José Andrés and World Central Kitchen is produced for National Geographic Documentary Films by Imagine Documentaries.
National Geographic Documentary Films previously released the Academy Award-, BAFTA- and seven-time Emmy Award-winning film Free Solo; the Sundance Audience Award winner Science Fair; Emmy winners LA 92 and Jane, both of which were included in the top 15 documentaries considered for an Academy Award in 2017; and Dupont Award winner Hell on Earth: The Fall of Syria and the Rise of ISIS. The banner’s latest film, The Cave, from director Feras Fayyad, was nominated for an Academy Award for Best Documentary Feature.
“Moana 2” Opens With A Record $221 Million As Hollywood Celebrates A Moviegoing Feast
Christmas came early at the box office this year.
"Moana 2" brought in a tidal wave of moviegoers over the Thanksgiving Day weekend, setting records with $221 million in ticket sales, according to studio estimates Sunday. That, combined with "Wicked" and "Gladiator II," made for an unprecedented weekend in cinemas and a confluence of blockbusters more like what's often found in late December.
Expectations were high for Walt Disney Co.'s "Moana 2," but the film — originally planned as a series for Disney+ before it was redirected to the big screen — blew predictions out of the water. Its five-day opening set a new record for Thanksgiving moviegoing. (The previous best was $125 million for "Frozen 2" in its second week of release in 2019.) "Moana 2" added $165.3 million internationally; with $386 million worldwide, it's the second-best global launch of the year.
At the same time, the sensation of "Wicked" showed no signs of slowing down. The Universal Pictures musical brought in $117.5 million over the five-day weekend, pushing its two-week global total to $359.2 million. Not accounting for inflation, "Wicked" is now the highest grossing Broadway adaptation over "Grease." (That 1978 film grossed $190 million, but factoring in inflation would put it past $900 million.)
"Gladiator II," meanwhile, also held well, dipping 44% from its opening weekend. Ridley Scott's sequel to his Oscar-winning best picture original collected $44 million in its second weekend. While its steep price tag of $250 million will make profitability challenging, "Gladiator II" has swiftly gathered $320 million worldwide.
Those three films drove the overall box office to a record $420 million in overall Thanksgiving weekend ticket sales, according to... Read More