By David Bauder, Media Writer
NEW YORK (AP) --With millions of Americans homebound due to the coronavirus pandemic, there's little surprise they're curious about what's going on in the world.
News programs reached more people than they had in years and, in one case, notched its biggest average audience ever, the Nielsen company said.
Two of the broadcast evening newscasts, which offer a cogent summary of the day's developments, had a bigger average audience than any program in primetime last week. They were ABC's "World News Tonight," up 38 percent in viewers from its season average, and NBC's "Nightly News," up 47 percent.
The "CBS Evening News" audience was 31 percent higher than it is typically.
The cable news networks, which never turn off, were also playing in millions of American homes. MSNBC's daytime audience, starting at 6 a.m., was higher than any other week since the network began in 1996.
CNN's daytime audience was up a whopping 132 percent from the same week a year ago. Fox News Channel's was up 77 percent and MSNBC's up 38 percent, Nielsen said.
CBS' "60 Minutes" was the most popular primetime show of the week.
CBS, with an average of 5.8 million viewers, was the top broadcast network in primetime, although down from last year without the NCAA men's basketball tournament. NBC averaged 5.2 million viewers, ABC had 4.9 million, Fox had 3.2 million, Univision had 1.7 million, ION Television had 1.4 million, Telemundo had 1.2 million and the CW had 790,000
Fox News Channel topped the cable networks with an average of 4.05 million viewers in primetime. MSNBC had 2.42 million, CNN had 2.15 million, HGTV had 1.22 million and TLC had 1.14 million.
"World News Tonight" averaged 12.5 million viewers for ABC, NBC's "Nightly News" averaged 12 million viewers and the "CBS Evening News" had 7.6 million.
For the week of March 16-22, the top 20 programs, their networks and viewerships:
1. "60 Minutes," CBS, 10.9 million.
2. "The Voice," NBC, 9.99 million.
3. "Chicago Med," NBC, 9.18 million.
4. "Chicago Fire," NBC, 9.02 million.
5. "The Masked Singer," Fox, 8.02 million.
6. "Survivor," CBS, 7.85 million.
7. "American Idol," ABC, 7.69 million.
8. "NCIS," CBS, 7.54 million.
9. "Chicago PD," NBC, 7.51 million.
10. "NCIS: Los Angeles,'" CBS, 7.44 million.
11. "The Neighborhood," CBS, 7.401 million.
12. "Station 19," ABC, 7.397 million.
13. "Bull," CBS, 7.12 million.
14. "This is Us," 7.08 million.
15. "Grey's Anatomy," ABC, 7.03 million.
16. "FBI," CBS, 7 million.
17. "911," Fox, 6.97 million.
18. "Bob Hearts Abishola," CBS, 6.9 million.
19. "NCIS" (Sunday, 8 p.m.), CBS, 6.57 million.
20. "The Conners," ABC, 6.5 million.
Review: Writer-Director Coralie Fargeat’s “The Substance”
In its first two hours, "The Substance" is a well-made, entertaining movie. Writer-director Coralie Fargeat treats audiences to a heavy dose of biting social commentary on ageism and sexism in Hollywood, with a spoonful of sugar- and sparkle-doused body horror.
But the film's deliciously unhinged, blood-soaked and inevitably polarizing third act is what makes it unforgettable.
What begins as a dread-inducing but still relatively palatable sci-fi flick spirals deeper into absurdism and violence, eventually erupting — quite literally — into a full-blown monster movie. Let the viewer decide who the monster is.
Fargeat — who won best screenplay at this year's Cannes Film Festival — has been vocal about her reverence for "The Fly" director David Cronenberg, and fans of the godfather of body horror will see his unmistakable influence. But "The Substance" is also wholly unique and benefits from Fargeat's perspective, which, according to the French filmmaker, has involved extensive grappling with her own relationship to her body and society's scrutiny.
"The Substance" tells the story of Elisabeth Sparkle, a famed aerobics instructor with a televised show, played by a powerfully vulnerable Demi Moore. Sparkle is fired on her 50th birthday by a ruthless executive — a perfectly cast Dennis Quaid, who nails sleazy and gross.
Feeling rejected by a town that once loved her and despairing over her bygone star power, Sparkle learns from a handsome young nurse about a black-market drug that promises to create a "younger, more beautiful, more perfect" version of its user. Though she initially tosses the phone number in the trash, she soon fishes it out in a desperate panic and places an order.
The one rule to follow is that... Read More