Cannes Lions has made contingency plans for its International Festival of Creativity, in light of the evolving global situation regarding Covid-19.
The Festival is still scheduled to take place, as planned, from June 22-26 in Cannes, France. But if health and safety concerns warrant it, Cannes Lions organizers are prepared to postpone the event, having secured through the Mayoral office of Cannes and the French authorities alternative dates of October 26-30. If the decision is made to reschedule the Festival, it will be announced no later than April 15. Weekly updates will be shared ahead of any announcement date.
Cannes Lions organizers continue to monitor the situation closely, with guidance from health and government officials. The priority is ensuring the health, safety and wellbeing of customers, employees, sponsors and partners.
A Cannes Lions release read in part, “Irrespective of the timing of the Festival, we want to reassure the global creative community that we are fully committed to awarding Lions in 2020: all entries will still be judged and awarded by our global juries. As things stand, anyone who is submitting a Lions entry for 2020 should follow the existing process and timeline. If anything about that process changes, we will issue a further announcement.”
Simon Cook, managing director, Cannes Lions, commented: “As we stand today, all of our plans are proceeding as scheduled and we are still working towards Cannes Lions 2020 taking place as planned on 22 June. However, as the global situation is evolving constantly, we want to be open about our contingency plans. We have consulted with our customers and partners and have prepared accordingly by putting measures in place to allow flexibility, should we need it. As always, the safety of all those involved is our utmost priority, and any decision we take will reflect this.”
Review: Writer-Director Coralie Fargeat’s “The Substance”
In its first two hours, "The Substance" is a well-made, entertaining movie. Writer-director Coralie Fargeat treats audiences to a heavy dose of biting social commentary on ageism and sexism in Hollywood, with a spoonful of sugar- and sparkle-doused body horror.
But the film's deliciously unhinged, blood-soaked and inevitably polarizing third act is what makes it unforgettable.
What begins as a dread-inducing but still relatively palatable sci-fi flick spirals deeper into absurdism and violence, eventually erupting — quite literally — into a full-blown monster movie. Let the viewer decide who the monster is.
Fargeat — who won best screenplay at this year's Cannes Film Festival — has been vocal about her reverence for "The Fly" director David Cronenberg, and fans of the godfather of body horror will see his unmistakable influence. But "The Substance" is also wholly unique and benefits from Fargeat's perspective, which, according to the French filmmaker, has involved extensive grappling with her own relationship to her body and society's scrutiny.
"The Substance" tells the story of Elisabeth Sparkle, a famed aerobics instructor with a televised show, played by a powerfully vulnerable Demi Moore. Sparkle is fired on her 50th birthday by a ruthless executive — a perfectly cast Dennis Quaid, who nails sleazy and gross.
Feeling rejected by a town that once loved her and despairing over her bygone star power, Sparkle learns from a handsome young nurse about a black-market drug that promises to create a "younger, more beautiful, more perfect" version of its user. Though she initially tosses the phone number in the trash, she soon fishes it out in a desperate panic and places an order.
The one rule to follow is that... Read More