Stephen de Wolf has been appointed chief creative officer at BBH London. This marks the first time in its 38-year history that BBH has hired from outside the agency to fill its top creative role.
De Wolf joins BBH from Clemenger BBDO in Melbourne, where he was chief creative officer. During his six years there, he helped guide the agency to its worldwide position in 2017 as both D&AD Agency of the Year and Cannes Lions Agency of the Year–the first time any Australian agency has received such an accolade.
His work has been highly lauded around the world for both creativity and effectiveness. Two years ago, he was ranked the number one creative director in the world by the Cannes Lions Global Creative Index. In 2017, de Wolf took home 56 Cannes Lions, including two Grand Prix, for his campaigns on a range of clients including TAC, Mars and Airbnb. His “Meet Graham” road safety campaign for the Transport Accident Commission (TAC) was the most awarded creative campaign in the world that year, and also picked up a prestigious D&AD Black Pencil.
De Wolf was also behind the acclaimed Snickers “Hungerithm” work, which gauged the mood of the internet to adjust the price of Snickers in 7-Eleven stores accordingly, in real time. Other notable highlights include Airbnb’s “Until We All Belong” campaign for equal marriage rights, and Myer’s “Naughty or Nice Bauble” whereby Australia’s largest department store sold magical Christmas decorations which changed from green to red to indicate how naughty or nice people had been.
Prior to Clemenger BBDO Melbourne, de Wolf spent three years as creative director at 18 Feet & Rising, the start up now known as And Rising. He joined a year after the agency was founded, and worked on clients including Nationwide, Virgin Media and Akzo Nobel. Previously he held roles at some of Australasia’s top agencies including JWT Sydney and Saatchi & Saatchi New Zealand.
Joakim Borgström, worldwide chief creative officer of BBH, said: “Stephen is a talent of the highest caliber and I’ve been jealously following his ideas for years. If I could, I would love to dive into his brain to see what he is cooking, and how he is cooking it. I can’t wait to see what he brings to BBH London.”
De Wolf described BBH London as “a beacon of creativity,” adding that he was enthused over joining with its “creatively charged and passionate leadership team,” poised “to make some of the best work of our lives.”
Neil Munn, group CEO of BBH, said: “We searched far and wide for a leader with impeccable creative standards, who can also evolve our business. We have found the right person. Stephen brings pedigree, talent and an infectious energy to succeed.”
From Restoring To Hopefully Preserving Multi-Camera Categories At The Emmys
When Gary Baum, ASC won his fourth career Emmy Award earlier this month, it was especially gratifying in that the honor came in a category--Outstanding Cinematography for a Multi-Camera Half-Hour Series--that had been restored thanks in part to a grass-roots initiative among cinematographers to drum up entries. Last year the category fell by the wayside when not enough multi-camera entries materialized.
In his acceptance speech, Baum appealed to the Television Academy to keep multi-camera categories alive. He later noted to SHOOT that editors also got their multi-camera recognition back in the Emmy competition this year. Baum hopes that after resurrecting multi-camera categories in 2024, such recognition will be preserved for 2025 and beyond.
A major factor in the decline of multi-camera submissions in 2023 was the move of certain children’s and family programming from the primetime Emmy competition to the National Academy of Television Arts and Sciences’ (NATAS) Emmy ceremony. For DPs this meant that multi-camera programs last year were reduced to vying for just one primetime nomination slot in the more general Outstanding Cinematography for a Series (Half-Hour) category. It turned out that this single slot was filled in ‘23 by a Baum-lensed episode of How I Met Your Father (Hulu).
Fast forward to this year’s competition and Baum won for another installment of How I Met Your Father--”Okay Fine, It’s A Hurricane,” which turned out to be the series finale. Two of Baum’s Emmy wins over the years have been for How I Met Your Father, and there’s a certain symmetry to them. His initial win for How I Met Your Father was for the pilot in 2022. So he won Emmys for the very first and last... Read More