Katy Hornaday has been promoted to chief creative officer of Barkley, the Kansas City-based, 400-person independent agency. She previously was EVP, executive creative director at the shop which also has offices in New York, Pittsburgh and Boulder, Colo.
In part due to her leadership, Barkley has enjoyed its most rapid growth in company history–extending locations as well as capabilities–with 2019 setting the record for its best year ever. Barkley’s clients include Dairy Queen, Planet Fitness, Terminix, Taco John’s, Shoprite, Haribo, Winnebago, SmartStyle and Cost Cutters brands for the Regis Corporation, Justin’s, Marc Anthony Hair Products and SelectHealth.
“Katy is one of the strongest natural leaders I have seen in my career. She leads with energy, optimism and a passion for great work that is contagious,” said Barkley CEO Jeff King.
As CCO, Hornaday will continue to lead creative work and oversee larger initiatives like integrating Barkley’s creative department across a growing number of offices.
Prior to joining Barkley in 2012, Hornaday was a sr. copywriter at Crispin, Porter + Bogusky, before moving to Mullen in Boston where she held the title of associate creative director.
“I have spent eight years at Barkley, working alongside an incredible group of people. I’ve seen the agency grow so much. In three years as ECD, I’ve grown so much. It is an honor to continue this journey, with this team, in a city I love, building the kind of agency I’m endlessly proud to be a part of. I’m so grateful,” says Hornaday. “We’ve built some really innovative capabilities over the last few years and I’m excited to continue to develop offerings that build potent modern brands.”
Hornaday is a member of the Creative Circus Advisory Board, served as the chair and host of the 2019 AMP Awards, and served two years on the AICP Curatorial Committee. This year, she will serve on the One Show’s Creative Effectiveness jury.
“Katy adds creativity to absolutely all she touches, making everything smarter, bigger, better and ‘righter.’ Whether she’s building a team, lifting a creative’s potential, adding to our culture or doing her day job of building potent modern brands, she just does what’s right, and she’s fearless about it—which gives everyone around her the confidence to run up any hill, to take on any kind of project,” said Tim Galles, chief idea officer at Barkley.
Review: Writer-Director Coralie Fargeat’s “The Substance”
In its first two hours, "The Substance" is a well-made, entertaining movie. Writer-director Coralie Fargeat treats audiences to a heavy dose of biting social commentary on ageism and sexism in Hollywood, with a spoonful of sugar- and sparkle-doused body horror.
But the film's deliciously unhinged, blood-soaked and inevitably polarizing third act is what makes it unforgettable.
What begins as a dread-inducing but still relatively palatable sci-fi flick spirals deeper into absurdism and violence, eventually erupting — quite literally — into a full-blown monster movie. Let the viewer decide who the monster is.
Fargeat — who won best screenplay at this year's Cannes Film Festival — has been vocal about her reverence for "The Fly" director David Cronenberg, and fans of the godfather of body horror will see his unmistakable influence. But "The Substance" is also wholly unique and benefits from Fargeat's perspective, which, according to the French filmmaker, has involved extensive grappling with her own relationship to her body and society's scrutiny.
"The Substance" tells the story of Elisabeth Sparkle, a famed aerobics instructor with a televised show, played by a powerfully vulnerable Demi Moore. Sparkle is fired on her 50th birthday by a ruthless executive — a perfectly cast Dennis Quaid, who nails sleazy and gross.
Feeling rejected by a town that once loved her and despairing over her bygone star power, Sparkle learns from a handsome young nurse about a black-market drug that promises to create a "younger, more beautiful, more perfect" version of its user. Though she initially tosses the phone number in the trash, she soon fishes it out in a desperate panic and places an order.
The one rule to follow is that... Read More