By Mark Kennedy, AP Entertainment Writer
In the northwest of Scotland, there stands a glacier-carved mountain called Suilven. Climbing it is not for the timid. But that's not a word that describes the unusual heroine determined to conquer Suilven in the film "Edie ."
Edith Moore — everyone calls her Edie — is no ordinary climber. She's 83 and has been sedentary for most of that time. That mountain, though, looms large in her mind in this quiet, unrushed and moving tale of age and will.
Director Simon Hunter spends as much time focusing on the crags of the glorious mountain as the ones on Edie's face, making it sometimes seem as if the Scottish Tourism Board and AARP teamed up to make a movie.
Edie, lovingly portrayed by the brilliant Sheila Hancock, is a bitter and stubborn woman when we first meet her. She's been taking care of her ill and controlling husband for decades, nursing a long-held dream to climb Suilven. (Her last name is a clue: She wants more). His death liberates her, sending her to the Scottish Highlands, finally.
"I've lived a whole life and most of it I would change if I could," she says. "I've wasted so much time doing nothing. I can't give this up now."
No one she encounters thinks climbing the mountain is a good idea for a woman in her 80s who sometimes has a hard time opening car doors, except for the young co-owner of a local camping shop, Jonny (a soulful Kevin Guthrie). Edie is laughed at by the locals or considered an easy mark, but Jonny and Edie bond despite their age gap. He feels trapped in his life, too.
Together, they get Edie ready for the tough, three-day climb. There are setbacks — "Leave me alone. I'm geriatric," she jokes — and cool new gear to buy. (Edie is a little flummoxed by modern climbing jackets. "It's got holes in it," she complains. "Yeah," replies Jonny. "For your thumbs.")
As far as the plot goes, that's pretty much it: Older woman attempts to scale a mountain. Hancock fills in so much of the spare script with her quiet control, her expressive face and eyes. When she finally laughs, you feel it.
It might seem flimsy but there's so much here, including exploring ideas of fulfillment, regret and taking a chance. Plus, it's refreshing to have a film heroine with white hair and wrinkles. When was the last time we saw an 80-plus woman in a film in a bubble bath drinking wine?
The screenplay by Elizabeth O'Halloran (from a story by Edward Lynden-Bell) doesn't wrap up everything in a bow at the end — it actually just sort of ends, abruptly — and Debbie Wiseman's eager and overemotional score sometimes undermines the actors' more quiet work. But the uplifting "Edie" is worthy of your time, mostly thanks to Hancock and Scotland's natural beauty.
"Edie," a Music Box Films release, is unrated. Running time: 102 minutes. Three stars out of four.
Sinners and Saints Adds Apple Pie To Its Branded Menu
Bicoastal Sinners and Saints--the multidisciplinary studio overseen by managing director/executive producer Heather Heller, and partners/EPs Yann Henric and Thomas Carroll--has added Apple Pie Tabletop to its roster for branded content. Known for its food and beverage content creation, Apple Pie comprises the husband-and-wife team of director/DP Gene Dubin and director/art director Alisa Volodina. In addition to representation, the move expands Apple Pie’s production capabilities through the combination of its centrally located full-service studio in New York and a newly established mobile studio in Los Angeles. Apple Pie recently teamed with Sinners and Saints on a Wienerschnitzel project created by Innocean.
“We believe that our dual studio strategy positions us uniquely in the competitive landscape of food and beverage storytelling,” said Heller. “By blending the artistry of the New York studio with the flexibility of our Los Angeles location, we can tailor our productions to meet the unique demands of each project, regardless of geography.”
“Working with Sinners and Saints in the demanding field of tabletop was an absolute pleasure,” shared Apple Pie Tabletop in a joint statement. “Warm welcome, unwavering support and dedication--everything a director can ask for. The entire experience was both enjoyable and rewarding. We will not miss an opportunity to collaborate with them again.”
“The first thing you notice is that Apple Pie has beautiful work,” Heller observed. “Having worked with them, I can say that Gene and Alisa are extremely meticulous and detail-oriented; their combination of talent and agility appeals to agencies and clients.” Also appealing to Heller is Apple Pie Tabletop’s brisk international... Read More