By David Bauder, Media Writer
NEW YORK (AP) --The CBS crime series “Instinct” finished first last week in what seems like a race to the bottom.
It was the 20th most-watched program on the Nielsen company’s weekly list, and the only comedy or drama scripted series to make the Top 20. There were no scripted series that were among the 40 most popular cable programs last week, either.
That’s a reflection of the time of year and changing viewing habits. Broadcast networks rarely bother with scripted series when viewership is down over the summer. Cable doesn’t have much, either, and with streaming services getting people in the habit of choosing to watch TV on their own time, there are few series on that people rush to watch when it first airs.
CBS used to thrive on reruns in the summer. But only two reruns last week, “Blue Bloods” and “Bull,” were seen by more than three million people.
Without scripted series, Nielsen’s Top 20 last week was crowded with game shows and, in the wake of Special Counsel Robert Mueller’s testimony before the House, five of Fox News Channel’s primetime programs.
NBC won the week in prime time, averaging 3.4 million viewers. ABC had 3.1 million, CBS had 2.8 million, Fox had 1.6 million, ION Television had 1.5 million, Telemundo had 1.2 million, Univision had 1 million and the CW had 600,000.
Fox News Channel was the week’s most popular cable network, averaging 2.73 million viewers. MSNBC had 1.54 million, HGTV had 1.27 million, Hallmark had 1.26 million and USA had 1.2 million.
ABC’s “World News Tonight” topped the evening newscasts with an average of 8 million viewers. NBC’s “Nightly News” was second with 7 million and the “CBS Evening News” had 4.7 million.
Below are primetime viewership numbers compiled by Nielsen for July 22-28. Listings include the week’s ranking and viewership.
1. “America’s Got Talent,” NBC, 10.13 million.
2. “60 Minutes,” CBS, 6.81 million.
3. “The Bachelorette,” ABC, 6.62 million.
4. “Celebrity Family Feud,” ABC, 5.62 million.
5. “The $100,000 Pyramid,” ABC, 4.81 million.
6. “Hannity” (Wednesday), Fox News, 4.77 million.
7. “American Ninja Warrior,” NBC, 4.74 million.
8. “Bring the Funny,” NBC, 4.33 million.
9. “Big Brother” (Sunday), CBS, 4.302 million.
10. “Tucker Carlson Tonight” (Wednesday), Fox News, 4.3 million.
11. “Hannity” (Thursday), Fox News, 4.15 million.
12. “America’s Funniest Home Videos,” ABC, 4.12 million.
13. “Dateline NBC” (Monday), NBC, 4.04 million.
14. “Big Brother” (Thursday), CBS, 3.896 million.
15. “Big Brother” (Wednesday), CBS, 3.895 million.
16. “The Ingraham Angle” (Wednesday), Fox News, 3.83 million.
17. “Press Your Luck,” ABC, 3.66 million.
18. “Tucker Carlson Tonight” (Thursday), Fox News, 3.48 million.
19. “To Tell the Truth,” ABC, 3.46 million.
20. “Instinct,” CBS, 3.35 million.
ABC is owned by The Walt Disney Co.; CBS is a division of CBS Corp.; Fox is owned by 21st Century Fox; NBC is owned by NBC Universal.
Jennifer Kent On Why Her Feature Directing Debut, “The Babadook,” Continues To Haunt Us
"The Babadook," when it was released 10 years ago, didn't seem to portend a cultural sensation.
It was the first film by a little-known Australian filmmaker, Jennifer Kent. It had that strange name. On opening weekend, it played in two theaters.
But with time, the long shadows of "The Babadook" continued to envelop moviegoers. Its rerelease this weekend in theaters, a decade later, is less of a reminder of a sleeper 2014 indie hit than it is a chance to revisit a horror milestone that continues to cast a dark spell.
Not many small-budget, first-feature films can be fairly said to have shifted cinema but Kent's directorial debut may be one of them. It was at the nexus of that much-debated term "elevated horror." But regardless of that label, it helped kicked off a wave of challenging, filmmaker-driven genre movies like "It Follows," "Get Out" and "Hereditary."
Kent, 55, has watched all of this — and those many "Babadook" memes — unfold over the years with a mix of elation and confusion. Her film was inspired in part by the death of her father, and its horror elements likewise arise out of the suppression of emotions. A single mother (Essie Davis) is struggling with raising her young son (Noah Wiseman) years after the tragic death of her husband. A figure from a pop-up children's book begins to appear. As things grow more intense, his name is drawn out in three chilling syllables — "Bah-Bah-Doooook" — an incantation of unprocessed grief.
Kent recently spoke from her native Australia to reflect on the origins and continuing life of "The Babadook."
Q: Given that you didn't set out to in any way "change" horror, how have you regarded the unique afterlife of "The... Read More