Stink Filmsโ Anthony Mandler directs film for creative collective Saturday Morning
Continuing the conversation from its Emmy Award-winning film “The Talk,” Procter & Gamble has released a new film designed to spark reflection and dialogue on racial bias and inequality. Titled “The Look,” the piece highlights bias as experienced by many Black men in America and is available beginning today together with educational resources online.
“The Look” follows a Black man throughout his day as he encounters a variety of “looks” that symbolize a barrier to acceptance. In the film, the windows of a passing car are raised after his son waves to a young girl in the back seat, occupants of an elevator seem to shut him out as he approaches, and workers in a department store watch him with suspicion as he shops. Whether intentional or not, these small “looks” can have a major impact. The film ends with the line, “Let’s talk about the look so we can see beyond it.”
Click here to see the film and to access historical records and contemporary stories for each scene–along with other educational material.
Anthony Mandler of Stink Films directed “The Look,” which was lensed by DP Malik Sayeed. Sam Ostrove of Cabin Edit cut the film, with sound handled by Barking Owl. The agency behind the film, website (www.talkaboutbias.com) and overall integrated campaign is Saturday Morning, a creative collective founded by executives in the advertising industry who came together to create ideas that bring awareness to and shift perceptions on racial bias and injustice.
“The story of ‘The Look’ is based in the real-world experience of thousands of Black men across the country who experience bias in different ways, big and small, every day. This film is an opportunity for the world to see – and feel – what it’s like to walk in their shoes,” said Kwame Taylor-Hayford, a co-founder of Saturday Morning. “Partnering with companies like P&G on thought-provoking and authentic work like ‘The Look’ will lead to deeper and richer conversation that will inspire change.”
Director Mandler related, “When I first saw the idea for The Look, I immediately knew I wanted to be part of this project. As a filmmaker, I believe in the power of narrative. It can reveal truths, change minds, move culture. We can’t fight racial bias unless we acknowledge that it exists, so I’m humbled to be part of a project that confronts a difficult subject with such directness.
“We want to live in a world that is equal and inclusive–in race, gender, ethnicity, sexual identity, ability, religion and age–but the reality is, it’s not fully equal or inclusive and one of the core reasons is bias,” said Marc Pritchard, chief brand officer, Procter & Gamble. “Empathy can be a particularly effective antidote to bias, and we created ‘The Look’ to change perspectives, prompt personal introspection, and bring people together for a conversation to ultimately change hearts and minds.”
“Bias is part of the human condition, something we all have and something we all experience. It is most frequently unconscious, formed by generations of social norms. ‘The Look’ is designed to constructively challenge people to look beyond what they think they see,” said Damon Jones, VP, global communications and advocacy, Procter & Gamble. “Beyond highlighting bias, this film also celebrates the strength, humanity and resilience of Black men who are thriving amidst many obstacles. It is one part of a comprehensive effort that will help address individual and institutionalized bias to create meaningful change.”
Over the past year, P&G partnered with BET Networks on a comprehensive study called Black Men Revealed, highlighting compelling data on prevailing narratives in media and entertainment, including those on parental involvement, relationship status and economic pursuits. Insights from this study are being shared with groups across the country to enable more accurate, positive portrayals of Black men in film, television and news – all key factors in addressing the underlying bias in society.
The film will be followed by a series of nationwide community conversations, individual and classroom educational resources and reading guides, informative and inspirational podcasts, virtual reality extensions and ongoing digital and social media activities through the end of 2019. This program is designed to go beyond simple awareness and equip and enable individuals and communities with tools to create lasting, substantive change.
Other credits on “The Look” include Jeff Baron and Fran McGivern of Stink as managing director and EP, respectively, with Mark Hall serving as producer. Fernanda Guerrero was art director, with Monique Vilfort as stylist. Red Creek was the production services company.
Review: Writer-Director Coralie Fargeat’s “The Substance”
In its first two hours, "The Substance" is a well-made, entertaining movie. Writer-director Coralie Fargeat treats audiences to a heavy dose of biting social commentary on ageism and sexism in Hollywood, with a spoonful of sugar- and sparkle-doused body horror.
But the film's deliciously unhinged, blood-soaked and inevitably polarizing third act is what makes it unforgettable.
What begins as a dread-inducing but still relatively palatable sci-fi flick spirals deeper into absurdism and violence, eventually erupting โ quite literally โ into a full-blown monster movie. Let the viewer decide who the monster is.
Fargeat โ who won best screenplay at this year's Cannes Film Festival โ has been vocal about her reverence for "The Fly" director David Cronenberg, and fans of the godfather of body horror will see his unmistakable influence. But "The Substance" is also wholly unique and benefits from Fargeat's perspective, which, according to the French filmmaker, has involved extensive grappling with her own relationship to her body and society's scrutiny.
"The Substance" tells the story of Elisabeth Sparkle, a famed aerobics instructor with a televised show, played by a powerfully vulnerable Demi Moore. Sparkle is fired on her 50th birthday by a ruthless executive โ a perfectly cast Dennis Quaid, who nails sleazy and gross.
Feeling rejected by a town that once loved her and despairing over her bygone star power, Sparkle learns from a handsome young nurse about a black-market drug that promises to create a "younger, more beautiful, more perfect" version of its user. Though she initially tosses the phone number in the trash, she soon fishes it out in a desperate panic and places an order.
The one rule to follow is that... Read More