Sanctuary Content has signed documentary filmmaker Paul Hairston for commercials and branded content in the U.S.
After leaving film school at NYU, Hairston found a niche creating content that tackled controversial topics for several politicians, which eventually led to the opportunity to contribute to the Bernie Sanders presidential campaign in 2016. Exposing vulnerability across the polarizing political landscape was a theme Hairston brought to the Sanders campaign trail with the release of It’s Not Over. The stirring four-minute spot features activist Erica Garner (whose father, Eric, died after a police officer placed him in a chokehold), and emphasizes her support of Sanders as a fellow protester who is not afraid to combat injustices in the criminal justice system.
In the piece “Island Without Power,” Hairston chronicles the disaster relief efforts by Duracell in aftermath of Hurricane Maria. Rather than promote the brand’s humanitarian initiative, Hairston, along with a team from Wieden+Kennedy NY, brought the realities of the people of Puerto Rico to the forefront, spotlighting the incredible resilience of hundreds of thousands of families left without electrical power even months after the storm. Sincerity shines through in his other work for brands like Subaru, Clif Bar and State Farm, for which Hairston and DBB NY followed seven-year-old Katherine, a hometown hero who set out to collect food and supplies for her local animal shelter.
Hairston’s Vimeo Staff Pick short Tasting Sight chronicles the unsighted world of Andy, a father of three, whose vision was lost until he was offered the chance to see again via an innovative piece of technology. Documenting Andy’s emotional journey was an awakening for Hairston, who came to fully realize the value of his own family’s support and his healthy eyesight throughout filming, both of which enable him to do what he loves–directing films, documentaries, and commercials.
Prior to joining Sanctuary, Hairston was repped by production house Acres in the ad arena. He observed, “This is an exciting time to be in the commercial filmmaking sphere because there’s so many risks being taken–artistically, creatively, narratively–which is why I’m so privileged to join Sanctuary. [Executive producer] Preston Lee has built a roster of stunningly talented directors; each one knows how to push the boundaries of emotional storytelling.”
Lee related, “I’ve been following Paul’s career for the past two years. Sanctuary’s NY executive producer/head of sales Kristen Bedard Johnson and I couldn’t be more excited to have the opportunity to finally work with him. He’s got an amazingly innate ability to hone directly in on the emotion of a story with his filmmaking. At our core, Sanctuary is a collective of original storytellers and Paul fits that mold and our culture perfectly.”
Relative to his approach, Hairston shared, “I truly believe the most effective way to communicate with one another is vulnerability, and film is the medium to do that. Finding common ground and highlighting our similarities rather than our differences–that’s what makes us human.”
After 20 Years of Acting, Megan Park Finds Her Groove In The Director’s Chair On “My Old Ass”
Megan Park feels a little bad that her movie is making so many people cry. It's not just a single tear either — more like full body sobs.
She didn't set out to make a tearjerker with "My Old Ass," now streaming on Prime Video. She just wanted to tell a story about a young woman in conversation with her older self. The film is quite funny (the dialogue between 18-year-old and almost 40-year-old Elliott happens because of a mushroom trip that includes a Justin Bieber cover), but it packs an emotional punch, too.
Writing, Park said, is often her way of working through things. When she put pen to paper on "My Old Ass," she was a new mom and staying in her childhood bedroom during the pandemic. One night, she and her whole nuclear family slept under the same roof. She didn't know it then, but it would be the last time, and she started wondering what it would be like to have known that.
In the film, older Elliott ( Aubrey Plaza ) advises younger Elliott ( Maisy Stella ) to not be so eager to leave her provincial town, her younger brothers and her parents and to slow down and appreciate things as they are. She also tells her to stay away from a guy named Chad who she meets the next day and discovers that, unfortunately, he's quite cute.
At 38, Park is just getting started as a filmmaker. Her first, "The Fallout," in which Jenna Ortega plays a teen in the aftermath of a school shooting, had one of those pandemic releases that didn't even feel real. But it did get the attention of Margot Robbie 's production company LuckyChap Entertainment, who reached out to Park to see what other ideas she had brewing.
"They were very instrumental in encouraging me to go with it," Park said. "They're just really even-keeled, good people, which makes... Read More