By Jake Coyle, Film Writer
CANNES, France (AP) --As the red carpet unfurled Tuesday at the 72nd Cannes Film Festival and Jim Jarmusch's zombie comedy "The Dead Don't Die" was set to premiere, jury president Alejandro Inarritu criticized U.S. President Donald Trump's plans for a Mexican border wall and lamented his tweets as "bricks of isolation."
Inarritu, the Mexican-born filmmaker of "Birdman" and "The Revenant," is the first Latin American to preside over the jury that decides Cannes' top honor, the Palme d'Or. Addressing reporters on the festival's opening day alongside fellow jury members, Inarritu drew a parallel between the rhetoric of Trump to that of the 1930s.
"We know how this story ends if we keep with that rhetoric," said Inarritu. "We think we are evolving with the technology and social media. It seems every tweet is a brick of isolation attached to ideological things and is creating a lot of isolation and paranoia."
This year's Cannes arrives with the usual swirl of celebrity and controversy. Among the starrier films debuting at the festival on the French Riviera will be Quentin Tarantino's 1969 Los Angeles tale "Once Upon a Time in Hollywood" and the Elton John biopic "Rocketman."
Also on tap are the latest from renowned auteurs Pedro Almodovar, Terrence Malick and the Dardennes brothers. Also of interest will be the debut from Mati Diop, "Atlantique," which marks the first black woman filmmaker in competition in Cannes.
Last year's Cannes saw 82 women, which represented the number of women directors to ever appear in competition in Cannes, protest for gender inequality on the festival's famed red carpet steps. Cannes artistic director Thierry Fremaux signed a pledge promising to make the festival's selection process more transparent and to push executive boards toward gender parity.
This year, there are four women in Cannes' 21-film main slate, tying the festival's previous high in 2011. For the first time, Cannes has revealed gender-based statistics on its submissions and selections, a measure of transparency that had been requested by 50/50X2020, the French sister group of Time's Up. Fremaux on Tuesday defended the festival's record, bristling at critics who have said Cannes isn't progressing quickly enough.
"I'm looking forward to time when we come and we don't have to say 'the women directors' and 'as a woman,'" said juror member Kelly Riechart, the "Wendy and Lucy" filmmaker and a jury member
"People keep asking us what's it like being a woman director," said Italian filmmaker and Cannes regular Alice Rohrwacher, also a jury member. "It's a bit like asking someone who's survived a shipwreck why they're still alive. Well, ask the person who built the boat."
Also on the jury are "The Favourite" director Yorgos Lanthimos, Poland's Pawel Pawlikowski ("Cold War"), French director Enki Bilal, Senegalese actress-director Maimouna N'Diaye, French filmmaker Robin Campillo and actress Elle Fanning.
At 21, Fanning is the youngest juror ever in Cannes.
"I definitely am young but I started acting very young, as well," said Fanning, whose first movie role came at age four.
As was the case last year, there are no Netflix releases in competition at Cannes. Following an outcry from French theater owners, the festival has required films in its main slate to have theatrical distribution in France. Netflix, unwilling to adhere to an exclusive theatrical window of three years in France, last year pulled its films, including Alfonso Cuaron's "Roma."
Inarritu, a close friend of Cuaron's, said "cinema was born to be experienced in a communal experience." But he spoke strongly in support of Netflix for backing the kinds of movies — including those in a country's native language — that rarely make it into U.S. and global cinemas.
"They have been capitalizing on the lack of these films," said Inarritu. "Why not give the choice to people to experience cinema?"
Some previous Cannes jury presidents have had a forceful influence on the movies chosen for awards. But Inarritu, who said he didn't want to "judge" movies but preferred "to be impregnated by them," promised he would be a very passive jury leader.
"I have never controlled anything," said the director. "Not my sets, not my family, nothing."
SCHROM x Yacht Club and Be Electric Studios Launch Electric XR for Virtual Production
SCHROM x Yacht Club, a full-service live-action, tabletop, and postproduction company, has teamed with Be Electric Studios, a soundstage, equipment rental, and virtual production company, to launch Electric XR, a virtual production collective.
Industry veteran Thomas Rossano will lead the new venture, which provides advanced virtual production solutions across multiple facilities. He brings over 25 years of experience in live-action, tabletop, postproduction and talent curation to enhance Electric XR’s offerings as a resource for brands and agencies, as well as other production companies in need of virtual production solutions. Additionally Rossano continues to serve as EP at XR New York (XR-NY), a role he’s held since December 2022. SCHROM x Yacht Club originally established XR-NY to help provide XR services for third-party rentals. While XR-NY will continue to function independently for SCHROM X Yacht Club, it now operates under the Electric XR umbrella.
Rossano’s expertise spans producing live-action commercials, branded content, interactive and experiential content. In addition to leading Electric XR, he holds responsibilities at SCHROM x Yacht Club which include driving business development, collaborating with sales reps and expanding the company’s creative talent network. Rossano’s career includes serving as an exec producer at Hungry Man for about 11 years, right from that company’s inception. He then went on to become a partner at Station Film where he also had a lengthy tenure. Later he was a partner at PRISM. Then after the pandemic hit, he became a freelance EP for nearly two years, looking into opportunities in virtual production, which led him to XR NY and now Electric XR. Over the years, he has produced high-profile... Read More