The top films in 2018 featured more female and people of color in lead roles than ever before, according to a new study from the University of Southern California's Annenberg Inclusion Initiative.
In a report released Tuesday, researchers found that women were the lead or co-lead in 40 of the 100 highest-grossing films of 2018. That's an increase of eight movies from 2017 and 20 movies from 2007, when the annual study was begun.
There were 28 films with leads or co-leads from an underrepresented racial or ethnic group in 2018. That, too, was a substantial increase from the year prior and the highest mark on record.
Those numbers still fall short of reflecting demographics. Women make up about 51 percent of the U.S. population. Underrepresented groups make up about 39 percent of the population.
The gains came in a year that saw record box-office returns, thanks in part to releases like "Black Panther," the top-selling film in North American theaters, and the breakout romantic comedy, "Crazy Rich Asians."
Stacy L. Smith, director of the Annenberg Inclusion Initiative, called the results "a step in the right direction."
"2018 offers hope that industry members have taken action to create content that better reflects the world in which we live, and the box office seems to have rewarded them for it," said Smith. "This data shows us that it is possible for change to be achieved — companies must not grow complacent but continue the progress they have made in 2019 and in the years to come."
Some of the largest increases came in more narrow demographics. Eleven of the top 100 films starred a woman of color. In 2017, there were four. The same number of films, 11, featured female leads aged 45 years or older. In 2017, there were five.
Rom-Com Mainstay Hugh Grant Shifts To The Dark Side and He’s Never Been Happier
After some difficulties connecting to a Zoom, Hugh Grant eventually opts to just phone instead.
"Sorry about that," he apologizes. "Tech hell." Grant is no lover of technology. Smart phones, for example, he calls the "devil's tinderbox."
"I think they're killing us. I hate them," he says. "I go on long holidays from them, three or four days at at time. Marvelous."
Hell, and our proximity to it, is a not unrelated topic to Grant's new film, "Heretic." In it, two young Mormon missionaries (Chloe East, Sophie Thatcher) come knocking on a door they'll soon regret visiting. They're welcomed in by Mr. Reed (Grant), an initially charming man who tests their faith in theological debate, and then, in much worse things.
After decades in romantic comedies, Grant has spent the last few years playing narcissists, weirdos and murders, often to the greatest acclaim of his career. But in "Heretic," a horror thriller from A24, Grant's turn to the dark side reaches a new extreme. The actor who once charmingly stammered in "Four Weddings and a Funeral" and who danced to the Pointer Sisters in "Love Actually" is now doing heinous things to young people in a basement.
"It was a challenge," Grant says. "I think human beings need challenges. It makes your beer taste better in the evening if you've climbed a mountain. He was just so wonderfully (expletive)-up."
"Heretic," which opens in theaters Friday, is directed by Scott Beck and Bryan Woods, co-writers of "A Quiet Place." In Grant's hands, Mr. Reed is a divinely good baddie — a scholarly creep whose wry monologues pull from a wide range of references, including, fittingly, Radiohead's "Creep."
In an interview, Grant spoke about these and other facets of his character, his journey... Read More