By Mark Kennedy, Entertainment Writer
NEW YORK (AP) --For so long, movies around the holidays have been merry and bright. Lately, more and more seem murderous and designed to fright.
Take this winter, where, of course, sugary options abounded, such as "Mary Poppins Returns" on the big screen and "A Christmas Prince: The Royal Wedding" on TV. Then there's the post-apocalyptic survival story "Bird Box."
Released just days before Christmas on Netflix, the Sandra Bullock-led thriller is about monstrous entities that compel any human who sees them to quickly try to kill themselves. Not exactly the stuff of sugar plum fairies.
But even though Netflix declines to release viewership numbers, "Bird Box" seems to have struck a nerve, triggering the creation of memes and online chatter for a very dark film dropped into the festive period.
"I have never ever had as much attention or as many page likes, post likes/ shares and comments on any of my other pages as I have had on this one," says Heather Drake, who started a Facebook page for fans of the story and is not affiliated with the film or distributors. "It's been insane. I can't even come close to responding to all the feedback, if that tells you anything."
Critics have been mixed toward "Bird Box," with many noting similarities to John Krasinski's "A Quiet Place." Variety complained about the "inexplicably bland ensemble" and The Hollywood Reporter sniffed that it was "not all that it might have been." The Guardian declared it "a bird-brained mess."
In some ways, it shouldn't come as a surprise that a film about monsters attacking people showed up on the online video streamer on Dec. 21. Alternate Christmas movies are all the rage these days, from "Die Hard," ''In Bruges," ''Kiss Kiss Bang Bang" and "Lethal Weapon."
Drake thinks the holiday timing of "Bird Box" isn't that important, noting the need for fresh and intriguing movies during the holidays far from usual stale fare like "It's a Wonderful Life" or "Rudolph the Red-Nosed Reindeer."
"I don't honestly think it would have mattered if it was Dec. 21 or July 21," she said. "However, Dec. 21 would give an advantage as many people are on vacation from school and work. And who doesn't want to cozy up and 'Netflix and chill' on a cold night when they don't have to worry about school or work the next day?"
Netflix's decision may also be an attempt to replicate last late-December's hit "Bright," starring Will Smith and Joel Egerton. That supernatural cop drama also wasn't received well by critics but garnered strong word-of-mouth interest and a sequel has been promised.
Bullock has been one of Hollywood's top stars since her 1994 hit "Speed" but had never made a horror movie until "Bird Box." She told The Associated Press before a special screening in New York this month that the risks she and the cast undertook were somehow appealing.
To evade the movie monsters, Bullock and two young children are blindfolded while navigating through a forest and a treacherous river. The title refers to a literal box of birds that her character carries — the birds begin to chirp when the unseen evil approaches. Like the timing of the final film, it seemed to be a fresh challenge.
"Anytime that they yelled 'Stop!' we knew we knew we had gotten to a place where we could all get injured," Bullock said. "And we fell. And I said don't stop the camera unless I say, 'Stop!'"
Associated Press reporter John Carucci contributed to this report.
Jennifer Kent On Why Her Feature Directing Debut, “The Babadook,” Continues To Haunt Us
"The Babadook," when it was released 10 years ago, didn't seem to portend a cultural sensation.
It was the first film by a little-known Australian filmmaker, Jennifer Kent. It had that strange name. On opening weekend, it played in two theaters.
But with time, the long shadows of "The Babadook" continued to envelop moviegoers. Its rerelease this weekend in theaters, a decade later, is less of a reminder of a sleeper 2014 indie hit than it is a chance to revisit a horror milestone that continues to cast a dark spell.
Not many small-budget, first-feature films can be fairly said to have shifted cinema but Kent's directorial debut may be one of them. It was at the nexus of that much-debated term "elevated horror." But regardless of that label, it helped kicked off a wave of challenging, filmmaker-driven genre movies like "It Follows," "Get Out" and "Hereditary."
Kent, 55, has watched all of this — and those many "Babadook" memes — unfold over the years with a mix of elation and confusion. Her film was inspired in part by the death of her father, and its horror elements likewise arise out of the suppression of emotions. A single mother (Essie Davis) is struggling with raising her young son (Noah Wiseman) years after the tragic death of her husband. A figure from a pop-up children's book begins to appear. As things grow more intense, his name is drawn out in three chilling syllables — "Bah-Bah-Doooook" — an incantation of unprocessed grief.
Kent recently spoke from her native Australia to reflect on the origins and continuing life of "The Babadook."
Q: Given that you didn't set out to in any way "change" horror, how have you regarded the unique afterlife of "The... Read More