By Lindsey Bahr, Film Writer
LOS ANGELES (AP) --"Hotel Transylvania 3: Summer Vacation" has checked into the No. 1 spot at the box office in its opening weekend and left the Dwayne Johnson action thriller, "Skyscraper," in the dust.
Sony Pictures estimated Sunday that the animated family movie earned $44.1 million from North American theaters. As the first in the franchise to open in the summer, it's just slightly under the previous installment's $48.5 million debut in September 2015.
Worldwide, "Hotel Transylvania 3" has already earned more than $100 million.
"It's really terrific," said Adrian Smith, Sony's head of domestic distribution. "We're positioned to take advantage of the valuable summer weekdays and there are six weeks of summer left."
The successful series has grossed over $900 million worldwide to date.
Going into the weekend, experts expected a three-way race to the top between "Hotel Transylvania 3," ''Skyscraper" and "Ant-Man and the Wasp," but the family film won by a large margin.
"There haven't been a lot of options for families this summer," said comScore senior media analyst Paul Dergarabedian. "They become instant hits."
Johnson's "Skyscraper," a rare original summer blockbuster, remained earthbound in its first weekend in North America. The Universal Pictures film brought in only $25.5 million domestically. "Skyscraper" cost a reported $125 million to produce, not accounting for marketing costs.
Johnson has been a consistent presence in movie theaters this year with both "Jumanji: Welcome to the Jungle" and "Rampage" prior to "Skyscraper." Both previous films opened in the $35 million range, and while "Jumanji" went on to be a worldwide box office juggernaut, "Rampage" petered out domestically just under $100 million. As with "Rampage," however, the studio is expecting the majority of "Skyscraper" profits to come from international audiences.
"'Skyscraper' is really engineered for a global release and it got a terrific start," said Jim Orr, Universal's president of domestic distribution. "We have great faith in a more than terrific run at the domestic box office going forward."
Internationally, "Skyscraper" grossed $40.4 million from 57 territories for a global total of $65.9 million.
Second place went to Disney and Marvel's "Ant-Man and the Wasp," which brought in an additional $28.8 million in its second weekend, down 62 percent from last week. It's one of the steeper second week falls in the Marvel Cinematic Universe. The first "Ant-Man" fell 53 percent.
"Incredibles 2" took fourth place with $16.2 million and "Jurassic World: Fallen Kingdom" rounded out the top five with $15.5 million.
A handful of smaller releases made notable splashes this weekend including Annapurna's buzzy dystopian satire "Sorry to Bother You," which opened in limited release last week and added 789 locations this weekend. It earned $4.3 million in its expansion for spot No. 7 on the charts.
The coming of age film "Eighth Grade" also scored top marks, and the highest per theater average of the year, with $252,284 from four theaters. The well-reviewed pic will expand nationwide in the coming weeks.
And documentaries continue to perform well too, including the Fred Rogers doc "Won't You Be My Neighbor?" which added $1.9 million from 868 theaters, and "Three Identical Strangers" which expanded to 167 theaters and grossed $1.2 million.
Estimated ticket sales are for Friday through Sunday at U.S. and Canadian theaters, according to comScore. Where available, the latest international numbers for Friday through Sunday are also included. Final domestic figures will be released Monday.
1. "Hotel Transylvania 3: Summer Vacation," $44.1 million ($46.4 million international).
2. "Ant-Man and the Wasp," $28.8 million ($35.3 million international).
3. "Skyscraper," $25.5 million ($40.4 million international).
4. "Incredibles 2," $16.2 million ($33.3 million international).
5. "Jurassic World: Fallen Kingdom," $15.5 million ($26.7 million international).
6. "The First Purge," $9.1 million ($6.2 million international).
7. "Sorry to Bother You," $4.3 million.
8. "Sicario: Day of the Soldado," $3.9 million ($1.7 million international).
9. "Uncle Drew," $3.2 million ($70,000 international).
10. "Ocean's 8," $2.9 million ($4.3 million international).
Estimated ticket sales for Friday through Sunday at international theaters (excluding the U.S. and Canada), according to comScore:
1. "Dying to Survive," $66.6 million.
2. "Hotel Transylvania 3: Summer Vacation," $46.4 million.
3. "Hidden Man," $44.8 million.
4. "Skyscraper," $40.4 million.
5. "Ant-Man and the Wasp," $35.3 million.
6. "Incredibles 2," $33.3 million.
7. "Jurassic World: Fallen Kingdom," $26.7 million.
8. "Asura," $6.6 million.
9. "The First Purge," $6.2 million.
10. "Ocean's 8," $4.3 million.
Universal and Focus are owned by NBC Universal, a unit of Comcast Corp.; Sony, Columbia, Sony Screen Gems and Sony Pictures Classics are units of Sony Corp.; Paramount is owned by Viacom Inc.; Disney, Pixar and Marvel are owned by The Walt Disney Co.; Miramax is owned by Filmyard Holdings LLC; 20th Century Fox and Fox Searchlight are owned by 21st Century Fox; Warner Bros. and New Line are units of Time Warner Inc.; MGM is owned by a group of former creditors including Highland Capital, Anchorage Advisors and Carl Icahn; Lionsgate is owned by Lions Gate Entertainment Corp.; IFC is owned by AMC Networks Inc.; Rogue is owned by Relativity Media LLC.
Jennifer Kent On Why Her Feature Directing Debut, “The Babadook,” Continues To Haunt Us
"The Babadook," when it was released 10 years ago, didn't seem to portend a cultural sensation.
It was the first film by a little-known Australian filmmaker, Jennifer Kent. It had that strange name. On opening weekend, it played in two theaters.
But with time, the long shadows of "The Babadook" continued to envelop moviegoers. Its rerelease this weekend in theaters, a decade later, is less of a reminder of a sleeper 2014 indie hit than it is a chance to revisit a horror milestone that continues to cast a dark spell.
Not many small-budget, first-feature films can be fairly said to have shifted cinema but Kent's directorial debut may be one of them. It was at the nexus of that much-debated term "elevated horror." But regardless of that label, it helped kicked off a wave of challenging, filmmaker-driven genre movies like "It Follows," "Get Out" and "Hereditary."
Kent, 55, has watched all of this — and those many "Babadook" memes — unfold over the years with a mix of elation and confusion. Her film was inspired in part by the death of her father, and its horror elements likewise arise out of the suppression of emotions. A single mother (Essie Davis) is struggling with raising her young son (Noah Wiseman) years after the tragic death of her husband. A figure from a pop-up children's book begins to appear. As things grow more intense, his name is drawn out in three chilling syllables — "Bah-Bah-Doooook" — an incantation of unprocessed grief.
Kent recently spoke from her native Australia to reflect on the origins and continuing life of "The Babadook."
Q: Given that you didn't set out to in any way "change" horror, how have you regarded the unique afterlife of "The... Read More