By Danica Kirka
LONDON (AP) --The BBC struck a deal Friday with a senior journalist who quit her post to protest the British media company's gender pay gap.
The broadcaster accepted that Carrie Gracie, the broadcaster's former China editor, had been told she would be paid along the same lines as the North American editor when she took the job. It also apologized for underpaying her.
Gracie chose to donate backdated pay to The Fawcett Society, a gender equality charity, so that it could set up a fund for women who need legal advice on equal pay claims.
"For me this has always been about the principle, and not about the money so I'm giving all of that money away to help women who need it more than I do," she said. "After all, today, at the BBC, I can say I am equal, and I would like women in workplaces up and down this country to be able to say the same."
Gracie resigned the China job in early January after learning that male colleagues in similar jobs had much higher salaries. Her open letter of resignation fueled a national debate on gender pay.
Gracie, who is still employed by the BBC, did not move to her next post quietly. She told Parliament's media committee that she was shocked to learn of the pay disparity. She testified that the BBC had treated women who protested the pay gap as "the enemy."
"I thought I had won a commitment to pay parity when I set off to China, which is why I got such a shock when I discovered that two men as international editors were being paid at least 50 percent more than the two women international editors," she testified. She was earning 135,000 pounds a year.
The BBC had already been embarrassed by the release last year of a list of top earners, which showed that two-thirds of the best-paid workers were men. Many men were also found to be receiving much larger salaries than women in comparable jobs.
Six of its highest-paid male broadcasters agreed to take pay cuts in light of Gracie's actions.
"I am pleased that we've been able to move past our differences and work through things together" the BBC's director-general Tony Hall said. "We can now look to the future."
Gracie will now take unpaid leave at her own request and plans to use the time to speak on China and gender equality. She said it was a huge day for her, and for the BBC, which she described as her "work family."
"Sometimes families feel the need to shout at each other," Gracie said. "But it's always a relief when you can stop shouting."
Jennifer Kent On Why Her Feature Directing Debut, “The Babadook,” Continues To Haunt Us
"The Babadook," when it was released 10 years ago, didn't seem to portend a cultural sensation.
It was the first film by a little-known Australian filmmaker, Jennifer Kent. It had that strange name. On opening weekend, it played in two theaters.
But with time, the long shadows of "The Babadook" continued to envelop moviegoers. Its rerelease this weekend in theaters, a decade later, is less of a reminder of a sleeper 2014 indie hit than it is a chance to revisit a horror milestone that continues to cast a dark spell.
Not many small-budget, first-feature films can be fairly said to have shifted cinema but Kent's directorial debut may be one of them. It was at the nexus of that much-debated term "elevated horror." But regardless of that label, it helped kicked off a wave of challenging, filmmaker-driven genre movies like "It Follows," "Get Out" and "Hereditary."
Kent, 55, has watched all of this — and those many "Babadook" memes — unfold over the years with a mix of elation and confusion. Her film was inspired in part by the death of her father, and its horror elements likewise arise out of the suppression of emotions. A single mother (Essie Davis) is struggling with raising her young son (Noah Wiseman) years after the tragic death of her husband. A figure from a pop-up children's book begins to appear. As things grow more intense, his name is drawn out in three chilling syllables — "Bah-Bah-Doooook" — an incantation of unprocessed grief.
Kent recently spoke from her native Australia to reflect on the origins and continuing life of "The Babadook."
Q: Given that you didn't set out to in any way "change" horror, how have you regarded the unique afterlife of "The... Read More