By Sandy Cohen, AP Entertainment Writer
Mitch Rapp is an action hero in the vein of Jack Ryan or John McClane: an impossibly tough and determined everyday guy out to save the world.
Dylan O'Brien brings a youthful freshness to that archetype in "American Assassin," his first leading-man role and the first big-screen adaptation of Vince Flynn's series of Rapp novels. The character is scrappy and outspoken, rebellious and single-minded, and a skilled wielder of all manner of weapons.
But Rapp is first seen onscreen as a starry-eyed lover in Ibiza about to propose to his girlfriend. Their idyllic moment is ruined when terrorists storm the beach and Rapp's fiancée ends up among the dead.
Flash forward 18 months and Rapp is a bearded recluse in Rhode Island, where he's been studying Arabic, mastering firearms and practicing martial arts. He plans to take out the terror kingpin responsible for the Ibiza attack. But his clandestine training catches the eye of a CIA recruiter (Sanaa Lathan), who brings Rapp in as a counterterrorism operative.
From there, the story jumps around multiple international destinations as Rapp undergoes advanced training with the humorless Stan Hurley (Michael Keaton) and onto a mission to recover a heap of stolen plutonium. Iranian forces intend to make a nuclear weapon to attack Israel. But an American mercenary and former student of Hurley's known as Ghost (Taylor Kitsch) is also involved, and he has his own ideas about how the plutonium should be used.
Further complicating the story are the various double-agents involved and an apparently complex yet unexplained history between Ghost and Hurley. But no matter: O'Brien is wonderful to watch, a convincing action star with perfectly tousled hair. He brings a sensitivity to Rapp that balances his brutality, making him easy to root for, even if he doesn't always follow the rules.
Keaton's Hurley is practically forgettable until a staggering scene near the film's end that shows just how crazy his character is.
As often happens with these international thrillers, plot holes are compensated for with action and spectacular settings. "American Assassin" takes viewers to Italy, Romania, Poland, Libya and Turkey, along with various locations in the U.S.
But Rapp is an interesting guy, and "American Assassin" is his origin story. Unfortunately, in setting up for a sequel, the film's ending goes too far, essentially trading Rapp's newly established gravitas for superhero shtick.
"American Assassin," a CBS Film release, is rated R for "strong violence throughout, some torture, language and brief nudity." Running time: 111 minutes. Two and a half stars out of four.
Jennifer Kent On Why Her Feature Directing Debut, “The Babadook,” Continues To Haunt Us
"The Babadook," when it was released 10 years ago, didn't seem to portend a cultural sensation.
It was the first film by a little-known Australian filmmaker, Jennifer Kent. It had that strange name. On opening weekend, it played in two theaters.
But with time, the long shadows of "The Babadook" continued to envelop moviegoers. Its rerelease this weekend in theaters, a decade later, is less of a reminder of a sleeper 2014 indie hit than it is a chance to revisit a horror milestone that continues to cast a dark spell.
Not many small-budget, first-feature films can be fairly said to have shifted cinema but Kent's directorial debut may be one of them. It was at the nexus of that much-debated term "elevated horror." But regardless of that label, it helped kicked off a wave of challenging, filmmaker-driven genre movies like "It Follows," "Get Out" and "Hereditary."
Kent, 55, has watched all of this — and those many "Babadook" memes — unfold over the years with a mix of elation and confusion. Her film was inspired in part by the death of her father, and its horror elements likewise arise out of the suppression of emotions. A single mother (Essie Davis) is struggling with raising her young son (Noah Wiseman) years after the tragic death of her husband. A figure from a pop-up children's book begins to appear. As things grow more intense, his name is drawn out in three chilling syllables — "Bah-Bah-Doooook" — an incantation of unprocessed grief.
Kent recently spoke from her native Australia to reflect on the origins and continuing life of "The Babadook."
Q: Given that you didn't set out to in any way "change" horror, how have you regarded the unique afterlife of "The... Read More