Michael Houston has been promoted to worldwide CEO of Grey Group. A 10-year veteran of Grey, he has served since 2016 as global president and becomes only the fifth person to hold the CEO position since Grey’s founding in 1917.
James R. Heekin III, who has led the company, as chairman and CEO of Grey Group since 2007, will remain executive chairman of Grey Group. He will continue to work closely with Houston, global management and clients to ensure a smooth transition and Grey’s ongoing success in the years ahead.
“As we celebrate Grey’s centennial and a decade of record new business growth and creative performance, the time is right for the elevation of a new generation,” Heekin said. “Michael Houston is one of our most dynamic and talented leaders. This well-deserved promotion will enable us to set the agenda for Grey’s future growth and competitiveness across our global network.”
Houston related, “As global president, I’ve traveled the world and been inspired by the depth and breadth of talent and creativity across the Grey network. I’m humbled to work among such brilliant creative minds and honored to become CEO of this great agency brand at the height of its momentum, with vast potential ahead.”
2017 is shaping up to be Grey’s 10th year in a row of record new business and creative performance worldwide. This year alone Grey has won the global Revlon account and the U.S. accounts of Walgreens and Applebee’s. The agency’s soaring creative reputation includes the win of over 270 Cannes Lions in the past three years.
Michael Houston
Houston joined Grey New York, the global network’s flagship headquarters office, in 2007 as executive VP, director of marketing, to lead Grey’s business development and brand marketing efforts. He was promoted to global chief marketing officer of Grey worldwide in 2010 in recognition of Grey’s unprecedented growth. Appointed to the new position of managing director of Grey New York in 2011, Houston took on the role of COO of the 1,000-person strong office in 2012.
One year later, Houston was promoted to CEO of Grey North America overseeing the New York, San Francisco and Canadian offices as well as Grey Activation and PR and Wing, the multicultural marketing communications agency. Under his leadership, Grey has won such blue-chip clients as Gillette, Volvo, Nestlé, Hasbro, Papa John’s, Kellogg’s and Marriott. He took on an expanded worldwide leadership role in 2016 when he became global president of Grey.
James R. Heekin III
Heekin became chairman and CEO of Grey Group in January 2007, after leading Grey, the company’s global advertising arm, since the fall of 2005. He succeeded Edward H. Meyer, whose career included more than three decades as CEO.
Under Heekin’s leadership, Grey has energized its management ranks with a sweeping infusion of world-class talent; introduced a new global strategic model for developing outstanding creative ideas across platforms; enhanced its total communications offering with acquisitions in every region; and enjoyed the most successful decade in its history adding over $2 billion in new business billings from blue-chip clients.
Review: Malcolm Washington Makes His Feature Directing Debut With “The Piano Lesson”
An heirloom piano takes on immense significance for one family in 1936 Pittsburgh in August Wilson's "The Piano Lesson." Generational ties also permeate the film adaptation, in which Malcolm Washington follows in his father Denzel Washington's footsteps in helping to bring the entirety of The Pittsburgh Cycle — a series of 10 plays — to the screen.
Malcolm Washington did not start from scratch in his accomplished feature filmmaking debut. He enlisted much of the cast from the recent Broadway revival with Samuel L. Jackson (Doaker Charles), his brother, John David Washington (Boy Willie), Ray Fisher (Lymon) and Michael Potts (Whining Boy). Berniece, played by Danielle Brooks in the play, is now beautifully portrayed by Danielle Deadwyler. With such rich material and a cast for whom it's second nature, it would be hard, one imagines, to go wrong. Jackson's own history with the play goes back to its original run in 1987 when he was Boy Willie.
It's not the simplest thing to make a play feel cinematic, but Malcolm Washington was up to the task. His film opens up the world of the Charles family beyond the living room. In fact, this adaptation, which Washington co-wrote with "Mudbound" screenwriter Virgil Williams, goes beyond Wilson's text and shows us the past and the origins of the intricately engraved piano that's central to all the fuss. It even opens on a big, action-filled set piece in 1911, during which the piano is stolen from a white family's home. Another fleshes out Doaker's monologue in which he explains to the uninitiated, Fisher's Lymon, and the audience, the tortured history of the thing. While it might have been nice to keep the camera on Jackson, such a great, grounding presence throughout, the good news is that he really makes... Read More