By Jake Coyle, Film Writer
NEW YORK (AP) --"Wonder Woman" conquered milestones and movie myths at North American theaters, where the Patty Jenkins-directed superhero film powered its way to a $100.5 million debut this weekend and became the biggest blockbuster ever directed by a woman.
The well-reviewed movie easily surpassed industry expectations with one of the summer's biggest debuts, according to studio estimates Sunday. Starring Gal Gadot as the Amazonian warrior princess, "Wonder Woman" is the rare – and most successful – female-led film in an overwhelmingly male superhero landscape.
It proved a hit with moviegoers, earning a CinemaScore of A. While skewing somewhat female, it drew a fairly evenly split audience. Warner Bros. said 52 percent of the audience was female and 48 percent male. "Wonder Woman" added $122.5 million internationally, including $38 million in China.
"It shows that superhero movies aren't just about men. They're about women as well," said Jeff Goldstein, distribution chief for Warner Bros. "All the noise about Patty Jenkins breaking the glass ceiling for directors, I think that added to it as well."
Women have long struggled to get behind the camera of Hollywood's biggest productions. Female directors accounted for just 9 percent of the 250 top-grossing movies in North America in 2015 and only 7 percent in 2016.
Jenkins, who previously directed 2003's "Monster" starring Charlize Theron, now holds the record for biggest domestic opening for a female director. The previous mark was Sam Taylor-Johnson's "Fifty Shades of Grey," with $85.1 million in 2015.
Some still had issues with "Wonder Woman." Online critics complained of gender inequality after the Alamo Drafthouse scheduled a handful of female-only screenings across the country. Lebanon banned the film because Gadot is Israeli.
Nevertheless, "Wonder Woman" represents a turning point for Warner Bros. and DC Comics, which have together struggled in recent years to match the Marvel-Disney juggernaut. While "Wonder Woman" didn't match the box-office might of "Batman v. Superman" (a $166 million opening) or "Suicide Squad" ($133.7 million), it was much better received than those roundly derided releases.
"This is a dramatic step in the right direction," Goldstein said. "We've heard fans. We've heard critics. These properties are very complicated and beloved. To get it right, it takes a lot of work. I think on this movie, all of us got it right."
Last week's top film, "Pirates of the Caribbean: Dead Men Tell No Tales," slid dramatically to $21.6 million in its second week. It landed in third place, behind Fox's "Captain Underpants: The First Epic Movie." The animated release, in which a pair of students make their principal think he's a superhero by hypnotizing him, opened with $23.5 million.
But "Pirates" still sails well overseas. It's made $386.6 million internationally, driving the Disney sequel to more than $500 million globally.
The success of "Wonder Woman" gave the summer box office a much-needed charge. Thus far, the season's only blockbuster has been its first: "Guardians of the Galaxy Vol. 2." It has made $355.5 million in North America and $816.6 million worldwide.
"Wonder Woman," though, pushed the week's box office up 30 percent over the same week last year, according to comScore.
"This saves the day, at least for now, for the summer box office," said Paul Dergarabedian, senior media analyst for comScore. "Heading into this weekend, the summer movie season was down about 9 percent, and that deficit has been cut by about half in this one weekend."
Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to comScore. Where available, the latest international numbers also are included. Final domestic figures will be released Monday.
1. "Wonder Woman," $100.5 million ($122.5 million international).
2. "Captain Underpants: The First Epic Movie," $23.5 million.
3. "Pirates of the Caribbean: Dead Men Tell No Tells," $21.6 million ($73.8 million international).
4. "Guardians of the Galaxy Vol. 2," $9.7 million ($4.4 million international).
5. "Baywatch," $8.5 million ($23.8 million international).
6. "Alien: Covenant," $4 million ($3.7 million international).
7. "Everything Everything," $3.3 million.
8. "Snatched," $1.3 million.
9. "Diary of a Wimpy Kid: The Long Haul," $1.2 million.
10. "King Arthur: Legend of the Sword," $1.2 million ($3.7 million international).
Estimated ticket sales for Friday through Sunday at international theaters (excluding the U.S. and Canada), according to comScore:
1. "Wonder Woman," $122.5 million international.
2. "Pirates of the Caribbean: Dead Men Tell No Tells," $73.8 million.
3. "Baywatch," $23.8 million.
4. "Dangal," $8.8 million.
5. "Guardians of the Galaxy Vol. 2," $4.4 million.
5. "Warriors of the Dawn," $4.1 million.
6. "Doraemon: Great Adventure In The Antarctic," $3.9 million.
7. "Alien: Covenant," $3.7 million.
8. "King Arthur: Legend of the Sword," $3.7 million.
9. "Get Out," $3.2 million
10. "Beauty and the Beast," $3.1 million
Google Opens Its Defense In Antitrust Case Alleging Monopoly Over Online Ad Technology
Google opened its defense against allegations that it holds an illegal monopoly on online advertising technology Friday with witness testimony saying the industry is vastly more complex and competitive than portrayed by the federal government.
"The industry has been exceptionally fluid over the last 18 years," said Scott Sheffer, a vice president for global partnerships at Google, the company's first witness at its antitrust trial in federal court in Alexandria.
The Justice Department and a coalition of states contend that Google built and maintained an illegal monopoly over the technology that facilitates the buying and selling of online ads seen by consumers.
Google counters that the government's case improperly focuses on a narrow type of online ads โ essentially the rectangular ones that appear on the top and on the right-hand side of a webpage. In its opening statement, Google's lawyers said the Supreme Court has warned judges against taking action when dealing with rapidly emerging technology like what Sheffer described because of the risk of error or unintended consequences.
Google says defining the market so narrowly ignores the competition it faces from social media companies, Amazon, streaming TV providers and others who offer advertisers the means to reach online consumers.
Justice Department lawyers called witnesses to testify for two weeks before resting their case Friday afternoon, detailing the ways that automated ad exchanges conduct auctions in a matter of milliseconds to determine which ads are placed in front of which consumers and how much they cost.
The department contends the auctions are finessed in subtle ways that benefit Google to the exclusion of would-be competitors and in ways that prevent... Read More