By Jake Coyle, Film Writer
NEW YORK (AP) --The taskmaster toddler of "The Boss Baby" dethroned Disney's "Beauty and the Beast" at the box office with a $49 million debut, handing its star Alec Baldwin what President Donald Trump might call a "huge" no. 1 opening.
Paramount Pictures suffered another flop with its controversy-plagued "Ghost in the Shell."
The DreamWorks Animation release from 20th Century Fox, starring Baldwin as a suit-clad baby, narrowly edged out the previous two-week leader, according to studio estimates Sunday. The live-action "Beauty and the Beast" took in $48 million in its third weekend. Final North American ticket sales will be released Monday.
"We expected a decent opening. We didn't expect to be number one," said Chris Aronson, Fox distribution chief.
Despite the popularity of "Beauty and the Beast" (nearly $400 million domestically in 17 days, and $876.3 million globally), "Boss Baby" was able to attract its own family audience.
Aronson credited that partly to the appeal of Baldwin, whose impression of Donald Trump on "Saturday Night Live" has lately been ubiquitous. "Boss Baby" also evokes Baldwin's old "Glengarry Glen Ross" character with quips like "Cookies are for closers."
"Alec Baldwin's voice is recognizable, in general. But he's so topical now because of some of the other things he's doing right now," Aronson said. "It's a very distinctive voice, and if you put it on a baby, it's funny."
"Ghost in the Shell," a remake of a classic 1995 Japanese anime film, couldn't compete with either family-friendly release. The dystopian science-fiction thriller, starring Scarlett Johansson, opened with just $19 million, a poor showing for a film that cost about $110 million to make.
Many took issue with the casting of Johansson as the cyborg protagonist who was Japanese in the original, calling it another example of Hollywood "whitewashing."
"We had hopes for better results domestically. I think the conversation regarding casting impacted the reviews," said Kyle Davies, domestic distribution chief for Paramount. "You've got a movie that is very important to the fanboys since it's based on a Japanese anime movie. So you're always trying to thread that needle between honoring the source material and make a movie for a mass audience. That's challenging, but clearly the reviews didn't help."
Audiences appeared to agree with critics, giving the film a mediocre B CinemaScore.
"Ghost in the Shell" will instead hope to find more eager moviegoers in Japan (where the casting controversy has not resonated) and China next weekend. Opening in most other countries this weekend, "Ghosts in the Shell" took in a modest $40.1 million.
Paramount has recently suffered a string of box-office disappointments. Last week, Viacom Inc. hired former Fox film head Jim Gianopulos to turn around its film division.
In limited release, Focus Features' "The Zookeeper's Wife," starring Jessica Chastain, opened well with $3.3 million at 541 locations. Based on Diane Ackerman's non-fiction book, the film is about a woman's efforts to save Jews during the Holocaust. It will expand next weekend.
Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to comScore. Where available, the latest international numbers also are included. Final domestic figures will be released Monday.
1. "The Boss Baby," $49 million ($36.5 million international).
2. "Beauty and the Beast," $48 million. ($67 million international).
3. "Ghost in the Shell," $19 million ($40.1 million international).
4. "Power Rangers," $14.5 million ($8.1 million international).
5. "Kong: Skull Island," $8.8 million ($34.6 million international).
6. "Logan," $6.2 million ($5.2 million international).
7. "Get Out," $5.8 million ($2.3 million international).
8. "Life," $5.6 million ($6.3 million international).
9. "Chips," $4.1 million ($1.4 million international).
10. "The Zookeeper's Wife," $3.4 million.
Estimated ticket sales for Friday through Sunday at international theaters (excluding the U.S. and Canada), according to comScore:
1. "Beauty and the Beast," $67 million.
2. "Ghost in the Shell," $40.1 million.
3. "The Boss Baby," $36.5 million.
4. "Kong: Skull Island," $34.6 million.
5. "The Devotion Of Suspect X," $22.2 million.
6. "Smurfs: The Lost Village," $15.1 million.
7. "Extraordinary Mission," $8.2 million.
8. "Power Rangers," $8.1 million.
9. "Life," $6.3 million.
10. "The Missing," $6.2 million.
“Dune: Part Two” and “House of the Dragon” Win 2 HPA Awards Apiece
Dune: Part Two and House of the Dragon each scored two HPA Awards during a gala ceremony at the Television Academy’s Wolf Theatre in North Hollywood, Calif. on Thursday night (11/7). The HPA Awards honor trailblazing talent in the postproduction industry, celebrating standout achievements in color grading, sound, editing, restoration, and visual effects across theatrical features, commercials, and episodics.
Dune: Part Two topped the Outstanding Color Grading--Live Action Theatrical Feature and the Outstanding Sound--Theatrical Feature categories.
House of the Dragon’s two wins were for “The Red Dragon and the Gold” episode which scored for Outstanding Visual Effects--Live Action Episode or Series Season, and Outstanding Editing--Episode or Non-Theatrical Feature (Over 30 Minutes). In the latter HPA Creative Category, House of the Dragon tied with the “Part Six: Far,l Far Away” episode of Ahsoka.
The HPA’s Judges Award for Creativity and Innovation honored Taylor Swift | The Eras Tour. This recognition celebrates the profound impact on both live and filmed entertainment that defined The Eras Tour, underscoring its exceptional impact on audiences and the industry. The jury issued a statement outlining their choice: “Celebrated as the cultural phenomenon of 2023, Taylor Swift | The Eras Tour set new records in box office sales, tour revenues, and attendance. The tour showcased exceptional artistry and innovation, making a profound impact on both live and filmed entertainment.”
This year, FotoKem was awarded the Charles S. Swartz Award for its role in supporting filmmakers, studios, cinematographers, and artists across diverse film and media landscapes. Also celebrated... Read More